Choir Rocks! You Can't Always Get What You Want is an upbeat arrangement of The Rolling Stones' classic song from their 1969 album Let It Bleed. The original song which featured the London Bach Choir has become an abiding hymn for our time. An ideal choice for school and community choir this arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includeschord symbols.

3 Horns plus Rhythm (Grade 4-5) (Porcelli)

The sparkling Oxford Intrada is based on the well-known Christmas carol O Come All Ye Faithful. The piece takes its name from the place where it was first performed namely Oxford Cathedral in England.

from Les Choristes (The Chorus). From the Oscar nominated French film The Chorus this song dramatically portray the emotions dreams and fears of the children in the story. Images of summer like our childhood memories remain always in our heart. Includes the original French and English lyrics. Performance Time: Approx. 2:00 from Les Choristes (The Chorus). From the Oscar nominated French film The Chorus this song dramatically portray the emotions dreams and fears of the children in the story. Images of summer like our childhood memories remain always in our heart. Includes the original French and English lyrics. Performance Time: Approx. 2:00

Flute Solo-This book is a scintillating collections of miscellaneous traditional and classical pieces arranged in jazz and folk styles. The pieces exercise various musical skills particularly focussing on the need for great rhythmical accuracy during performance.

10 famous Christmas songs in different styles. Including: 1. Intrada - Bohemian traditional 2. Quem Pastores Laudavere 3. Once in Royal David's City 4. Song - French traditional 5. Er is een Kindeke geboren op aard' - Dutch traditional 6. Coventry Carol 7. Deck the Halls 8. O Kindeke klein 9. Good King Wenceslas 10. Traditional from Poland

Here is a masterful collage of folk songs from the Old West skillfully woven together by James Christensen. Includes traditional favorites such as: The Red River Valley Streets Of Laredo Home On The Range Buffalo Gals TheYellow Rose Of Texas and others. Sure to be a concert favorite!

Elgars magnificent Imperial March has been superbly arranged for organ. Arranged by Bryan Hesford.

Take the advice of Tweedledum and Tweedledee and start your concert off with this great opening number from Disney's Alice in Wonderland. Several verses allow for small group or solo work. Available separately: 3-Part Mixed 2-Part and ShowTrax CD. Performance Time: Approx. 2:35.

After 18 seasons of unparalleled success on television Homer and all the gang have finally made it to the big screen! Here is a dynamite arrangement of one of the most unique and recognizable theme songs ever!

Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance Habanera the 1887 work features a languid mood highlighted by bursts of virtuoso activity. This volumecontains the full score for violin and orchestra of both these magnificent pieces.

An arrangement of a religious song (Psalm 81) always stirs the imagination especially when sounding as intimate atmospheric and harmoniously as in Now to God our King.

Sous l’élégance de l’écriture aérienne se révèle une œuvre mélodieuse de style choral. Les couleurs sonores déambulent au gré de leur fantaisie en quête de poésie et de fraternité. Les notes s’égrènent le charme de la cantilène opère.

You only have had a couple of months of lessons and already you are to play a solo at your band's annual gala concert. in a big concerthall on a huge platform and in front of people from your own town or village. Now there's something ! This circumstance inspired Jerry Bensman into writing your very first solo piece with band accompaniment. The solo part may be played by various instruments and was kept very simple indeed. Parts are available in various transpositions and keys.

This classic by Rameau has been skillfully arranged for woodwind ensemble of flute oboe 2 clarinets in Bb and bassoon.

Incredible as it seems today Bizet's opera Carmen was coolly received at its 1875 premiere at the Paris Opera-Comique; critics condemned its subject matter as lurid and its music as overly Wagnerian. Now hailed as the composer's supreme achievement this colourful passionate work continues to delight listeners around the world with its emotional atmospheric music and the originality of its conception.

This is a fantastic arrangement of Spring from Vivald's famous Four Seasons.

15 Duets for Flute and Clarinet-An exciting book of well-known classics expertly arranged for flute and clarinet by Pamela Weston. Contains: Dance of the Sugar Plum Fairy (Tchaikovsky) Silent worship (Handel) Papageno’s Song from ‘The Magic Flute’ (Mozart) and more.

This useful series is ideal for keyboard players who find themselves playing church organs for village services. Each volume provides a wide selection of material suitable for use as voluntaries for which pedal parts are not required. Volume 3 contains: BACH CPE - Andante from Sonata No.6 BACH JS - Chorale Prelude: Gottes Sohn ist kommen BWV703 BOYCE - Voluntary in A Minor DE SÉVERAC - Prière-Choral GIGOUT - Andantino Allegro Cantabile Molto Tranquillo Moderato KARG-ELERT - Madrigal LISZT - Offertorium MOZART - Adagio K356 WALTHER - Chorale Prelude: Ach Gott und Herr Chorale Prelude: Liebster Jesu wir sind hier WESLEY - Air

Uniquely complex in both form and structure this work by J. S. Bach is regarded as a pinnacle of Western music. This solo keyboard edition was edited by Carl Czerny a student of Beethoven and teacher of Liszt who wrote hundreds of piano etudes that remain staples of modern piano training.