VOCALISE OP. 34 NO. 14 is a song by Sergei Rachmaninov published in 1912 as the last of his FOURTEEN SONGS Op. 34. Written for voice (soprano or tenor) with piano accompaniment it contains no words but is sung using any one vowel (of the singer’schoosing). Rachmaninov's Vocalise is one of the few members of an elite repertory niche: popular non- avant-garde vocal works without text. It was dedicated to Antonina Nezhdanova who can be presumed to have possessed a singularly pleasingand flexible voice given the sustained almost violin-like character of the piece. The piece has also been arranged for orchestra piano various chamber ensembles and solo string instruments but this is the original song forHigh Voice and Piano.

W.A. Mozart's Sonata In C K545 for Piano solo.

Following the highly successful publication Strings Extraordinaire ! this collection offers 25 arrangements for Christmas Chanukah and wintertime. Like its predecessor Holidays Extraordinaire! is a progressive collection designed for students of different playing levels. All pieces are scored with an advanced and beginning part for each instrument while being progressively ordered throughout. Two selections feature a special advanced solo obbligato part. Holidays Extraordinaire! is perfect for those festive December concerts when orchestras of varied levels perform together!Following the highly successful publication Strings Extraordinaire ! this collection offers 25 arrangements for Christmas Chanukah and wintertime. Like its predecessor Holidays Extraordinaire! is a progressivecollection designed for students of different playing levels. All pieces are scored with an advanced and beginning part for each instrument while being progressively ordered throughout. Two selections feature a special advancedsolo obbligato part. Holidays Extraordinaire! is perfect for those festive December concerts when orchestras of varied levels perform together!

A collection of sensual ballads specially arranged for sax from beginner to intermediate standard. Jack Long's full-sounding arrangements include two sets of chord symbols above melody the melody line so guitarists or keyboardplayers can accompany you whether you are playing Eb or Bb sax. A perfect addition to your saxophone library.

Edmund Sears pastor of the Unitarian Church in Lancaster MA wrote the poem which provides the text for this popular Christmas carol. In this arrangement by Goodyear you can hear the influence of Bach's Prelude in E-flat.

Bert Transcribed presents 24 songs by legendary singer-songwriter and guitarist Bert Jansch. Each song has been meticulously transcribed and annotated to detail every aspect of Bert Jansch’s groundbreaking style and technique. The result of years of extensive research by an international team of leading Jansch experts this celebratory volume includes: - Guitar tab standard notation chord symbols guitar chord boxes melody line and complete lyrics for 24 songs spanning his entire career - Extensive background notes and performance analysis for every song - A comprehensive introduction giving insight into Jansch’s unique sound - Album-by-album discography - Exclusive coloursection with new photography showing Bert’s guitars. Bert Transcribed presents 24 songs by legendary singer-songwriter and guitarist Bert Jansch. Each song has been meticulously transcribed and annotated to detail every aspect of Bert Jansch's groundbreaking style andtechnique. The result of years of extensive research by an international team of leading Jansch experts this celebratory volume includes: Guitar tab standard notation chord symbols guitar chord boxes melody line and complete lyrics for 24 songs spanning his entire career Extensive background notes and performance analysis for every song A comprehensive introduction giving insight into Jansch's uniquesound Album-by-album discography Exclusive colour section with new photography showing Bert's guitars.

Bass Clef Version-Richard Reed Parry 'S Duet For Heart And Breath Bass Clef Version For Cello (Or Other Instrument Of Suitable Range) And Piano (Or Other Polyphonic Instrument). The Performers Wear Stethoscopes Positioned Over Their Hearts So That Each Can Follow His Or Her Own Heart Rate. Two Eighth Notes (Quavers) Correspond To The Two Sounds Of A Normal Heartbeat And Performers Should Match As Closely As Possible The Staccato And Irregular Rhythm They Hear. When Instructed To ‘Play To Breath’ The Natural Cycle Of One Inhalation And One Exhalation Or Vice Versa Will Determine The Length Of The Bar (Two Quarter Notes/Crotchets) Without Any Attempt To Make It Metronomic. ' This Piece IsBased Around The Idea Of Using The Widely Varying Internal Rhythms Of The Performers’ Bodies As Performance Parameters. There Is No Actual Tempo Or Meter Built Into The Piece. The Breathing Rates Of The Players Are Used In Alternation With The Individual Performers’ Heart Rates To Determine The Pace At Which All Of The Musical Material Is Played. This Requires That The Performers Generally Play Quietly And Delicately With Little Or No Vibrato So As To Be Able To Hear Their Heartbeats Adequately. This In Combination With Thenatural Variance Between The Different Heart Rates Results In A Kind Of Delicate Musical “Pointillism”: Starts And Stops Which Are Somewhat Staggered Parts Which Repeatedly Line Up And Fall Out Of Synch With Each Other Different Individuals’ Pulses Rising And Falling. The Piece Is Never Performed Exactly The Same Way Twice. ' - Richard Reed Parry . Richard Reed Parry 's Duet For Heart And Breath Bass Clef version for Cello (or other instrument of suitable range) and Piano (or other polyphonic instrument). The performers wear stethoscopespositioned over their hearts so that each can follow his or her own heart rate. Two eighth notes (quavers) correspond to the two sounds of a normal heartbeat and performers should match as closely as possible the staccato andirregular rhythm they hear. When instructed to ‘play to breath’ the natural cycle of one inhalation and one exhalation or vice versa will determine the length of the bar (two quarter notes/crotchets) without any attempt to makeit metronomic. ' This piece is based around the idea of using the widely varying internal rhythms of the performers’ bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathingrates of the players are used in alternation with the individual performers’ heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly anddelicately with little or no vibrato so as to be able to hear their heartbeats adequately. This in combination with thenatural variance between the different heart rates results in a kind of delicate musical “pointillism”:starts and stops which are somewhat staggered p

