Flexible Duets and Trios-Allegro K439 by Mozart and Allegro Moderato Op. 48 by Pleyel skilfully arranged for Sax duet or Trio by William McConnell. Allegro K439 by Mozart and Allegro Moderato Op. 48 by Pleyel skilfully arranged for Sax duet or Trio by William McConnell.

Album-Piano. Various

Poul Ruders ' Alone for Soprano Voice and Clarinet. This piece was composed in 1992 and incorporates text by Edgar Allan Poe. Poul Ruders ' Alone for Soprano Voice and Clarinet. This piece was composed in 1992 and incorporates text by Edgar Allan Poe.

This edition also contains Beati Mortui by Felix Mendelssohn and Tantum Ergo by Anton Bruckner This edition also contains Beati Mortui by Felix Mendelssohn and Tantum Ergo by Anton Bruckner

Piano. Nishimura A

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

8 Flexible Woodwinds Duet-A delectable collection of eight original jazzy pieces by John Widger. They are relatively easy flexible woodwind duets - for any combination of Flute/Oboe/Recorder/Bb or C Clarinet with or without Piano support. As the title suggests the arrangement is completely up to you allowing for the greatest amount of felxibity adapting it to suit your players! All of the duets are suitable for Grade 1 and upwards. A delectable collection of eight original jazzy pieces by John Widger. They are relatively easy flexible woodwind duets - for any combination of Flute/Oboe/Recorder/Bb or C Clarinet with or without Piano support. As the title suggests the arrangement is completely up to you allowing for the greatest amount of felxibity adapting it to suit your players! All of the duets are suitable for Grade 1 and upwards.

Gabriel Faure's Pavane has been arranged for solo Piano by Thomas A. Johnson. Gabriel Faure's Pavane has been arranged for solo Piano by Thomas A. Johnson.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Take a tour of the world with this fantastic selection of songs from all over the world all arranged for flexible String Orchestra. This pack contains: Full score 3 X Violin 1 parts 2 X Violin 2 parts 1 X Violin 3 parts 1 X Viola part 2 X Cello parts 1 X Bass part.

Commedia - Symphony No.4 Op.93 was composed by Jouni Kaipainen in 2010. Scored for Baritone and Soprano soloists Male Choir TTBB and Organ. Text by Dante. Commedia - Symphony No.4 Op.93 was composed by Jouni Kaipainen in 2010. Scored for Baritone and Soprano soloists Male Choir TTBB and Organ. Text by Dante.

Ein Bühnenweihfestspiel in drei Aufzügen-An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas in every important version based on the Complete Edition.* The score corresponds to the performance materials from the Complete Edition.* For practical use in rehearsal cues and bar numbers throughout.* The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.* The forewords are given in three languages(German English French).* Uniform and attractive front cover designs with reproductions of paintings from the Wagner eraunderline the series design of the edition. PARSIFAL This piano reduction corresponds to the edition of Parsifal contained in the critical Complete Edition of the musical works of Richard Wagner (Richard Wagner Sämtliche Werke Vol. 14 I-III edited by Egon Voss and Martin Geck Mainz 1972f.) The chief source for the edition was Wagner’s autograph score as the first printed score dating from 1883 on which all previous editions had been based had not been authorised by the composer and displayed significant deviations in comparison with the autograph. Further details can be found in the above-mentioned volumes of the Complete Edition.” (Amélie Pauli quoted from the foreword of the new Parsifal vocal score; translated by Lindsay Chalmers-Gerbracht)

Organisazione Populare Nr.1 Op. 349 was composed by Niels Viggo Bentzon . Organisazione Populare Nr.1 Op. 349 for Organ solo by Niels Viggo Bentzon. Manuscript copy.

Bach's Chorale harmonisations arranged for four bassoons. Also available in the Bach Chorale Collection - SP183. Grade: 6

With these easy arrangements the beginner saxophonist will become well-acquainted with the various styles and rhythms of traditional American music. Playing along with the enclosed CD the student will be supported as a soloist and will also experience the feeling of playing in an ensemble.

The Occasional Organist's Survival Kit offers a series of volumes each of which features a range of essential Organ repertoire arranged for manuals only and in some cases slightly simplified yet maintaining the integral strength and effectiveness of the music. Ideal for the confirmed pianist called upon to act as organist! Grade: 5

Hans-Martin Linde (b. 1930) is not only one of the best-known recorder players of the twentieth Century but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet for the unusual and delightful-sounding combination A[treble]/T/T/B uses musical themes from the 15th to 17th Centuries: from a “Prélude à l’imitation” by Froberger a melody by Claudio Saraceni “Da te parto” themes from keyboard sonatas by Domenico Scarlatti the Chanson “Adieu mes très belles” by Binchois and a ground bass from Purcell’s harpsichord collection “Musik’s Handmaid”. The composer writes: “Inmany of my compositions a meeting takes place between old and new. In this Suite too present events unfold against the background of the past. Models from early music are mirrored in the present.” Hans-Martin Linde (b. 1930) is not only one of the best-known recorder players of the twentieth Century but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet for the unusual and delightful-sounding combination A[treble]/T/T/B uses musical themes from the 15th to 17th Centuries: from a “Prélude à l’imitation” by Froberger a melody by Claudio Saraceni “Da te parto” themes from keyboard sonatas by Domenico Scarlatti the Chanson “Adieu mes très belles” by Binchois and a ground bass from Purcell’s harpsichord collection “Musik’s Handmaid”. The composer writes: “Inmany of my compositions a meeting takes place between old and new. In this Suite too present events unfold against the background of the past. Models from early music are mirrored in the present.”

With these new editions all six recorder concertos of John Baston are now available each with score piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.

Work dating from 2000 for Accordion Solo. Work dating from 2000 for Accordion Solo.

Cello Harp. Yun I