Edizione critica a cura di Claudio Toscani-EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera – his second dramma serio for San Bartolomeo in less than two years – the young composer (who had already acquired considerable professional stature in the city’s theatres churches and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one’s betrothed. Inserted between the opera’s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica “San Pietro a Majella” in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction which traces the libretto’s complicated literary lineage and illustrates the circumstances of the opera’s commission genesis premiere and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia and an aria for the third act whose text does not appear in the original printed libretto are provided as appendices.

Altsaxofoon

(Variations On A Bass/Toccata In French Style)

Ed. A. Cavuoto - Trascrizioni Per Violoncello E Pianoforte-Seven great themes from classical works compiled and edited for cello and piano.

Jubilate Deo Ea37357

Accordeon - Ou Bandoneon

for tenor soloist SSAATTBB and organ This sumptuous setting is not difficult and is a fine example of Mendelssohn's choral writing. It is a useful item for a choral concert or for a service sung by combined church choirs.

Saxophone Mib Seul - Collection Vent De Sax

Pour clarinette en la (ou Alto ou Saxophone Alto) et Piano - extrait des Deux Sonatines Opposées

Collection Vent De Sax

Collection Vent De Sax

Soli-Choeur 2 - Satb

Choeurs - Satbb-Ssatb

Ribe Domkirke

Saxophone Alto Et Piano

kplt.

Flute Et Piano - Cycle 1

for three trumpets/cornets and band

avec Accompagnement de Piano

Schlafe mein Prinzchen schlaf ein