A celebratory anthem of worship for mixed voices with Organ accompaniment. A celebratory anthem of worship for mixed voices with Organ accompaniment.

Contents: Brubeck: Dad Plays the Harmonica Cowell: Exultation The Lilt of the Reel Dello Joio: Salute to Scarlatti (No. 1 from A Suite of Sonatas) Harris: Andante Ostinato from Sonata for Piano Helps:Song (from In Retrospect) Hovhaness: Mountain Idylls (Moon Dance Mountain Lullaby) Husa: Allegretto moderato from Sonatina Ives: The Alcotts from Piano Sonata No. 2 (Concord) Jenni: A Game of Dates Nos. 1 and 3 Johnson: Spaces Wyner: Short Fantasy No. 3. Repertoire for Piano from American composers of the 20th Century including Ives Cowell and Brubeck.

16 Pieces by 10 Composers-16 pieces by Bartók Beethoven Brahms Chopin Debussy Grieg Liszt Rachmaninoff Schumann and Scriabin. All are at the early advanced level in a slim affordable volume. Includes - BARTËK - Allegro barbaro - BEETHOVEN: Adagio cantabile from Piano Sonata in c minor Pathétique Op. 13 - Adagio sostenuto from Piano Sonata in C-sharp minor Moonlight Op. 27 No. 2 - BRAHMS: Rhapsody in G minro Op. 79 No. 2 - Intermezzo in A Major from Six Pieces for Piano Op. 118 No. 2 - CHOPIN: Fantaisie-Impromptu in C-sharp minor Op. 66 (Posthumous) - Nocturne in E-flat Major Op. 9 No. 2 - Waltz in D-flat Major Minute Op. 64 No. 1 - DEBUSSY: Clair de lunefrom Suite bergamasque Arabesque No. 2 from Two Arabesques La cathÚdrale engloutie from Préludes Book 1 - GRIEG: Wedding Day at Troldhaugen from Lyric Pieces Op. 65 No. 6 - LISZT: Liebestraum No. 3 from Three Liebestraüme - Three Notturnos - RACHMANINOFF: Prelude in G minor Op. 23 No.5 - SCHUMANN: Warum? (Why?) from Fantasiestücke Op. 12 No. 3 - SCRIABIN: Prelude in A minor Op. 11 No. 2 16 pieces by Bartok Beethoven Brahms Chopin Debussy Grieg Liszt Rachmaninoff Schumann and Scriabin. All are at the early advanced level in a slim affordable volume. Includes - Bartok; Allegrobarbaro; Beethoven: Adagio cantabile from Piano Sonata in c minor Pathétique Op. 13; Adagio sostenuto from Piano Sonata in C-sharp minor Moonlight Op. 27 No. 2; Brahms: Rhapsody in G minro Op. 79 No. 2; Intermezzo in A Major from Six Pieces for Piano Op. 118 No. 2; Chopin: Fantaisie-Impromptu in C-sharp minor Op. 66 (Posthumous); Nocturne in E-flat Major Op. 9 No. 2; Waltz in D-flat Major Minute Op. 64 No. 1; Debussy: Clair de lunefrom Suite bergamasque Arabesque No. 2 from Two Arabesques La cathédrale engloutie from Préludes Book 1; GRIEG: Wedding Day at Troldhaugen from LyricPieces Op. 65 No. 6; Liszt: Liebestraum No. 3 from Three Liebestraume; Three Notturnos; Rachmaninoff: Prelude in G minor Op. 23 No.5; Schumann: Warum? (Why?) from Fantasiestucke Op. 12 No. 3; Scriabin: Prelude in Aminor Op. 11 No. 2

Opening Sentences - SA MenThese are very short settings by our in-house composers of texts which set the theme for every Sunday and major feast of the new Common Worship services. Evocative and atmospheric they create exactly the right mood forcelebration. There are two versions SATB and SA Men. Choirs will find the music straightforward and congregations will enjoy their immediate spiritual appeal.

