Second Ceilidh Collection For Viola arranged by John Marshall.

When Thou hadst risen again- Voskres Iz Groba (When Thou Hadst Risen Again) is a work by Sergei Rachmaninoff for Unaccompanied SATB Choir. From the 'All-Night Vigil ' this is the Vocal Score featuring a pronunciation guide and an explanation of the transliteration and translation. The lyrics are in the original and a phonetic transliteration.

On Hearing the First Cuckoo in Spring A Summer Night on the River A Song Before Sunrise Full Score. Revised Thomas Beecham (Complete Works Volume 27a) Orchestral material available for rental (Ref. HL286 HL287 & HL76).

Tonight the sea will be awash with pink! Flamingos from everywhere are flying in for a rockin’ party. Their long legs prance around to the beat circling each other as their beaks chatter all night long. Who else wants to go to the Flamingo Rock? Kevin Houben’s new composition is full of little rhythmic and harmonic challenges perfect for bands both young and old. But beware once you start playing the tune you just might not be able to stop!

Selected pieces from two centuries for Flute and Piano-FROM BACH TO BRAHMS leads through 200 years of music history. The arrangements of these 16 small easily accesible pieces that were originally written for various instruments are a wonderful addition to the repertoire of every flautist. They can beperformed together with a pianist playing from the accompaniments printed in the book or with the enclosed CD which contains demonstrations as well as the piano accompaniments of each piece. Contents: March (J. S. Bach) • Musette (J. S. Bach) • Air (G. F. Händel) • Impertinence (G. F. Händel) • Les Fifres (J. F. Dandrieu) • Tambourin (J. P. Rameau) • Allegro (W. F. Bach) • The Ox Minuet (J. Haydn) • Serenade (J. Haydn) • Minuet (Mozart)• Bagatelle (Beethoven) • Walzer (C. M. von Weber) • Serenade (Ständchen) (F. Schubert) • Song without Words (F. Mendelssohn) • Evening Song (R. Schumann • Walzer (J. Brahms).

Twelve superb arrangements of Christmas favourites for SATB mixed voices guaranteed to add sparkle and glitz to every choral concert. Christmas Pops! is an essential addition to every choir library and should be on every choral singer's Christmas list! This festive collection covers a wide range of styles and festive moods from simple four part settings to extended divisi arrangements wittily and inventively crafted by the cream of today's choral arrangers including: Richard Allain Henry Capper-Allen Ralph Allwood Hywel Davies John Gardner Matthew O'Donovan Tom Recknell Bertie Rice and Jonathan Wikeley.

As the title suggests the Austrian composer Gerald Oswald’s work Music for Happiness aims above all to convey a message: the great joy in making music together. Music making is joyful and relaxing and brings a carefree liberating freedom into the lives of listeners and musicians alike. It conjures a smile on our lips and inspires us to perform in our daily lives with gusto and spirit.

Pange Lingua (Tantum ergo) for Mixed Choir and Organ ad lib. (1960) by Leif Kayser. Choral score available: KB056-1 Pange Lingua (Tantum ergo) for Mixed Choir and Organ ad lib. (1960) by Leif Kayser. Choral score available: KB056-1

Richard Strauss' Stimmungsbilder Op.9 for Piano solo. Contents: Auf stillem Waldespfad · An einsamer Quelle · Intermezzo · Träumerei · Heidebild

Horn. Bujanovski V. Horn. Bujanovski V.

POD-Only selected works by this publisher are included in the catalogue. Why Do I Use My Paper Ink And Pen? is a work by William Byrd for Unison Voices and Organ Accompaniment that sets text attributed to Henry Walpole.

Opera in 4 acts-Libretto. Wolf H Libretto. Wolf H

For a long time the prejudice has prevailed that women cannot compose since they allegedly lack the requisite creative talent. It is indeed true that they have been less active in the field of musical composition than their male contemporaries but reasons for this can be found in the social circumstances of the still recent past. In the late eigtheenth and nineteenth centuries the ages of the Enlightenment and the highflowering of great achievement in music women were denied the education and encouragement which would have made possible individual accomplishment beyond the limits of domestic music making. In spite of these hindrances there were highly giftedwomen who overcame the hurdless and were able to submit their talent for composition to proof. Of course these belonged to the well-to-do middle and upper classes or were women from musical families who were able to receive a thorough training. This selection comprising 19 women composers from eight countries cannot claim to be completely representative both because there is as yet no systematic catalogue of the autographs and printed editions in archives an libraries and because it is limited to the period from the eighteenth century to the present. Yet the editiors are convinced that the present publication is worthwhile and justified and that each of the pieces can speak for itself. Women composers have made their way in the face of prejudice and opposition; they will now pursue that way amid a manifest change in society's view of women and its attitude towards them.

For Soprano and SATB choir with Piano for rehearsal only. For Soprano and SATB choir with Piano for rehearsal only.

For solo Harpsichord. For solo Harpsichord.

2 Pianos. Einem G 2 Pianos. Einem G

featuring all Bb Clarinets-An attractive composition for the clarinet register based on the chromatic scale. The clarinets can display all their technical profi ciency at whirlwind pace. The performance is made perfect with sparkling harmonies in the concert band’saccompaniment.

Descant Or Tenor Recorder-Grand opera made easy. Grade: 2 Grand opera made easy. Grade: 2

Work for Mixed Voice Choir and Organ setting the text of Robert Southwell. The work was composed in 1975 for the 250th anniversary of Trinity Parish Church Southport Connecticut.

Oper in one act-(Vocal Score) (German English). Yun I