c-Moll- Johann Ernst Bach's Deutsches Magnificat for SATB. Johann Ernst Bach succeeded his father Johann Bernhard as organist at Eisenach where he was later also appointed court Kapellmeister. In his compositions J. E. Bach reveals his receptiveness to the stylistic innovations of the age of sentiment ('Empfindsamkeit').

Larsen's song cycle is based on the novel by the American writer Willa Cather and the songs recount Jim Burden's memories of Antonia Shimerda during their shared experiences of the pioneering period of European settlement on the tall-grass prairie of the American Midwest.

Alto or tenor saxophone and piano (2 parts included). Produced specifically for the Guildhall Exams syllabus Creative Variations provides students with the opportunity to explore and develop their own musical ideas in the preparation and performance of contemporary compositions. The book also covers improvisation inspiring confidence in on-the-spot creativity. A free CD is provided to give full-length demos of each piece and separate backing tracks to play along with.

An arrangement for four hands at one Piano of the finale of Moussorgsky's unfinished comic opera Sorochintsï Fair . A light and entertaining piece at just under two minutes duration.

An unbeatable selection of popular classics opera jazz and classic pop expertly arranged by Bill Thorp for piano trio. Suitable for intermediate standard players (grade 3-5) upwards. Parts plus score.

Written for unaccompanied SATB choir.

Tudor Anthems-These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Musical Grafitti (II) for amplified Piano large Ensemble and Tape 'with cosmic sounds' by Asbjørn Schaathun (1983-84). Programme note In Musical Grafitti(II) virtuoso drawings for amplified piano large ensemble and tape with cosmic sounds von den herrn Asberion Ska-tune (1983-84) Schaathun is particularly concerned about investigating the relationship between various kinds of compositional techniques and their actual influence on the sound image and therebye on the musical language. Thus is Musical Grafitti about different settings of the same musical gesture which are presented in the initializing Formula. At the same time Formula serves as a model for the progressionof the entire piece on various levels.The computer-program SCHAATON written especially for this work by Swedish composer Bo Rydberg governs the relative intervallic relationship in the first extensive piano exposition. In this part of the piece the computer establishes the chordal focal points of the work thus rather paradoxically making itself redundant.The brief tape interpolations and the long ending consist of cosmic noise recorded by a satelite. This noise symbolizes the outermost edge of the musical continuum Schaathun is seeking to describe: from white noise to music characterized by an advanced syntax. To compose is to control a defined continuum of sound. In this piece the control is represended by the Formula.The piece may also be read as a big prelude to Luciano Berios points on the curve to find... At one point Schaathun's curve crosses Berios curve and the contours become directly involved in Berio's instrumentation before passing through and the soloist disappears into the coloured noise into which the piece fades away.(+ Fransk versjon NMI) Musical Grafitti (II) for amplified Piano large Ensemble and Tape 'with cosmic sounds' by Asbjorn Schaathun (1983-84). Programme note In Musical Grafitti(II) 'virtuoso drawings for amplified piano large ensemble and tape with cosmic sounds von den herrn Asberion Ska-tune' (1983-84) Schaathun is particularly concerned about investigating the relationship between various kinds of compositional techniques and their actual influence on the sound image and therebye on the musical language. Thus is Musical Grafitti about different settings of the same musical gesture which are presented inthe initializing Formula. At the same time Formula serves as a model for the progression of the entire piece on various levels.The computer-program SCHAATON written especially for this work by Swedish composer Bo Rydberg governs the relative intervallic relationship in the first extensive piano exposition. In this part of the piece the computer establishes the chordal focal points of the work thus rather paradoxically making itself redundant.The brief tape interpolations and the long ending consist of cosmic noise re

Based on Die Forelle Op. 32 by Franz Schubert-The Austrian composer Franz Schubert wrote his famous song The Trout (D550) in 1817. This song reappeared as the basis of a set of variations for the fourth movement of the renowned Trout Quintet so-named as a reference to the title of the song. Robert van Beringen used the lively theme for The Trout Fantasy which he has written for a five-part brass ensemble.The instrumentation means that this piece can be performed in various combinations: trumpet 1 and 2 in B flat horn in F (or horn in E flat) trombone (or euphonium) and tuba (or trombone euphonium tuba in E flat).

