Although there are a number of fine arrangements of this spiritual Brandon Boyd's setting of Hold On for mixed chorus divisi with piano is exceptionally creative yet true to the idiomatic style. The rich harmonic language set against lyrical melodic passages and articulated by syncopated rhythmic elements provides a thrilling opportunity for singers and audience alike. Try it in a group of American pieces for American Music Month.

11 Vocal Selections from Shows and Albums Women's Edition-11 selections from the hit shows Songs for a New World Parade The Last Five Years Urban Cowboy The Musical 13 The Musical and album Lauren Kennedy: Songs of Jason Robert Brown . With a companion CD featuring piano accompaniments performed by Jason Robert Brown! The enhanced CD also includes tempo adjustment and transposition software for CD-ROM computer use as well. 11 selections from the hit shows Songs for a New World Parade The Last Five Years Urban Cowboy The Musical 13 The Musical and album Lauren Kennedy: Songs of Jason Robert Brown . With a companion CD featuring piano accompaniments performed by Jason Robert Brown! The enhanced CD also includes tempo adjustment and transposition software for CD-ROM computer use as well.

With left hand arpeggios and easy legato pedaling it will be a teen favorite and a good recital piece. With left hand arpeggios and easy legato pedaling it will be a teen favorite and a good recital piece.

This easy swing ballad pays homage to the great Neal Hefti and his classic Li’l Darlin’ which was written for the Count Basie orchestra and is now standard repertoire in the big band genre. There is plenty of ensemble work along with a great written tenor sax solo (also with chord symbols). For greater performance flexibility an optional solo sheet is included for other instruments as well. A great vehicle for teaching the most basic elements of jazz in a musical setting! (3:00)This easy swing ballad pays homage to the great Neal Hefti and his classic Li’l Darlin’ which was written for the Count Basie orchestra and is now standard repertoire in the big band genre. There is plenty of ensemble work along with a great written tenor sax solo (also with chord symbols). For greater performance flexibility an optional solo sheet is included for other instruments as well. A great vehicle for teaching the most basic elements of jazz in a musical setting! (3:00)

From Coppelia Ballet-French composer Léo Delibes (1836-1891) was primarily known for his operettas and short comic operas. He was also famous for the ballet Coppelia from which arranger Wil van der Beek has transcribed the czardas for concert band. Characteristic of this work and the music of Delibes' in general are rhythmic alternating melodies. Another trademark of Delibes' work is the skilful choice of instrumentation a facet which this transcription honors thoroughly.The piece is a succession of the various themes the composer uses to work towards a brilliant climax.

Brahms composed his Two Rhapsodies Op. 79 around 1879 and dedicated them to Elisabeth von Herzogenberg. These two rhapsodies contrast strikingly with each other and stylistically they epitomise music of the Romantic period with their clear juxtapositions of passionate outbursts and tender intimations. The Opus 79 is a fantastic addition to any accomplished pianist's repertoire. This Urtext edition provides you with a clear and accurate version these two rhapsodies by Brahms.

Irl Allison Library-A collection of piano works from the Baroque Classical Romantic and Contemporary eras suitable for the national auditions of the National Federation of Piano Teachers. A collection of piano works from the Baroque Classical Romantic and Contemporary eras suitable for the national auditions of the National Federation of Piano Teachers.

39 easy originals- Ideal for students music-lovers and Piano teachers. Features tried and tested fingering with practical page-turns. This collection contains 39 easy-to-play Piano pieces from the Baroque to the Early Modern period and presents an ideal repertoire for music schools and private music-making. Conceived as a supplement to Bärenreiter’s popular anthology Easy Classics for Piano (BA 8758) it offers a wide-ranging repertoire which includes popular classical pieces but also small gems such as Chopin’s Contredanse in G-flat as well as Satie’s Berceuse and Méditation . Fingering by the experienced pianist and Piano teacher Annette Töpel help playersto learn the pieces more quickly.

What a fabulous idea — an outstanding feature that lets you choose your bass soloist! Solo parts are included for string bass bari sax bass clarinet bassoon and tuba. The possibilities are endless and the chart itself is extremely well written with plenty of ensemble writing to keep your group busy. Choose a single soloist or have several talented musicians trade back and forth. The entire part is written along with chord changes. With so many choices you can’t go wrong! (3:30)

Georges Moreau has produced a suite from the ballet music Spartacus . From this the world-famous Adagio is now available separately. This exquisite melody is sure to recall memories of the epic movie of the same name.

The first Beatles hit to reach #1 in the US this song is characterized by strong rhythms and a catchy melody. There are sure to be some Beatle fans in your band and even more in your audiences.

This refreshing sounding concert march by Bert Appermont was composed for and commissioned by the Koninklijk Fanfare Vrede en Eendracht van Kachtem (Belgium). The composer paid great attention to a full orchestration in order to enable most bands to perform this work.

This rhythm and blues classic was rediscovered by the Blues Brothers and quickly became one of their signature tunes. Featuring the trademark trumpet melody riff this is also a great solo number for alto and trumpet with easy its chord changes. This rhythm and blues classic was rediscovered by the Blues Brothers and quickly became one of their signature tunes. Featuring the trademark trumpet melody riff this is also a great solo number for alto and trumpet with easy its chord changes.

Description: Buster's Bounce is an energetic solo for the early intermediate pianist. Purpose: The piece was inspired by Buster Keaton the great silent film comedian. My intent was to instill a dramatic flare to the music with each section reflecting a different mood. Suggestions for Instruction: Try to imagine yourself accompanying a silent film. What actions might be happening on the movie screen as you play? Be sure to emphasize the lefthand melody in the first and final sections while keeping the right hand chords light. Key: C minorDescription: Buster's Bounce is an energetic solo for the early intermediate pianist. Purpose: The piece was inspired by Buster Keaton the great silent film comedian. My intent was to instill a dramatic flare to the music with each section reflecting a different mood. Suggestions for Instruction: Try to imagine yourself accompanying a silent film. What actions might be happening on the movie screen as you play? Be sure to emphasize the lefthand melody in the first and final sections while keeping the right hand chords light. Key: C minor

Like ‘Hijo de la Luna’ ‘Enamorada’ is another great Latino song regardless of the fact that it was composed by Belgian songwriters. Stef Minnebo who is an expert in this kind of music thanks to his work as a bass and guitar player made an original but faithful adaptation of this Belle Perez hit. It’s time to put your lambada outfit on and dream of the South.

G. Schirmer's Editiion of Scores of Orchestral Works and Chamber Music No. 162-(Full score). Fine I

Four Songs for Voice and Piano by Richard Hundley.

Arrangement for Piano (alternatively Keyboards or Accordion) Guitar and Bass by Harro Steffen.

Scholarly critical edition with many corrections in the score and orchestral parts. Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm. “ Prélude A L’Aprés-Midi D’Un Faune ” often referred to as the first composition of the “modern” era is one of Debussy ’s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter’s scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed. Bärenreiter’s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy ’s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.

For 3 Horns 3 Trumpets 3 Trombones Tuba and 1 or 2 percussionists: tom tom crash cymbal sus cymbal tubular chimes. Score.