A short 3 minute piece d'occasion written in 1951 for Tadeusz Ochlewski director of Polskie Wydawnictwo Muzyczne.

I Couldn't Hear Nobody Pray a traditional spiritual arranged for SATB a cappella by Moses Hogan. Performance time approx. 3.00. I Couldn't Hear Nobody Pray a traditional spiritual arranged for SATB a cappella by Moses Hogan. Performance time approx. 3.00.

In Summertime On Bredon is a poem written by A. E. Housman in 1896 and which formed part of his famous work A Shropshire Lad which itself gained in popularity during the First World War. Set here for SATB unaccompanied.

Sixteen easy to intermediate pieces from 18th-century Sweden. The collection for violin (flute or oboe) keyboard and optional cello (bassoon) includes airs and dances by Roman Agrell Kraus Wikmanson Bellman.The Baroque Around the World series for flexible ensemble with keyboard can be used in the home in schools and in music centres - ideal for informal music-making as well as student and professional performance.Each publication includes a CD with listening and play-along tracks performed by the outstanding musicians Sharon Lindo (violin) Jennifer Stinton (flute) Nick Stringfellow (cello) and Jeremy Barlow (harpsichord).

Two Human Hymns comprises of settings for six-part choir and organ of two poems by 17th century English poets who are almost exact contemporaries; George Herbert and Henry King. The music for the choir is mostly composedin simple songlike shapes which are little hymns. The texts though clearly relate to Christian beliefs could be more widely applicable to all human experience which is why they have called them 'Human Hymns'. Thus Love BadeMe Welcome (G.Herbert) whilst obviously a Christian allegory can be read as a gently hypnotic love song and it is attempted to capture something of this atmosphere in the setting. Like to the Falling of a Star (H.King) although it mentions no God could be a Calvinist sermon capping its lovely account of the wonders of nature with an almost operatically sinister denouement. In the first half of the piece the music bubbles upwards fresh andoptimistic; in the second half like all those doomed sinners it is going down down down. The first performance was given by University of Aberdeen Chapel Choir on 22nd October 1995. Duration: c.7 minutes.

Book 4-Edited by Edmund Fellowes CONTENTS ATTEY John: On a time the amorous Silvy (A - D) CAMPION Thomas: Fair if you expect admiring (B - C); Follow thy fair sun (C sharp - C sharp) CAVENDISH Michael: Finetta fair and feat (D - D) DOWLAND John: Fine knacks for ladies (C - D); I saw my lady weep (D - D) FORD Thomas: Come Phyllis come into these bow'rs (D sharp - D); Not full twelve years twice old (A - E) JONES Robert: Love's god is a boy (C - C) PILKINGTON Francis: Now peep Bo peep (B - D)

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . Piano Concerto No.9 critically revised fingered and the orchestral accompaniments arranged for a second piano. Please note: two scores needed to perform.

Sittin’ In with the Big Band: Jazz Ensemble Play-Along is written at the easy to medium-easy level. It provides an opportunity to play along with a professional jazz ensemble to improve your playing 24/7. As you play along and listen to the outstanding players in the band you’ll learn about blend style phrasing tone dynamics technique articulation and playing in time as well as a variety of Latin swing ballad and rock styles. Performance tips and suggestions are included in each book. Books are available for alto saxophone tenor saxophone trumpet trombone piano bass guitar and drums.

Contents: Adieu Apres un reve Au Bord De L'eau Au Cimetiere Aurore C'est L'extase Clair De Lune Dans Les Ruines D'une Abbaye En Priere (In Prayer) En Sourdine Fleur Jetee Green La Chanson Du Pecheur La Fee Aux Chansons Le Secret Les Berceaux Lydia Mandoline Nell Notre Amour Prison Rencontre The Rose ofIspahan Soir Toujours. Twenty-five selected songs for Low voice by Gabriel Faure. English translations by Marion Farquhar.

