Woody Guthrie's well-known melody combined with Robert DeCormier's incomparable arranging skill provides a musical moment that will be fun for your choir and your audience.Available separately: SATB only. Performance time: Approx. 3:05.

Climb Ev'ry Mountain - an immortal classic Rodgers and Hammerstein The Sound of Music in a spectacular setting! This version has been expertly arranged for SAB choir by Ed Lojeski for the concert series. Combine all these choral settings for a spine-tingling conclusion to your concert or graduation ceremony! Available: SATB SAB 2-Part. Performance Time: Approx. 3:20. Climb Ev'ry Mountain - an immortal classic Rodgers and Hammerstein The Sound of Music in a spectacular setting! This version has been expertly arranged for SAB choir by Ed Lojeski for the concert series. Combine all these choral settings for a spine-tingling conclusion to your concert or graduation ceremony! Available: SATB SAB 2-Part. Performance Time: Approx. 3:20.

Available: SATB Video.

Pop sensation Meghan Trainor throws back to a nostalgic style for these how to be a classy guy instructions. A super showcase for SSA groups! Pop sensation Meghan Trainor throws back to a nostalgic style for these “how to be a classy guy” instructions. A super showcase for SSA groups!

3 trumpets clarinet 2 trombones tuba

The hit TV series Glee keeps rolling along with a talented and engaging cast performing contemporary versions of classic rock hits. Here is a medley of some of their most memorable numbers skillfully arranged for the concertstage. Includes: Jump Total Eclipse of the Heart The Safety Dance and Dream On.

Scored for three altos two tenors and baritone saxophones. Scored for three altos two tenors and baritone saxophones.

New in the Discovery Concert series this is a sure-fire winner for younger choirs. The infectious rhythms and positive lyrics will surely make this a favorite for both performers and audience. Includes optional Christmaslyrics.Available separately: SATB 3-Part Mixed SSA and ShowTrax CD. Performance Time: Approx. 2:45New in the Discovery Concert series this is a sure-fire winner for younger choirs. The infectious rhythms and positive lyrics will surely make this a favorite for both performers and audience. Includes optional Christmas lyrics. Available separately: SATB 3-Part Mixed SSA and ShowTrax CD. Performance Time: Approx. 2:45.

Irish Children's Song-A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The vocals are set in a simple homophonic style which makes the body percussion achievable. Can be performed with or without piano. Don't miss this fantastic concert closer! A guaranteed showstopper! This playful Irish children's song has been set with rousing clapping and stomping to reflect how it might have been sung by children during their playtime. The Vocals are set in a simple homophonic style which makes the Body Percussion achievable. This work can be performed with or without Piano and makes a fantastic concert closer!

A spectacular sixth collection of original compositions and top notch arrangements of classic tunes by John Edmondson and Anne McGinty for beginning Concert bands and Big bands. A spectacular sixth collection of original compositions and top notch arrangements of classic tunes by John Edmondson and Anne McGinty for beginning Concert bands and Big bands.

With a touch of high country ruggedness and Appalachian charm this original overture by Paul Murtha is an excellent choice for contest or concert programming. A single catchy melody is woven throughout the work in a variety ofstyles and settings. From the joyous opening and clarinet statement to the tender slower sections to the blazing full band passages this work packs plenty of variety into a very effective setting.

Welcome to Willomocky! Join Camp Leader Miss Rigby who whips the troops into shape for fun and learning about the Bible and Big Chief Willomocky. It's all here: a campfire sleeping under the stars hiking athunderstorm rainbows butterflies and a contest to determine the best camper. Meg has her own plan on how to win...but she and all the campers learn some very important truths along the way. Funny...touching...and teaching.Perfect for grades 1-6. Easy. 7 songs. Performance time: approx. 40 minutes. Available: Director's Manual Singer's Edition 5-Pak Reproducible Pak ChoirTrax Preview CD CD 10-Pak and Preview Pak.

Uses: General Thanksgiving Scripture: I Thessalonians 5:18 This sensational song of gratitude is a sincere call to being thankful for the blessings of life. The beautifully arching melody gives singersan expressive moment to enjoy and pianists will revel in the ways the piano interacts with the voices. Written to be useful anytime program as an offertory to add meaning and power to this important moment in worship.

A collection of 30 all-time favorite salon/recital/encore pieces for violin solo. Featured are tangos waltzes dances and beautiful solos by composers such as Kreisler Strauss Bach and others. Piano Accompaniment and Audioavailable online.

A great celebration of music and creation elevate this glorious piece. Winner of the NDSU competition and selected for the Jo Ann Miller Choral Series and appropriate for fine high school and college choirs.

Opening with hushed anticipation this anthem builds to a triumphant song of celebration. Weaving scriptural paraphrases with a beautiful original text this anthem captures the joy of the first Easter morning. Soaring!

Percussion Trio - Grade 3-Trio for Two Snares and Bass.

For the setting of Lux Aurumque the composer chose the Latin translation of an Edward Esch poem enhancing the elegant simplicity of this new work. The tight harmonies will need to be carefully balanced by a well trained acappella choir. Suitable for an advanced high school choir and beyond. Moderately difficult. Light warm and heavy as pure gold and the angels sing softly to the newborn babe. A poem by Edward Esch (translated into Latin by Charles Anthony Silvestri) with tight shimmering harmonies. For SATB Choir (divisi) A Cappella. As performed by Eric Whitacre's Virtual Choir

Arranged by William Dawson.

Nico Muhly 's My Days for ATTB choir and five Viola Da Gambas. Full score. This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012. ' My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text is derived from Psalm 39 which Gibbons himself set as well as anaccount of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ‘Gibbonsy’ verses and responses. A series of semiimprovisedfragments on the text Take thy plague away from me introduces the third section of the piece where plucked strings create a halo around the text hear my prayer OLord. The piece ends with the ornaments wildly exploded over the voices singing two words endlessly repeated. ' - Nico Muhly Nico Muhly 's My Days for ATTB choir and five Viola Da Gambas. Full score. This 16 minute piece of sheet music was commissioned by Wigmore Hall and the world première was performed by Fretwork and Hilliard Ensemble at Wigmore Hall October 2 2012. ' My Days is a ritualised memory piece about Orlando Gibbons (1583-1625) written for two ensembles whose recordings informed so much of my musical development. I feel like I spend half of my life trying to trick string players to play like Fretwork and vocalists to singlike the Hilliard Ensemble so it was with enormous pleasure that I composed this piece. The text is derived from Psalm 39 which Gibbons himself set as well as an account of Gibbons's own autopsy which is a poignant 17th century semi-anonymous text. One of the most thrilling things about the sound of five violas da gamba playing together is the sense of their phrasing being derived from vocal music but made somehow electric and ecstatic through ornamentation and the friction of the strings. The piece has an idée fixe based on a minor scale with two possible resolutions and many ornaments. In between iterations the voices in rhythmic unison intone the psalm. It isn't until the autopsy text arrives that the voices begin to split into more elaborate ‘Gibbonsy’ vers