This setting of the unchanging (ordinary) common texts of the Eucharist was composed for unison congregational singing. Various sections may be sung by choir and congregation combined by choir or congregation alone or by the choir alternating with the congregation.Congregational parts available from the publisher (HMC334a)

A collection of 20 different 4-bar patterns and 10 original solo compositions by one of Europe's finest guitarists. Designed for the serious fingerstyle guitar student this book presents rhythm patterns in a wide range of moods written in standard notation and tablature along with new concepts about blues and jazz. In the solos beautiful and impressive melodies are paired with alternate and walking basses. An accompanying audio recording includes a demonstration of each concept and a performance of each solo. Includes access to online audio. A collection of 20 different 4-bar patterns and 10 original solo compositions by one of Europe's finest Guitarists. Designed for the serious fingerstyle Guitar student this book presents rhythm patterns in a wide rangeof moods written in standard notation and tablature along with new concepts about blues and jazz. In the solos beautiful and impressive melodies are paired with alternate and walking basses. An accompanying audio recordingincludes a demonstration of each concept and a performance of each solo. Includes access to online audio.

This low-cost (but snazzy) book is packed with songs and lore of the railroads! Includes the melody and lyrics to 28 classic sing-alongs plus: Railroad Superstitions and Tall Tales of Train Wrecks Robberies Ghosts Hobos TrainInsults Railroad Slang Street-Car Poetry vintage drawings and photos. The perfect companion to the recording 'Singing Rails.'

This new Psalm setting from prolific writer Joseph Martin is a lush choral treatment that traditional choirs will immediately embrace. A memorable melody partners with interesting counterpoint to create a lush tapestry ofexpression. Some optional divisi writing gives larger groups a pleasant opportunity for a full rich sound. Lavish!

with Soprano and Tenor Solos-A work for SATB chorus with Soprano and Tenor solos and Piano accompaniment. Uses text by Albert Samain translated by Jane May.

Rural Roots of Bluegrass is a songbook and history book that takes a deep at the roots of bluegrass music: ballads and fiddle tunes of Scots-Irish pioneers black spirituals plantation melodies blues murder ballads sentimental parlor songs from Tin Pan Alley North Carolina banjo styles and gospel songs. This book is richly illustrated with 107 vintage photos and includes history lyrics to 94 songs musical notation chords playing tips and historical sources for each song. Includes profiles on the Bill Clifton Bill Monroe the Blue Sky Boys Bradley Kincaid the Callahan Brothers Carolina Tar Heels the Carter Family Charlie Poole and the North CarolinaRamblers the Coon Creek Girls Earl Scruggs Eck Robertson Ernest V. 'Pop' Stoneman Fiddlin’ Arthur Smith Fiddlin’ John Carson G. B. Grayson & Henry Whitter Jimmie Rodgers Karl and Harty the Lilly Brothers MonroeBrothers the Morris Brothers Riley Puckett Samantha Bumgarner Vernon Dalhart Snuffy Jenkins and Wade & J. E. Mainer. 6' x 9' 180 pages. The perfect companion to the CD 'Rural Roots of Bluegrass.'

Two- And Three- Part Inventions For The Piano. Edited by Ferruccio Busoni.

A great collection of exciting and varied violin duets for the early grades suitable for grades 1-3. Selected and edited by Emma Coulthard.

Sheet music chord charts and lyric sheets for all the songs from the fourth full-length studio CD from this Waco sextet: Everything Glorious œ The Glory of It All œ Never Let Go œ Remedy œ and six more. Sheet music chord charts and lyric sheets for all the songs from the fourth full-length studio CD from this Waco sextet: Everything Glorious œ The Glory of It All œ Never Let Go œ Remedy œ and six more.

For Soprano Saxophone Alto Saxophone Trumpet Trombone Percussion and Electric Keyboard. Published in 1992. First performed by the Mercury Ensemble Roger Heaton conductor Royalty Theatre London 1992. Score. For Soprano Saxophone Alto Saxophone Trumpet Trombone Percussion and Electric Keyboard. Published in 1992. First performed by the Mercury Ensemble Roger Heaton conductor Royalty Theatre London 1992. Score.

Study Score-In this work Babbit defines the row as a set of values and relationships absolutely and strictly defined not only in terms of structure but also of operational process he applies the serial technique in a strict dodecaphonic procedure: maintaining the fixed order of the twelve tones in the vertical (harmony) and the linear (melodic) succession.

(Nowak & Sweeney) Grade 2.

For unaccompanied violin. Authorized Edition of Schradieck's Complete Scale Studies For The Violin Features: Scales within the limits of one Position Scales with the omission of one Position Harmonic Minor Scales in one Position Major and Minor Scales through three octaves Scales through Keys in the Circle of Fifths Chromatic Scales in one Position Chromatic Scales through three octaves Scales in Octaves Scales in Thirds Scales in Thirds through the Circle of Keys Scales in Sixths A few Scales in Tenths

For flute oboe violin viola and cello.

Arranged by Michael Pilkington.

For Soprano and Chamber Ensemble (Clarinet in A Viola Cello and Double Bass). This extended version of a knot of time was commissioned by Faith Wilson. First performance on 10th OCtober at the CBSO Centre Birmingham by Sarah Leonard (Soprano) and the Birmingham Contemporary Music Group conducted by Richard Baker. a knot of time' began its life in 1992 as a piece for the Composer's Ensemble for Clarinet Viola Celloand Bass with Mezzo Soprano. It was originally the title of only one setting using the poem 'Cada cancion' by Lorca. The tessitura of the vocal line always seemed generally too low for the music and there were also problems withthe clarinet writing so I changed the mezzo-soprano to soprano. I also felt that I should add more settings for the piece to have more of a life and so was thrilled when Faith Wilson asked me for some music to celebrate her 60thbirthday in 2008. I decided immediately to add two more Lorca settings to this first setting. I wrote 'El grito' and 'El silencio' quite quickly in June 2008. I added 'Aire de Nocturno' in October of the same year but stilldidn't feel that it was complete and so added a brief and rather explosive setting to close in April 2010; 'El puñal en el corazon'. The whole piece will be premiered in October 2010 with the soprano Sarah Leonard and membersof the BCMG eighteen years after the initial response to Lorca's texts.' - Simon Holt

A great vocal collection of ten musical theatre classics in their original keys. Includes matching CD with full performances of each song by professional artists and piano accompaniments for practice. A great vocal collection of ten musical theatre classics in their original keys. Includes matching CD with full performances of each song by professional artists and piano accompaniments for practice.

Sheet Music Sheet music from Alfred Hay Malotte's pieces arranged for vocal duet (Soprano/Tenor)with piano accompaniment.

Contrappunto bestiale alla mente-'Contrapuntal Bestial Alla Mente'. For Mixed Chorus A Cappella.

Combining Psalm 130 and 139 along with a text by Isaac Watts teacher and composer Robert H. Young gives us another of his a cappella treats. His contemporary madrigal style that incorporates a harmonic romanticism is bestparalleled with a fine dessert. Rich in texture his writing is so well-crafted church choirs enjoy singing his work as do fine college ensembles.