17 pieces in lighter styles for the young pianist-Seventeen tuneful pieces to set the fingers walking and the feet tapping. Jazz arranger and composer Stephen Duro has written some catchy but very easy tunes in a range of popular styles for beginners. Styles include a bright rock number and sunny calypso a jaunty blues and cheerful ragtime and a gentle waltz and happy-go-lucky cha cha. A volume of 17 easy to play tuneful pieces in a variety of different popular styles. Everyone will find at least one or two pieces which they just can't stop playing once they have started. Grade 1 to 3.

Mozart's best-known opera - now available in the popular series 'Get to Know Classical Masterpieces'. With explanations about the composer the opera persons and contents of the story. Easily playable piano settings of selected arias and choruses enable the music lover to become better acquainted with the work. Also suited for music lessons at schools and music schools.

SSAATB Edited by E H Fellowes. Revised by Thurston Dart

Clarinet in B (Part only) for Op.83 No.7.

Swing Standards: 14 Most Beautiful Swingin' Ballads. Arranged for Tenor Saxophone by Dirko Juchem with accompanying CD. Part of the Schott Saxophone Lounge series and featuring the sheet music to - Body and Soul; Mood Indigo; Caravan; A String of Pearls; The Lady is a Tramp; Sentimental Journey; In The Mood; Perdido; Tequila; Mack the Knife.

A work for solo clarinet in B flat timpani percussion and strings commissioned by the London Symphony Orchestra. It was first performed in September 1991 at the Barbican Centre London by Andrew Marriner (clarinet) and theLondon Symphony Orchestra directed by Michael Tilson Thomas. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

For Soprano and Double Bass soloists 2 narrators large chamber ensemble tapes and live electronics. 0.0.3(all+bcl).0 / 1.1.1.0 / hp.2perc / 0.0.0.0.1 Commissioned by the BBC. First performed by Jane Manning Barry Guy John Baddeley and John Rye with London Sinfonietta conductor ELgar Howarth Liverpool 1973. Published in 1973. Score. For Soprano and Double Bass soloists 2 narrators large chamber ensemble tapes and live electronics. 0.0.3(all+bcl).0 / 1.1.1.0 / hp.2perc / 0.0.0.0.1 Commissioned by the BBC. First performed by JaneManning Barry Guy John Baddeley and John Rye with London Sinfonietta conductor ELgar Howarth Liverpool 1973. Published in 1973. Score.

Commissioned by George Watson's College to mark the Millennium. The work was first performed in December 2000 at St. Giles Cathedral Edinburgh as part of the College's Festival Of Nine Lessons And Carols by the choir ofGeorge Watson's College.

Terrestre was commissioned to celebrate the composer’s fiftieth birthday and while the name Terrestre calls to mind earthbound things the score suggests the physical sensation of taking wing. The first of the two movements l’Oiseau dansant describes an aboriginal tale of a bird that teaches a village to dance while the second movement l’Oiseau un satellite infime (infinitesimal) takes flight diving and soaring.The flutist is called upon to sing as he or she plays sometimes matching the Flute note sometimes harmonizing with it. Musicianship of the highest order is required of every member of the ensemble. KaijaSaariaho is a contemporary Finnish composer living and working in Paris and much influenced by the electronic experimentations of her association of IRCAM although Terrestre is entirely acoustic in itsinstrumentation. She gained international renown for her first opera l’Amour du Loin and continues a prolific compositional life with a wide range of international performances.

A collection of pieces which have been set for ABRSM's piano exams over the years. Available in three series each containing five graded volumes and reflecting the wide variety of pieces on the syllabuses. The series concentrate on the baroque and romantic sections of the syllabus. 13 pieces for Piano edited for the ABRSM by Howard Ferguson. Includes works by J.S. Bach Beethoven Mendelssohn and Schumann.

This book is the perfect aid to help beginning to advanced Drummers learn four-way coordination or limb independence. Chapter One teaches students many eighth note Drum set patterns each one building on the one before.Chapter Two adds sixteenth note Bass Drum patterns to the eighth note hand patterns learned in Chapter One. The patterns are further reinforced by having the student play them in four-bar phrases. The student should not simplyplay the pattern written on the page but should make it groove and come alive with emotion!