Duration 7 minutes. Orchestral accompaniment available on hire. English version by Steuart Allin.

No.2 in F.

John Joubert 's Concerto For Bassoon And Chamber Orchestra Op.77 is scored here for Bassoon with a Piano Reduction.

A collection of his best songs arranged for piano vocal and guitar. Eleven songs from the early 70s - 'Daniel' and 'Rocket Man' to the 80s and 90s - 'Sacrifice' and 'Sad Songs'. Also includes the original version of 'Candle InThe Wind'

Fun repertoire-Fun repertoire Play Piano with Max is a popular and highly successful three-book tutor for young children. Max an amiable cuddly dog and his friends make learning the piano a happy and rewarding experience. The step-by-stepapproach using tuneful pieces fun exercises and home worksheets has been developed over many years by Myrna Stent an outstanding music teacher and educator. Her method is structured to give children confidence but flexibleenough to allow pupils to proceed at their own pace. Play Piano with Max is delightfully illustrated in full colour throughout by the incomparable Roy Mitchell.

Joseph Haydn 's St. Anthony Chorale arranged for Wind Orchestra. Instrumentation: Descant Recorder Flute/Treble Recorder (I II) Oboe (I II) Clarinet in Eb Clarinet in Bb (I II III) Bass Clarinet Bassoon Trumpet/Cornet/Flugelhorn in Bb (I II) Horn in Eb (I II) Horn in F (I II) Trombone I/Baritone Trombone II/Euphonium/Tuba/Eb Bass Violin (I II) Viola Cello Bass.

Premiered at the 1978 Bath Festival by the Lindsay Quartet. Parts available: SOS01004

Dale Warland Choral Series-Movement no. 2 from Nativity Suite the opening sounds of the instruments and voices in this setting of one of the most widely known of the Latin texts appropriate for Christmas are meant to conjure an air of mystery. The initial tone clusters approached by layering the voice parts suggest intimacy and the veiled quality suited to this traditional liturgical text. Other movements include: Welcome All Wonders (50600071) A Boy Was Born (50600073). Flute and Harp Parts available separately for the full suite (50600165). Movement no. 2 from Nativity Suite the opening sounds of the instruments and voices in this setting of one of the most widely known of the Latin texts appropriate for Christmas are meant to conjure an air of mystery.The initial tone clusters approached by layering the voice parts suggest intimacy and the veiled quality suited to this traditional liturgical text. Other movements include: Welcome All Wonders (50600071) A Boy Was Born(50600073). Flute and Harp Parts available separately for the full suite (50600165).

For SATB chorus unaccompanied lyrics from text by Sloane MS. 2593 (15th century). For SATB chorus unaccompanied lyrics from text by Sloane MS. 2593 (15th century).

There is unbounded joy in this choral from new writer J.I. Myers. Her debut publication acclaims the attributes of the Almighty with a vibrant praise song sure to send your spirits soaring. Stan Pethel adds his magic touch in anarrangement that incorporates an infectious islands sensibility. Fantastic!

Lennox Berkeley's Sonatine for Clarinet and Piano. Duration: 12 minutes

Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as a courtof enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move from straighttestimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together for months long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginning with arough ballad of street violence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is a tub-thumpinghymn. But the songs serve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzling eyes whichbecome the lights of the relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to play overagain. Libretto only. Duration c. 1h 25mins.

Rollo Dilworth Choral Series-This contemporary spiritual setting combines a familiar spiritual with a Biblical text from the book of Matthew. Featuring a first and last section with marked rhythms and heavy accents the middle section is rubato and expressive. The contrast should be stark. Marques L.A. Garrett 's Sit Down Servant for SATB choir unaccompanied. This contemporary setting combines a familiar spiritual with a Biblical text from the book ofMatthew. Featuring a first and last section with marked rhythms and heavy accents the middle section is rubato and expressive. The contrast should be stark.

Carefully selected and edited trios by Gervaise Praetorius Quantz Boismortier Walkiers and Kummer.

Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series-Setting the poetry of Israeli heroine and poet Hannah Senesh this is a song of hope. Those who were lost in the death camps are stars whose light is with us long after their light life has been extinguished. The music reflects this hope as Broadway legend Jonathan Tunick employs his masterful abilities to create the mood.

The River Cam by Eric Whitacre first performed at the Royal Festival Hall London on 14 April 2011 by Julian Lloyd Webber (Cello) and the Philharmonia Orchestra conducted by Eric Whitacre . The River Cam by Eric Whitacre first performed at the Royal Festival Hall London on 14 April 2011 by Julian Lloyd Webber (Cello) and the Philharmonia Orchestra conducted by Eric Whitacre .

These three pieces for cello and piano are meditations - personal secular and musical - on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which beginsIt came upon the midnight clear' by the Massachusetts pastor and poet Edmund Sears. The full reference is to angels bending near the earth/to touch their harps of gold and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2's title In death's dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is yea though I walk through the valley of the shadow of death I will fear no evil. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen's hymn O virtus sapientiae -O strength of wisdom. This is a calm elegaic set of variations for the cello on Hildegard's melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)

for Trumpet and Piano-A superb collection of light-hearted pieces for Tumpet and Piano by Paul Harris. These miniatures are ideal for students of grade 3-4 standard and provide an interesting and invogorating time rhythmic challenge whilst being anenjoyable addition to the repertoire.

A practical and enjoyable course-A practical and enjoyable course A practical and enjoyable course for the absolute beginner! Sir John Dankworth a master saxophonist and one of the world's most respected musicians maintains that almost everyone can learn to play the Sax well.In this newly-set edition of Sax From The Start Sir John introduces the key techniques concepts and skills of Sax playing in a friendly and encouraging manner. His infectious enthusiasm helps tocommunicate the joys the problems and the rewards of learning to play this popular and exhilarating instrument. Sir John Dankworth is one of the world's best-known and best-loved musicians equally at home as ajazz cross-over or classical artist. During his career he has worked with the all-time greats including Nat King Cole Ella Fitzgerald Oscar Peterson and many others especially his wife the acclaimed Dame Cleo Laine.

A psalm of David the 23rd psalm is probably the most loved of all psalms. This arrangement features lovely interplay between male and female voices.