The Big Guitar Chord Songbook contains chord symbols chord boxes as well as full lyrics for 70 Classic Rock classics. With their crunchy riffs powerful lyrics and driving rhythms every songincluded here is rockin' enough to surely bring the house down. All of your favourite Classic Rock hits are arranged here in their original keys from the actual recordings. Tunes like BackIn Black Ace Of Spades Whiskey In The Jar Purple Rain and Livin' On A Prayer represent the best of that sound of an electric Guitar plugged in to a Marshall stack whipping a stadium crowd into afrenzy. The Big Guitar Chord Songbook is not called Big for no reason these are the biggest riffs the biggest drum beats and yes the biggest hair in rock musichistory. With artists and bands like The Kinks T. Rex Queen David Bowie and Led Zeppelin represented you know that the absolute classics of Classic Rock are yours for the playing. With chord symbols andlyrics you can start playing and singing straight away while the chord boxes will help you with any chords you might not be familiar with. The only thing this book can't help you with is your windmills and your powerslides! Each and every one of the monumental rock songs included in The Big Guitar Chord Songbook: Classic Rock are the stalwarts of the canon that older generations love and newgenerations keep coming back to. With this rock Guitar song book you'll be strumming and singing in no time at all whether it's putting on your best Freddie Mercury impression or following in the huge footsteps of Jimmy Page this collection will no doubt cause non-stop rocking.

Motet for SSATTB Choir.

Ciel D’Hiver By The Finnish Composer Kaija Saariaho Scored For The Orchestra. The Ten Minute Piece Ciel D’Hiver Is An Arrangement Of The Second Movement Of Kaija Saariaho 'S 2002 Orchestral Piece Orion. The Piece Was Commissioned By Musique Nouvelle En Liberté And The World Premiere Took Place On 7 April 2014 At The Théâtre Du Châtelet Paris Given By Orchestre Lamoureux Conducted By Fayçal Karoui. Ciel D’Hiver by the Finnish composer Kaija Saariaho scored for the Orchestra. The ten minute piece Ciel D’Hiver is an arrangement of the second movement of KaijaSaariaho 's 2002 Orchestral piece Orion. The piece was commissioned by Musique Nouvelle En Liberté and the world premiere took place on 7 April 2014 at the Théâtre du Châtelet Paris given by Orchestre Lamoureux conducted by Fayçal Karoui.

A collection of fourteen anthems. A collection of fourteen anthems.

The Wounds was expertly composed by British composer James Whitbourn for SATB chorus Speaker Violin Cello and Organ. This product include the full score. James international reputation as a composer began very early on as a programme maker at the BBC. “The Wounds is intended as a devotional work and is best heard in the context of a liturgical event in - or close to - Passiontide. Each section continues from the previous one without pause to create a seamless whole.” James Whitbourn The Wounds was expertly composed by British composer James Whitbourn for SATB chorus Speaker Violin Cello and Organ. This product include the full score. James international reputation as a composer began very early on as a programme maker at the BBC. The Wounds is intended as a devotional work and is best heard in the context of a liturgical event in - or close to -Passiontide. Each section continues from the previous one without pause to create a seamless whole. James Whitbourn

Sir Robert Grant the author of O Worship the King was an evangelist Christian who spent many years in India spreading the good word. This hymn is based on psalm 104 and is considered one of the greatest hymns in the English language. Goodyear's arrangement is suitable for all ages.

This unique text is written from the vantage point of Christians who have gone before offering comfort affirming our faith and celebrating eternal life. The piece begins reflectively and builds to a majestic ending. Songof the Saints could be used as a congregational hymn during times of remembrance. A sermon in song this stirring message about glory in heaven is powerful!

Eight Pieces are written for Violin in the third position. David Stone is a contemporary British composer and violinist best known known for his works for student musicians and ensembles such as his String Quartets . He was a master at Charterhouse at one time a producer at the BBC and Music Director of the Godalming Operatic Society then Director of the School of Music at the Royal Scottish Academy of Music and Drama. He began to compose works for young musicians when he found a dearth of suitable teaching material for his own students.

Dale Warland Choral Series-No. 1 in Nativity Suite the opening sounds of the instruments and voices in this setting are meant to invoke an air of mystery. The initial tone clusters approached by layering the voice parts should be presented very subtly in order toenhance the intimacy and the veiled quality suited to this traditional liturgical. The “alleluias” which reflect the significance of the Christmas Eve should be joyful. Other movements include: O Magnum Mysterium (50600072) A Boy WasBorn (50600073). No. 1 in Nativity Suite the opening sounds of the instruments and voices in this setting are meant to invoke an air of mystery. The initial tone clusters approached by layering the voice parts should be presentedvery subtly in order to enhance the intimacy and the veiled quality suited to this traditional liturgical. The alleluias which reflect the significance of the Christmas Eve should be joyful. Other movements include: O MagnumMysterium (50600072) A Boy Was Born (50600073). Flute and Harp Parts available separately for the full suite (50600165).