The third volume of the Heifetz Collection is a treasure trove of material for violinists including many items that have never been published before. Jascha Heifetz (1901-1987) remains a landmark among violinists of the twentieth century a performer who virtually redefined the limits of the possible for his chosen instrument. These transcriptions and arrangements made to enrich his repertoire will be a great boon to young virtuosos looking for a challenge. Many of them were provided by the Heifetz family and are published here. Music by Albeniz (Sevilla) Castenuovo-Tedesco (Ritmo di Tango) Debussy ( La chevelure) Fauré (Aubade) Kodaly (Danube-Tisza) Prokofieff(Gavotta Op. 32) among others are included in this handsome collection which is a must purchase for players and lovers of fine violin music.

Throughout the years composers have found inspiration for their works in simple folk melodies. Tchaikovsky loved Russian folk music all his life. Whilst composing his 2nd symphony he was inspired by farmers’ songs that fascinated him during a stay in Kamenka (near Kiev). He composed this symphony in 1872/73 and used the melody from the song The Stork as the main theme for the Finale. James Curnow’s transcription of this 19th century masterpiece allows you to bring your contest or concert performance to a fitting Finale.

Guy Morançon Sonatine pour piano et violoncelle Oeuvre composée en 1950. Durée : cc 8'

Instrumental Play-Along-10 songs from the latest live action hit movie adaptation of the Disney classic Beauty and the Beast arranged for instrumentalists. 10 songs from the latest live action hit movie adaptation of the Disney classic Beauty and the Beast arranged for instrumentalists. Each book features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs include Aria Be Our Guest Beauty and the Beast Belle Days in the Sun Evermore Gaston How Does a Moment Last Forever The Mob Song and Something There.

For SATB Choir A Cappella. Edited by Patrick Little.

for SATB unaccompanied Jerry Rubino's The Star-Spangled Banner for SATB unaccompanied.

Garnet To Garnet for female Voice Percussion and Guitar was composed by Bent Sørensen in 1985. Garnet To Garnet for female Voice Percussion and Guitar was composed by Bent Sørensen in 1985. GARNET TO GARNET for female voice Guitar and Percussion (1985) Text by William Shakespeare and Emily Dickinson

À partir de 776 avant J.-C. et pendant plus d’un millénaire les Jeux Olympiques antiques ont eu lieu dans le site sacré d’Olympie en Grèce. L’année 1896 voit la renaissance de l’olympisme. Le baron Pierre de Coubertin organise les premiers Jeux modernes à Athènes. En 1996 Atlanta célèbre avec faste le centenaire des Jeux. James Curnow compose à la demande du Comité Olympique d’Atlanta cette œuvre brillante idéale pour débuter un concert.

American Folk Song-From our James Jordon Choral Series this peppy folk tune is an excellent addition to any choir.

The melodies from George Gershwin's (1898-1937) musicals from 'Porgy and Bess' from orchestral pieces like 'Rhapsody in Blue' or 'An American in Paris' we all know them! But the career of the young musician started as a pianist in a music publishing house where he was to encourage customers to buy music by playing it. Soon he began to compose music himself and caught the attention of the Broadway which paved the way to his international career. Inspired by Frédéric Chopin's 24 Préludes he began to write his own 'Preludes' for the piano in the mid-1920s: Of the five preludes composed by him he used two for the violin composition 'Short Story' and presented the otherthree at a concert on 4 December 1926. These 'Preludes' combine classical moments and jazz elements into an effective whole and can be played individually or as a little jazz sonata (fast – slow – fast). Thanks to the present arrangement the charming miniatures are now available in a version for solo instrument and piano accompaniment.

Every year a competition for wind orchestras and brass bands takes place in Wallberg Switzerland. Apart from a hymn and a solo piece all orchestras also have a compulsory piece to play. The commission to create a compulsory piece for the 2012 competition fell to Jan de Haan. The composition is entitled Musica Helvetica . It takes the form of a three-part concert work in which the last two parts flow directly from one to the other. The first part Musica Prima is a brisk virtuoso opening with jazz flavours woven in. The following section Musica Sacra offers a contrast with an extraordinarily colourful instrumentation for the gorgeous main theme. Thefinal part Musica Alpina is inspired by the great variety of scenery in Switzerland. With its witty humour it makes a worthy conclusion to this beautiful tryptich.

Daniel Balavoine 's Lady Marlene for Voice and Piano.

This book from one of the most popular bass players in the business brings players great tools to improve their skills. Bass players can advance their knowledge of the fingerboard improve intonation and time develop flexibility and work though modes and scales presented in the book. This work combines music and technique in one powerful package!

for SATB 2 trumpets and organ or chamber orchestra An anthem whose trumpet fanfare and joyful character contributes to a festive feel. Singing Welsh translations are also provided in certain sections. An anthem whose trumpet fanfare and joyful character contributes to a festive feel. Singing Welsh translations are also provided in certain sections.

Dmitri Shostakovich's Symphony No. 3 Op.20 for Orchestra.

Work by John Stanley which has been arranged for Solo Organ by Patrick Williams.

Pleasant Hill takes its inspiration from pleasant relaxing moments snatched on top of a sunny hill. It takes the form of a traditional march with the composer leading us over the hill with a bass solo and a melodious trio. The march comes to a close leaving everybody reeling with a fascinating sense of majesty.

Darius Milhaud: Huitième Quatuor à Cordes parties séparées.

Debussy ’s beautiful beloved Clair De Lune was written as the third movement of his Suite Bergamasque at the turn of the last century. It was inspired by a poem of contemporary Paul Verlaine and is asignificant example of Debussy ’s innovative use of key time and tonal colour. The piece has been arranged for Orchestra though not by Debussy Harp Guitar and many other instrumental combinations. Clair De Lune was composed for Piano in D flat and has here been transposed to C.

for SATB unaccompanied A very exciting and dramatic arrangement of a traditional early American folk hymn made up of contrasting sections of homophonic textures and a soprano melody against a rhythmic background. A very exciting and dramatic arrangement of a traditional early American folk hymn made up of contrasting sections of homophonic textures and a soprano melody against a rhythmic background.