A dozen of the year's best from GN'R Daughtry Mastodon Kings of Leon and other rockstars. Includes: Chinese Democracy; Come On Get Higher; Hard to See; I Will Not Bow; New Moon Rising; No Surprise; Oblivion; Second Chance; Set to Fail; Still I Rise; Toes; Use Somebody . A dozen of the year's best from GN'R Daughtry Mastodon Kings of Leon and other rockstars. Includes: Chinese Democracy; Come On Get Higher; Hard to See; I Will Not Bow; New Moon Rising; No Surprise; Oblivion; Second Chance; Set to Fail; Still I Rise; Toes; Use Somebody .

Together We Sing Series-Celebrate the season with this delightful medley using some of our favorite Christmas melodies. Unique in its spiritedness in a minor key the piece builds to a majestic finish in a major key for the final carol making this a wonderful opening selection or grand finale for your concert. The optional brass quintet accompaniment will add extra Christmas joy to your performance. Duration: ca. 4:00 Celebrate the season with this delightful medley using some of our favorite Christmas melodies. Unique in its spiritedness in a minor key the piece builds to a majestic finish in a major key for the final carol making this a wonderful opening selection or grand finale for your concert. The optional brass quintet accompaniment will add extra Christmas joy to your performance. Duration: ca. 4:00

Uses: General Trinity Sunday Praise Team Scripture: Psalm 138:2; Philippians 2:9-11 This powerful original song raises high the voice of praise in a confident contemporary ballad style. The textsprings from Scripture and is written to encourage a corporate moment of adoration to the name above all names. The inclusion of the time-honored hymn Holy Holy Holy makes this anthem an ideal choice forTrinity Sunday or for any service of worship! Available separately: SATB LiteTrax CD. Duration: ca. 4:35.

First performed in May 1960 this is a wonderful piece for SSAA Women's Chorus a cappella.

Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.

Quiet with longing this a cappella arrangement of a favorite American folk song is one of the most haunting and lush ever written. Beginning with rich and low vocal writing the work moves with the unexpected painting theromantic lyric and building into full vocal divisi-writing that captures the familiar and powerful essence of this beloved text and melody. A true classic in the making for mixed and men's choirs. Available separately: SATB acappella; TTBB a cappella. Duration: ca. 4:15.Quiet with longing this a cappella arrangement of a favorite American folk song is one of the most haunting and lush ever written. Beginning with rich and low vocal writing the work moves with the unexpected painting the romantic lyric and building into full vocal divisi-writing that captures the familiar and powerful essence of this beloved text and melody. A true classic in the making for mixed and men's choirs. Available separately: SATB a cappella; TTBB a cappella. Duration: ca. 4:15.

Available: SATB a cappella TTBB a cappella.

Uses: Holy Week Maundy Thursday Scripture: Matthew 26:36-46 - Mark 14:32-42 - Luke 22:39-46 This lovely sacred song portrays a bittersweet moment in the life of the Savior. The shadows of Gethsemane fall deeply as the Rose of Sharon opens to His Father's will. Touching words join with an Irish folk melody and the result is this stunning and creative arrangement. The interplay of flute and piano is particularly appealing and so appropriate for Holy Week. Flute part included.

Uses: Christmas Using the celebrated music of Greensleeves this sensitively arranged holiday choral could also be sung by adult ensembles. An exquisite manger lullaby. Available: 2 Part Treble LiteTrax CD. Duration: ca. 2:18.

John Williams' score from this movie sensation is filled with mystery and majesty along with a touch of whimsy. Here is a magnificent concert setting of the main themes.

Latin and English texts. Available: SATB.

For treble voice with piano accompaniment. Words by Janina Porazinska. Polish language. For treble voice with piano accompaniment. Words by Janina Porazinska. Polish language.

When the 1984 Los Angeles Olympic Committee commissioned John Williams to compose their theme it was a stroke of genius as it became and instant classic. This James Curnow arrangement masterfully captures the sound of thispowerful work with an exhilarating excursion for the brass sections and a rewarding musical challenge for the rest of the band. Don't miss out on the Olympic excitement! The Olympic Fanfare and Theme from the 1984 Los Angeles Olympics by John Williams and arranged by James Curnow.

The new Jonathan Talberg Choral Series features advanced music of distinction for festival use. Dr. Talberg (Cal State Univ. Long Beach) is one of the new names on the guest conducting circuit with an ear forexcellence. Composer Joshua Chai provides a truly original sound to the poetry of e. e. cummings. Demanding yet rewarding.

Baritone B.C./Tuba B.C. ad lib The medium level quartets of Rubank's Symphony Series are specially adapted for each instrument and are excellent for contest or class ensemble work and in fact selections from all six editionsappear on several state contest lists. Superb repertoire for developing players!

Hal Leonard Student Piano Library-This series presents favorite orchestral classics carefully graded and expertly arranged for piano solo with great teacher accompaniments! Online access to instrumetnal accompaniments as MP3 or MIDI files is included using the unique code provided inside the book. Level 2 includes: Alleluia (Mozart) &bull- Barcarolle (Offenbach) &bull- Hallelujah (Handel) &bull- In the Hall of the Mountain King (Grieg) &bull- Marche Militaire (Schubert) &bull- Plaisir d'amour (Martini) &bull- Romanza (Mozart) &bull- Symphony No. 9 (Largo) (Dvorá-k) &bull- Symphony No. 94 (Haydn) &bull- Waltz (Tchaikovsky). This series presents favorite orchestral classics carefully graded and expertly arranged for Piano solo with great teacher accompaniments! Online access to instrumental accompaniments as MP3 or MIDI files is included using the unique code provided inside the book. Level 2 includes: Alleluia (Mozart) Barcarolle (Offenbach) Hallelujah (Handel) In the Hall of the Mountain King (Grieg) Marche Militaire (Schubert) Plaisir d'amour (Martini) Romanza (Mozart) Symphony No. 9 (Largo) (Dvorák) Symphony No. 94 (Haydn) Waltz (Tchaikovsky).

Score-Arranged for Concert Band (grades 4-5) by Calvin Custer.

with His Name Is Wonderful- Uses: General Revival Epiphany Scripture: Philippians 2:9-11; Matthew 1:21; Luke 2:21; John 2:23 Two time honored gospel hymns are joined together in a pleasing combination of nostalgia and message.There is something profoundly moving in singing the Savior's name and these treasured songs are tender opportunities for your choir to connect with this special moment of worship. Available separately: SATB StudioTrax CD(Accomp. SplitTrax Perf.). Duration: ca. 3:20.

from All Is Well- Uses: Advent Christmas Marian Scripture: Genesis 3:15; Luke 1:26-56; Luke 2 An apex of contemporary sacred music this popular solo now made choral probes the emotions and sentiments felt by Mary asshe ponders the events surrounding the birth of Jesus. Heart-felt and filled with gentle beauty this sensitively arranged octavo rises and falls like a prayer. Ideal for Marian emphasis or Advent services this soliloquy of gracewill become a favorite with your singers. Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet Horn 1 & 2 Harp Piano Synth Elec. Bass Percussion Violin 1 & 2 Viola Cello). Duration: ca. 4:55.

Incorporating J.S. Bach's Prelude in C Major-The familiar carol set to J.S. Bach's Prelude in C Major creates a stunningly beautiful twist to a well-known tune. Though measures have been adjusted from Bach's original work to create a different harmonic sequence itremains true to the original Bach piece. The optional a cappella section includes a simple bell part written in octaves. Available separately: SATB opt. handbells; SAB opt. handbells; 2-part opt. handbells; PianoTrax CD.Duration: ca. 4:02.