The Quiet Room is an ideal album pieces arranged for solo Piano for moments of contemplation and reflection. It opens up a world of melodic introspective inspired contemporary classics featuring music by many of theworld's finest composers including Ludovico Einaudi Michael Nyman Philip Glass Gabriel Yared Joby Talbot and Patrick Hawes.

Santa Baby is perfect for any choir's Christmas concert! This jazzy song is a great encore piece. Eartha Kitt's classic hit is arranged here for SATB chorus and Piano accompaniment.

Who wouldn't enjoy playing one of the wind instruments in the music of Earth Wind & Fire (Phoenix Horns) Tower Of Power Kool & the Gang Blood Sweat & Tears Michael Jackson (Jerry Hey Bill Reichenbach) or James Brown (Horny Horns)? This volume introduces the player to cutting-edge Funk & Soul Power wind accompaniments and really makes the six pieces in this edition take off!That's not all though. You can also take over the role of the soloist if you like leading the wind band accompanied by the funky rhythm section and improvising over simple harmonies. This book will show you how to do it too. Includes a bonus track for practising the right style of funky phrasing.Getthe funk!

Collection of seven works by the American master including: Adagio for Strings Op. 11 Chorale Prelude on Silent Night from Die Natali Op. 37 Suite for Carillon Wondrous Love Op. 34 and three previously unpublished works. With historical notes on each piece. This collection includes seven works by the American master including: Adagio for Strings Op. 11 Chorale Prelude on 'Silent Night' from Die Natali Op. 37 Suite for Carillon Wondrous Love Op. 34 and threepreviously unpublished works. With historical notes on each piece.

Condensed Score-Sixteen medium to advanced level sight reading pieces for third-year bands and above. Each song is a full page in length (student part). - Time signatures: 4/4 3/4 2/4 cut time 6/8 5/4 5/8; slow 3/8 4/3 and2/8; five songs also have changing meters - Keys: Concert C Concert F Concert Bb Concert Eb Concert Ab - New note values/rhythms: Sixteenths and thirty-seconds in both fast and slow tempi

The composer Arthur Sullivan and the dramatist W. S. Gilbert joined forces in 1871 and over the next 25 years produced a series of 14 comic operas. Sullivan's tuneful and memorable melodies and Gilbert's amusing words and dialogue - which frequently made fun of British national characteristics and institutions such as the Royal Navy - are as fresh and amusing today as they were over a hundred years ago. Songs vary immensely in style and apart from the clearly comical include others such as 'The flowers that bloom in the spring' that though at first suggesting seriousness on close examination reveal deliberately ludicrous words and ridiculous sentiments - all to thedelight of the audience!

Score and Parts-Canadian Brass.

Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival. Kevin Volans (the composer) notes on the piece: In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York – Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure – the ego – underfoot.You get theimpression He dances on the spot not movingaround at all. I like that. The piece is dedicated to Pablo Pascual Cilleruelo.

Three students in elementary music classes wrote these three questions (although the composer indicates that the work adapts well for middle school or older treble choirs)._x000D_ Don't miss out on: When We Grow Up Will We Change The World? If We Do Not Live Then Do We Die? and Important To Me?

Contents: Wind in the Poplars œ Short Prelude œ Petite Marche œ Daydreams on a Swing œ Burlesque œ Strange Little Dance. Louis Moyse's previously published Short And Easy Pieces For The Flute is among the top sellers from any publisher for flute. This set Opus 44 continues in the spirit of the earlier work.

Doù viens-tu bergère-This setting is based on a traditional carol from French Canada that probably dates back to the 17th century. The text of Doù viens-tu bergère is in a traditional question-and-answer form – a dialogue between the questioner(s) and the young shepherd girl who has been to the manger and seen the birth of Christ. Mixed Voices. Bergere

From Glee Season 2 this pop hit by Bruno Mars will make everyone smile with its appealing rhythmic groove infectious melody and echoes of an earlier pop era. Fantastic staging opportunities abound! Available separately:SATB SAB SSA ShowTrax CD. Rhythm parts (syn gtr b dm) available as a digital download. Duration: ca. 4:00.

Harold Rosenbaum Choral Series-This famous Latin text has been set by many composers over the ages: As the deer longs for running water so longs my soul for you O Lord. This setting evokes the settings of the past with a fresh perspective for contemporary choirs. Duration: ca. 4:20. This famous Latin text has been set by many composers over the ages: “ As the deer longs for running water so longs my soul for you O Lord '. This setting evokes the settings of the past with a fresh perspective forcontemporary choirs. Duration: ca. 4:20.

60 of the world's most beautiful compositions- Instruments: Manuals Here are 60 evergreen favourites to enable you to deliver the goods when the situation demands something with wide appeal.Sixty of the World's most beautiful compositions for Organ Manuals.

For SATB (with divisi). Published 2008. Score. For SATB (with divisi). Published 2008. Score.

Two incredibly popular songs from Glee's The Purple Piano Project are paired in this rhythm fueled choral showcase! You Can't Stop the Beat (from Hairspray ) and We Got theBeat (The Go-Go's) will electrify your stage! Available separately: SATB SAB SSA ShowTrax CD. Combo parts available as a digital download (tpt 1-2 tsx tbn bsx syn gtr b dm). Duration: ca. 4:00.

With powerful melodies a contrasting lyric middle section and percussion using trash cans Michael's popular work from 1997 has become a staple for the middle school level. Here is a version adapted for the Flex-Band formatwhich allows small or incomplete ensembles the opportunity to enjoy this exciting piece. With powerful melodies a contrasting lyric middle section and percussion using trash cans Michael's popular work from 1997 has become a staple for the middle school level. Here is a version adapted for the Flex-Band format which allows small or incomplete ensembles the opportunity to enjoy this exciting piece.

Score-From Samuel Barber's acclaimed First Symphony here is a masterful adaptation for band of the stunningly beautiful lyric movement. While carefully preserving Barber's original intent Richard has created a setting that effectively suits the band medium. From Samuel Barber 's acclaimed First Symphony here is a masterful adaptation for band of the stunningly beautiful lyric movement. While carefully preserving Barber 's original intent Richard L. Saucedo has created a setting that effectively suits the band medium.

Published 1981. First performance: Michael Finnissy Purcell Room 28th October 1984. Published 1981. First performance: Michael Finnissy Purcell Room 28th October 1984.

A light playful love song that has a magical quality that stays with singers and audience alike (2-part). Also available in: SATB (HMC997) SAB (HMC1047) and TBB (HMC1853)