For Soloists SATB Choir and Orchestra - Continuo Separately

Gran Coleccion De Aires Regionales

From Luisa Fernanda

Azucarillos Y Aguardiente

Parademarsche fur Fußtruppen

Anthem With Strings (Parts)

Choral cantata No. 1 for Christmas

Oratorium nach Worten der heiligen Schrift

Set 1

Chord Inversions - Altered Voices - Harmony

Biblische Historie

Dramatic Pastoral in Two Acts

Fantasy on two Russian Folk Songs

Introduction to Act 3 (Tannhäuser's Pilgrimage)

Nelson Mass-Haydn's 'Mass in Times of Fear' is also known under the epithet 'Nelson Mass' which alludes to the famous Battle of Abukir in which the British Admiral Nelson fought the French victoriously. Haydn could not have known anything about this at the time of completion of the Mass but it was not least the instrumentation with its military character – trumpets and timpani play a major role – that captures the threatening atmosphere of that time of unrest.The study score is published in an easy-to-read large format for the first time.

Wotan's Farewell and Magic Fire Music

Marches 1-5-Pride pomp and circumstance of glorious war! - It is these words from Shakespeare's Othello that the probably best-known work by the English composer Sir Edward William Elgar falls back on: the five marches which are contained in Pomp and Circumstance Marches op. 39.The work was a sensational success from the very beginning especially March No. 1 should be going around in the head of every lover of classical music. At its premiere in 1901 under the composer's direction the audience requested two repeats; in 1902 the words of 'Land of Hope and Glory' were added to the march at the request of Edward VII for his coronation ceremonial. The resulting version is nowperformed every year at the Last Night of the Proms and as English hymn at the Commonwealth Games.Motivated by the success of the first two marches Elgar composed another three which were performed in 1905 1907 and 1930. No. 4 is as euphemistic and formal as No. 1 whereas the others are of a rather melancholy nature.

The very lively three-movement Piano Concerto in G major is characterised with regard to style by jazz influences especially in the first and third movements but by late Romantic and impressionist influences in the middle movement. Ravel himself called it 'a concerto in the truest sense of this generic term: With that I want to say that it has been written in the spirit of the concertos by Mozart and Saint-Saëns.'

for chamber orchestra

Medium Voice And Piano