20 Easy Solos with Piano Accompaniments-Carl Fischer presents a collection of solo pieces with piano accompaniments for use at festival adjudicated events or in recitals. Solos range in difficulty from grade 1 to 2 and are progressively arranged featuring a wide variety of musical styles from original compositions to beautiful arrangements of folk songs and classical pieces. Each volume includes a CD of full-version recordings for the student to use as an example as well as piano-only recordings to use in practice. The CD also contains piano accompaniments as printable PDF files. First Festival Solos : 20 easy Alto Saxophone solos with Piano Accompaniments. Carl Fischer presents a new collection of solo pieces with piano accompaniments for use at festival adjudicated events or in recitals. These solos are written by two of the most popular composers of music for students: Larry Clark and Sean O'Loughlin . The solos range in difficulty from grades 1 to 2 and are progressively arranged in the book. There is a wide variety of musical styles from original compositions to beautiful arrangements of folk songs and classical pieces. Each volume includes a CD of full-versionrecordings for the student to use as examples as well as piano-only recordings to use in practice. The CD also contains piano accompaniments as printable PDF files so that the student can print the solo they need for the accompanist. This collection of solos is destined to be on every state contest/festival required music list.

for SATB and organ Glenn L. Rudolph's Magnificat And Nunc Dimittis for SATB and organ.

S’agissant d’une pièce relativement facile Malletino conviendra à tout ensemble de percussions.Instrumentation : Glockenspiel Marimba 1 2 & 3 Vibra. Cowbell Temple blocks Bongos Batterie & Timbales (10 voix).

Dimitri Yanov-Yanovsky's Lacrymosa for Soprano and String Quartet. Dimitri Yanov-Yanovsky's Lacrymosa for Soprano and String Quartet.

An arrangement for Brass and Percussion of Leroy Anderson's popular work.

In a few short years Richard Burchard has become one of the most sought-after and commissioned composers for choral music. His choral writing is romantic and rich harmonically with dense contrapuntal lines. Now he has brought that excellence into an extended multi-movement work on the Seven Last Words of Christ accompanied by divisi strings. This 45 minute work is a breath-taking piece of music. An alternate accompaniment for organ and string quartet is also available. This is a sacred piece that will also perform well in concert venues. Church community and college choirs will find this a worthy piece to program. Medium in difficulty.

Pandora appears in Greek mythology – the first woman created by the gods and sent to earth as an evil addition to the human race. ‘Pan’ means ‘all’ and ‘dora’ means ‘gifted’. Pandora’s Box must by no means be opened. The various stories surrounding this box inspired Yagisawa to write this dramatic piece an addition to his series of pieces based on Greek mythology such as Perseus.

Willem Ten Have (1831 - 1924) was a Dutch violinist and composer who studied under Charles De Beriot before spending the remainder of his long life in France. He wrote around 40 published works mostly for solo Violin or Violin and Piano. The Capriccio for Violin and Piano (Op. 24) was probably written at some point in the 1870s or 1880s while Ten Have was a Professor at the University of Lyon.

A simple fun way to learn the basics of improvisation!-Easy Improvisation is a great way to learn the basics of improvising on your own with friends or with the whole band! Musicians are given guidance to play along in parts to play along with written-out solos or to improvise on their own. The audio tracks include demonstration of the music on the page or just the background rhythms and chords. 30 different styles are included: rock 'n' roll hip-hop jazz EDM country Bossa Nova calypso cha-cha reggae and more. Use sample solos and other tips to start improvising today!Easy Improvisation is a great way to learn the basics of improvising on your own with friends or with the whole band! Musicians are given guidance to play along in parts to play along with written-out solos or to improvise on their own. The audio tracks include demonstration of the music on the page or just the background rhythms and chords. 30 different styles are included: rock 'n' roll hip-hop jazz EDM country Bossa Nova calypso cha-cha reggae and more. Use sample solos and other tips to start improvising today!

For Maskim Velichkin. Unaccompanied. For Maskim Velichkin. Unaccompanied.

A series of carefully crafted trios for use with or without the Look Listen and Learn method book. Playing in trios develops ensemble playing and listening skills and these books provide fresh and original material for young musicians. Book 1 correlates with Volume 1 of the Method book.