22 tunes from the Klezmer and Yiddish traditions for solo piano- Julian Rowlands presents a wide ranging collection of Klezmer tunes and Jewish melodies for Piano. Highly flexible to use the pieces may be performed by a solo pianist. Information on the history of Klezmer music its scales modes and forms is provided as well as guidance on general style and adding your own ornamentation embellishment and improvisations. The volume is accompanied by a CD with a recording of all tunes performed by Julian Rowlands .

No.7 from 'Histoires'

The string orchestra and organ version of this piece was composed for the East London Chorus and their conductor Murray Stewart and first performed by them with the London Pro Arte Orchestra on 7th July 2007 at St. James’sChurch Piccadilly London.

Daily practice routines for the flute-A book of skillfully organized daily practice routines for the flute. A versatile yet practical teaching tool for students of all levels. A book of skillfully organized daily practice routines for the flute. A versatile yet practical teaching tool for students of all levels.

4 Saxophones. Mower M

Fifty best-loved pieces-This generous collection includes fifty of the most popular and useful pieces for funerals and memorial services. The are arranged to be easily playable on manuals only requiring the minimum of practice for the busy organist. Essential Book of Funeral Music for Manuals contains a generous collection of fifty pieces of sheet music of most popular and used pieces for funerals and memorial services. Essential Book Of Funeral Music For Manuals isbrilliantly arranged to make each piece easy to play for organists who may not have time to practice.

Cinq a Brass Sos (Five Episodes for Brass Quintet)- Five Embraces is a funny and seductive piece where Ferrer Ferran describes with great humor the five instruments of the classical brass quintet. A pun in its title the composer symbolizes a hug to five musician friends. The five movements of the brass quintet always interpreted this line.

The best known jazz ballads in easily playable and authentic arrangements for piano. The ideal edition for all lovers of jazz piano.

Sheet Music Sheet Music

1.Monsieur Faty; 2.La Tarte à la Crème (for trumpet horn trombone and tuba)

Featured in the Warner Bros. film Deliverance and based on Feuding Banjos written by Arthur Smith.

Full Score for Henze's 2010 setting of Franz Werfel's surrealist verse drama 'Sacrifice' for voices orchestra and concertante piano.

Transcription-Jean Guillou did not change a single note for this arrangement. He just distributed the different parts to the manuals and the pedal in a way that guarantees a clear and varied registration in harmony with the architecture of the work and the fingerings and pedallings of difficult passages. The registration only serves as a suggestion since the ways of using the instruments are as varied as the tastes and views of the artists. Jean Guillou did not change a single note for this arrangement. He just distributed the different parts to the manuals and the pedal in a way that guarantees a clear and varied registration in harmony with the architecture of the work and the fingerings and pedallings of difficult passages. The registration only serves as a suggestion since the ways of using the instruments are as varied as the tastes and views of the artists.

Classiques No.108- from 'The Magic Flute'

Set of parts for the ninth Naxos Quartet by Peter Maxwell Davies.

This work for viola chorus and percussion was commissioned by the London Symphony Chorus and was first performed in October 1994 at the Barbican Hall London by Yuri Bashmet and the London Symphony Chorus conducted by StephenWestrop. The remarkable text of the Troparion written by the great Byzantine poetess-nun Cassiana was the inspiration of The Myrrh-Bearer . The text informed the architecture of the music. The viola solo represents MaryMagdalen as the cello solo represented the Mother of God on The Protecting Veil. This is where the resemblance between the two pieces ends. In The Myrrh-Bearer the Chorus symbolises ‘us’ the ‘sins of the world’ from‘stylized dictatorships’ to ‘the frivolous inane escapist vanities of the world ’ the to cries of ‘help’ after the cosmic catastrophe and finally reaching an apocalyptic climax in the words ‘We have no king by Caesar;’ adownright condemnation of God in the Earthly power. In a surreal way the Magdalen’s ‘sin’ shines through in the viola music because she recognises the Godhead and the endless ‘Kyrie eleison’ chanted by the semi-chorusrepresents her repentance and whatever is left of a ‘repentant’ world. The Myrrh-Bearer explores the whole range of the viola climbing from the depths up to the highest notes and then falling again at the end after theMagdalen’s recognition of the Risen Christ – ‘Rabboni.’ The last stroke of the gong in the viola’s final bottom C gives a deliberately ominous end to the piece. This is a special item which is made to order. Please e-mail ourMail Order Department for further information.

3. Advanced Level Teacher's Book & CD-Jazz Works is a brand new collection of compositions for jazz ensembles at three levels. For each level there are eight original pieces in a challenging range of styles with parts for C Bb Eb and bass-clef instruments and for a rhythm section of piano guitar bass and drums. The Teacher's Book and CD for Level 3 Advanced. Contains notes on improvisation and jazz style and a step-by-step guide to directing and rehearsing a jazz ensemble. CD containing complete performances of each piece by a professional jazz ensemble.

For 8 instruments. Published 2006. 0.1(=ca).1.1 / 1.0.0.0 / 1.0.1.1.1 Commisioned by Camerata Senza Misura. First performance: Camerata Senza Misura 2006. Score. For 8 instruments. Published 2006. 0.1(=ca).1.1 / 1.0.0.0 / 1.0.1.1.1 Commisioned by Camerata Senza Misura. First performance: Camerata Senza Misura 2006. Score.

Version for saxophone quartet piano and percussion. Published 2004. Score. Version for saxophone quartet piano and percussion. Published 2004. Score.

Commissioned by The Bath Festival. 'If the idea behind the piece comes from anywhere the 'Disparates' (Follies) of Goya were certainly at the back of my mind when writing. The Goya images are nightmarish and the meaning ofmany is obscure. They are essentially sardonic and include allusions to witchcraft and to bizarre carnival festivities.' Simon Holt.