John Moss has taken three traditional Christmas favorites and combined them into a sparkling setting for the holidays. Includes Here We Come A-Wassailing; Still Still Still and Good King Wenceslas. John Moss has taken three traditional Christmas favorites and combined them into a sparkling setting for the holidays. Includes Here We Come A-Wassailing; Still Still Still and Good King Wenceslas.

Crazy Crowd is a fun piece in which we meet a comical parade of eccentric figures: A drum major a clumsy clown a dancing robot a charming princess an ailing acrobat a timid spy and more! Where do you fit into this line-up?!

Ommaggio a Italo Calvino-Study Score - Hawkes Pocket Score 1167. Carter E

for Bb Clarinet and Piano-A contemporary piece which will test the technical abilities of even the most advanced clarinettists.

Variazioni in Blue est basé sur une série de variations dans laquelle des éléments du blues (comme les fameuses blue notes ) servent de fil conducteur. Après une introduction majestueuse qui révèle partiellement le thème central on entend une première variation ornementale dans un style classique. Elle est suivie par une deuxième variation dans le style du blues et par une troisième plus rapide dont le caractère provient des musiques traditionnelles d’Europe de l’Est. L’ Andante espressivo contient de subtils changements harmoniques. Ce mouvement évolue en une reprise de la variation folklorique précédente dont l’intensité est augmentée par le passage enMajeur qui conduit vers le finale.

Klavierauszug -Revised edition- The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion it was a work Bach revised during the rest of his life in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724 1725 around 1730 and during the last years of Bach 's life. They often contain two or more readings for the same passage or even different movements that on different occasions occupied the same place in the work. Barenreiter's edition uses the final version IV as its basis with alternativemovements and readings contained in the appendices. A comprehensive preface in the study score (German/English) TP197 gives full information. - Full score performance material (BA5037) vocal score (BA5037-90) and study score (TP197) available for sale.

2 ob 2 cl hn 2 bn contra .

Arranged and adapted by Andrea Cappellari. Include Backing Tracks CD.

Who doesn’t know the children’s TV series Thunderbirds . The Gerry Anderson classic is still as popular today with both children and adults as when it was first shown in the sixties. This arrangement of the theme tune will be loved by all and will leave your audience humming it all the way home.

Arranged for SSA Missa Brevis displays Britten's characteristic flair for writing for children but retains a devout liturgical gravitas. The decisive opening immediately presents declamatory vocal writing as each of the three treble parts enter. The Gloria with its 7/8 metre is a jaunty setting that immediately appeals to young performers and lends appropriate joy to the text.

Wondrous Love is one of the most beloved songs of the shape-note Sacred Harp (1844). This arrangement is based on the original version of the tune and maintains its stark quartal harmonies. SATB. Rogers W

Horn Piano. Lees B

Fingerstyle Guitar Duets by Davide Mastrangelo and Val Bonetti for Learn&Play serie.

Hawkes Pocket Scores HPS 942-Study Score - Hawkes Pocket Score 942. Lees B

Jan Van der Roost originally composed each and every note of ‘Slavia’ (as in case in ‘Puszta’ ‘Rikudim’ and ‘A Highland Rhapsody’). Consequently ‘Slavia’ does not contain any arrangement of existing tunes but is an original composition ‘in the style of…’. The introduction has an ABA structure and exposes a broad melodic line. Following a short cadenza there is a second movement in a fast and fiery tempo. The tempi increase gradually culminating in an exciting final climax making this ‘Slavonic Rhapsody’ a spell-binding experience to the very last note.

These three pieces can serve perfectly well as a suite of sonatas - a coherent but varied whole - although in their original form they are unrelated. The adaptations have been kept to a minimum so that the true Bach is still abundantly present in the music. Contains: Prelude XXII from The Well-Tempered Clavier • Adagio (originally from the Sonata for violin and obbligato harpsichord in B minor BWV 1014 ) • Allegro from the Sonata for viola da gamba and harpsichord BWV 1028 .

This composition is written for the Dutch municipality Woensdrecht (Netherlands) at the occasion of it�s seven hundreth anniversary. �A celebrating village� is a stately composition based on a choral which can be if desired played with a choir.

Overture-Gioacchino Rossini was a musical prodigy composing his first operawhen he was eighteen years old. At the age of 37 after having written39 operas in all he almost completely stopped composing anddevoted himself to the culinary art and the mysteries of wine! In hisopera L’Italiana in Algeri Rossini shows the difference in mentalitybetween two countries on both sides of the Mediterranean Turkeyand Italy. The exotic themes and oriental sound colours of thisopera have ensured that it is still loved today by a wide audience.This transcription for concert band retains the exotic and orientalfeel of the original opera.

Ala et Lolly-Miiniature score version of Sergei Prokofiev's Scythe Suite Op.20 for Orchestra. This work was composed in 1914-15 and was first performed on 16th January 1916 at the Maryinski Theatre Petrograd conducted by the composer. Hawkes Pocket Score 636.

Beethoven’s three sets of cello variations comprise the “Twelve Variations on a Theme from Händel’s Oratorio ‘Judas Maccabeus’” (WoO 45) the “Twelve Variations on the theme ‘Ein Mädchen oder Weibchen’” (op.66) from Mozart’s opera “Die Zauberflöte” and the “Seven Variations on the duet ‘Bei Männern welche Liebe fühlen’” (WoO 46) also from “Die Zauberflöte”. These works have existed in many different editions some of which have from time to time been (tacitly) reprinted with corrections to keep up to date with the latest scholarship. This new Bärenreiter Urtext edition however is the first to give all Beethoven’s rhythms in the violoncello part correctly.Beethoven’s autograph manuscript of op.66 is lost; the critical commentary (English) includes a complete facsimile of the violoncello part from the only surviving source (the first edition) illustrating the various problems encountered in determining the best musical text. With numerous corrections in the violoncello part Included in the critical commentary is a complete facsimile of the violoncello part of op. 66 as it appeared in the first edition