Instruments: Unison The three settings in this collection are all for unison singing (though The St Oliver Setting has some optional choir parts). They are tuneful and ideal for congregational singing.Three tuneful Eucharists that are ideal for congregational singing. The three settings in this collection are all for unison singing although the St Oliver Setting has some optional choral parts.

Equipping your worship group just got a whole lot easier! N Equipping your worship group just got a whole lot easier! Now all the songs from the outstanding first three Source volumes are brought together in the Complete Source . This compact single edition includes themelody lines and chord symbols to a stunning 1700 worship songs and hymns! Perfectly complementing the single volumes in the series this handy new edition will be warmly welcomed by worshipping musicians everywhere.

Motet for SATB Choir edited by Henry Washington.

A collection of 10 intermediate (Grade 5-6) classical pieces selected and edited by Vincent Smith for B-flat Trumpet with Piano accompaniment. Features works by great masters of different periods such as Mozart Haydn Wagner Rossini Mendelssohn Böhm and others. Middle range to A above the staff. Pull-out Trumpet part. Trumpet Players Collection Book 2 includes Andante from Trumpet Concerto (Haydn) Alleluia from Exultate Jubilate (Mozart) Cavatina from Stabat Mater (Rossini) Minuet (Hollins) O for the wings of a dove (Mendelssohn) Rigaudon (Böhm) Serenade (Clarke) The heavens declare (Marcello) Trumpet Voluntary (Dupuis) With me have rest from Lohengrin (Wagner).

Jameson Marvin Choral Series-Described as choral counterpoint for church choirs these two short selections God Thoughts and Majesty of Mountains are gems that can be used as responses in worship or combined as a lovely anthem. These two short selections from Jameson Marvin 's Hymns and Anthems can be described as choral counterpoint for church choirs. God Thoughts and Majesty ofMountains are two gems can be used as responses in worship or combined as a lovely anthem.

For female or boys' voices. Vocal score (in English and Latin) contains all voice parts and piano accompaniment edited by Desmond Ratcliffe. For female or boys' voices. Vocal score (in English and Latin) contains all voice parts and piano accompaniment edited by Desmond Ratcliffe.

A lively Piano duet full of wit ingenuity and dynamic dance rhythms from this Wiltshire-born composer. Suitable for accomplished performers.

This Emily Dickinson text is set into a haunting melodic choral by Janet Gardner. With easy two-part writing the piece is just as effective sung in unison. A stunning selection for any general concert.

Score and Parts-Canadian Brass.

Play the best of the blues from the past and present! This pocket-sized collection is packed with 88 songs arranged for guitar in the same key as the original recordings with complete lyrics chord names & chordboxes.

Louise Gehl Emphasises the reading process and the ability to keep the beat. Originally written for those aged 7 or above it is also suitable for the older beginner. Louise Gehl Emphasises the reading process and the ability to keep the beat. Originally written for those aged 7 or above it is also suitable for the older beginner.

Version for Voice and Organ with optional Trumpet.

G. Schirmer Autograph Edition-Composer John Harbison writes: Rubies is a version of Thelonious Monk's Ruby My Dear which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piece reflecting my first musical passions my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes I chose to make a version of Monk's tune first in a chamber-musical contrapuntal manner then in the grand orchestral style I had always heard lurking there. Dur: 5:30 (Recorded live by the Rutgers Symphony Band - Peter Stanley Martin guest conductor)Composer John Harbison writes: ' Rubies is a version of Thelonious Monk's 'Ruby My Dear' which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piecereflecting my first musical passions my thoughts were of Bach and Monk. Since I had recently made some Bach-like chorale preludes I chose to make a version of Monk's tune first in a chamber-musical contrapuntal manner then inthe grand orchestral style I had always heard lurking there .' Dur: 5:30 (Recorded live by the Rutgers Symphony Band - Peter Stanley Martin guest conductor).

Conley - Grade 3 Conley - Grade 3

Arrangements for worship groups-Now here's something no other worship collection provides - arrangements for worship groups - each book containing 100 hymn and song arrangements. This book specifically caters for C Instruments.

Gioachino Rossini (1792-1868) referred to his petite messe solennelle as the 'Last mortal sin of my old age'. Written in 1863 for the Countess Louise Pillet-Will and first performed on 14 March 1864 at the consecration of the Countess' private chapel the Mass is one of Rossini's finest achievements and the outstanding work of his 'retirement'. This Vocal score is set for SATB soli SATB chorus Harmonium and two Pianos.

There Is Joy In The Song We Sing composed by Geoffrey Shaw for Unison Voice and Piano Accompaniment.

6 Works from the 20th and 21st Centuries-Six works for trumpet and piano which are suitable for the advanced high school or college level player. Features music by Arutiunian Dello Joio Heiden Husa Peaslee and Whitney. Includes pull-out trumpet part. Six works for trumpet and piano which are suitable for the advanced high school or college level player. Features music by Arutiunian Dello Joio Heiden Husa Peaslee and Whitney. Includes pull-out trumpet part.

This anthem was commissioned by Sam Wanamaker of the Globe Theatre Trust and first performed at Southwark Cathedral by the Exultate Singers under Garrett O'Brien on 23rd April 1972. In spite of Berkeley's adherence to RomanCatholic traditions the hymn is close to Anglican patterns and shows Berkeley's return to diatonic materials after a more exploratory approach in the 1960s. There is even a melodic blue not or false relation also found in someof Berkeley's earlier music as well as later pieces such as the sixth Prelude and a prominent motif in Nelson . The Irish-born C. Day-Lewis (1904-72) was poet laureate from 1968 until hisdeath. Peter Dickinson

Short pieces for Pedal Organ arranged by Ernest Dicks .