Favourites for two flutes- A selection of glorious works for flute expertly edited with piano accompaniments. A selection of glorious works for Flute with Piano accompaniments expertly edited by Paul Edmund-Davies and John Alley . Grade 6-7. Flute Duets includes The Arrival of the Queen ofSheba (Handel) Sheep may safely graze (Bach) Overture from 'The Marriage of Figaro' (Mozart) and Entr'acte from 'Carmen' (Bizet).

Arranged by: Keith Stent Stages: Grade 2-3 This wonderful book with its simplified arrangements enables you to play four of your favourite classics. Arranged by Keith Stent for Descant Recorder with Piano Accompaniment.

A comprehensive band method by Bruce Pearson. Includes sections on individual sectional and full band playing. SEE ALSO> ENS A comprehensive band method by Bruce Pearson. Includes sections on individual sectional and full band playing. SEE ALSO> ENS

Do not miss this beautifully arranged anthem in the vernacular of an African American spiritual. Solid four-part writing and a soulful solo create a splendid effect; fresh and authentic. Ideal for concert halls and sanctuaries alike!

Twenty-five sumptuous slow descant recorder solos chosen by Kevin Mayhew As Just Beautiful has been so popular for Piano Organ Cello and Violin here is a collection for Flute. For Grade 3-5 Just Beautiful is a collection that no flautist should be without.Includes 25 pieces chosen by Kevin Mayhew by great composers such as Bach Chopin Handel Elgar Schumann and many more. ”I have chosen these pieces because I love every one of them. I can clearly remember theoccasion when I first came across each piece and the excitement I felt. It was during my time as a chorister at Westminster Cathedral and in my subsequent work as a church musician that I first discovered many of the sacredpieces. The rest are my choice from years of seeking out beautiful melodies and perfect harmonies. I hope you enjoy Just Beautiful as much as I do.” – Kevin Mayhew .

All the music from Einaudi's autobiographical fourth album. Includes the tracks with solo Cello. The composer writes: If someone asked me about this album I would say it is a collection of songs linked together by a story. But unlike my other albums it doesn't belong to a time in the past. It speaks about me now my life the things around me. My piano which I have nicknamed Tagore my children Jessica and Leo the orange kilim carpet that brightens up the living room the clouds sailing slowly across the sky the sunlight coming through the window the music I listen to the books I read and those I don¹t read my memories my friends and the people I love.All the music from Einaudi's autobiographical fourth album. Includes the tracks with solo Cello. The composer writes: If someone asked me about this album I would say it is a collection of songs linked together by astory. But unlike my other albums it doesn¹t belong to a time in the past. It speaks about me now my life the things around me. My piano which I have nicknamed Tagore my children Jessica and Leo the orange kilim carpet thatbrightens up the living room the clouds sailing slowly across the sky the sunlight coming through the window the music I listen to the books I read and those I don¹t read my memories my friends and the people I love.

An Easter musical for children-An Easter musical for children A spectacular Easter musical involving a large cast. Hosanna! begins joyfully with Christ's entry into Jerusalem and leads through the events of Holy Week to a magnificent Pentecost finale with colourful scenes ofdancing wind and fire. The free demo CD also includes backing tracks for when musicians are not available. Suitable for presentation by schools or church groups.

Edward Elgar's The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano Tenor and Bass with Chorus and Orchestra. It is based on the epic poem The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood and also includes helpful notes on thebackground to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history sources and editorial proceedure.

For High Voice and Piano. Text: WH Auden. Commissioned by and dedicated to Alice Esty.

Judith Clurman Choral Series-This is an a cappella setting of Psalm 23 set in Hebrew. Composer Judith Shatin wrote this piece in 1995 and dedicated it to the memory of Prime Minister Yitzhak Rabin. This is an a cappella setting of Psalm 23 set in Hebrew. Composer Judith Shatin wrote this piece in 1995 and dedicated it to the memory of Prime Minister Yitzhak Rabin.

For SATB with Piano accompaniment for rehearsal. Words by John Keats.

A burst of holiday sounds flow from this unique arrangement by the Swedish arrangers. Jay has adapted this for American band. A very impressive and enjoyable work!

Mists Before The Sunrise Fly is a part-song written in 1936 for two Voices and Piano by Geoffrey Shaw setting a poem by his daughter Margaret Shaw . It takes the tune from an earlier work Siciliano by the English composer Thomas Arne (1710-1778) who is best known for writing the patriotic song Rule Britannia! while working at the Drury Lane Theatre in London. GeoffreyShaw (1879-1943) was a British composer organist and teacher. He was a chorister at St Paul’s Cathedral before going on to study under Charles Stanford and Charles Wood. He later became a teacher and an inspector for theBoard of Education.

Volume two in this series continues to highlight Elgar's great organ works. Includes the famous Nimrod from Enigma Variations and Prelude And Angel's Farewell from The Dream Of Gerontius .

Most of the English-speaking choral singers who make up their country's thriving choirs and choral societies will have sung Bach's great Passions in English at some time or other. This edition is in both English and German giving the individual choir the option of which language to perform in. This book contains a preface by the editor Neil Jenkins and a suggested 'on the day' rehearsal schedule by Sir David Willcocks. St. Matthew Passion was written for solo voices ripieno choir 2 SATB choirs and 2 orchestras. The vocal score contains all voice parts and a piano accompaniment.

Sonatina was written for solo Clarinet in B flat with Piano accompaniment. It was first published in 1982. Rory Boyle (b.1951) is a Scottish composer and educator currently Professor ofComposition at the Royal Conservatoire of Scotland. He was a chorister at St George’s Chapel Windsor before studying Piano Organ Clarinet and conducting at the RSAMD and composition with Frank Spedding and Lennox Berkeley. Hismusic covers every style from large orchestral works to solo instrumental pieces. He is regularly in demand for commissions from Festivals Music Societies and leading performers.

Ten fine examples of the classical sonata form by Domenico Scarlatti for Solo Piano.

American folksong collected by David Holt from Dellie Norton This sturdy American folksong has been given new life through the skillful arranging of James Clemens. Maintaining the hollow open harmonies and steady rhythmicmovement of early American music Clemens adds some fresh counterpoints and syncopations to really liven things up. Meeting Is Over is dynamic!

Rorate Coeli for unaccompanied chorus was written in 1973 in response to a commission from the National Federation of Music Societies in Great Britain. It was first performed by the Thomas Tallis choir in Greenwich. It is a setting of two interleaved poems of the famous Scottish poet William Dunbar (written circa 1500). One poem is the Nativity poem of the title the other is the poem about the Resurrection: 'Done is a battle on the dragon black'. The work is framed by the rich chords of the opening line where full chorus is echoed by soloists. This setting of both poems simultaneously reminiscent of medieval polytextural techniques shows the future victory of theResurrection along with present joy of the Nativity. The chords of the opening return at the end combined with an exultant Gloria.

For Soprano Saxophone and Piano. For Soprano Saxophone and Piano.