English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music of the past five centuries. The first volume dedicated to anthems and motets presents both favourite and lesser-known works from Renaissance polyphony to the works of the great 19th- and 20th-century composers. Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music of the past five centuries. The first volume dedicated to anthems and motets presents both favourite and lesser-known works from the exceptional Renaissance polyphony of Taverner Tallis and Byrd through the Restoration led by Purcell to the glorious works of the great nineteenth- and twentieth-century composers including Wesley Elgar Stanford Vaughan Williams and Howells. The volume contains a number of more substantial works including Mendelssohn's Hear my prayer Stainer's I saw theLord and Naylor's Vox dicentis: Clama as well as a wonderful selection of shorter pieces from Gibbons's O Lord in thy wrath to Walton's Set me as a seal upon thine heart . With the second companion volume of canticles and responses this bipartite collection presents a comprehensive survey of English sacred music at its best.

As recorded by QUEEN-Since their formation in 1971 Queen’s hits have defined entire generations. Thijs Oud has created an excellent arrangement of a Queen-classic Crazy Little Thing Called Love that is sure to be a guaranteed smash hit!

Set of Parts-A modern sacred classic has been carefully edited to singable SATB voicing making it accessible to a wide variety of choirs for the first time. The new orchestration (or ChoirTrax CD) is majestic and dynamic. This is the Brass Sextet accompaniment for the SATB Choral work Upon This Rock which is also available on Musicroom under item code GS31379.

French composer Vincent Paulet (b. 1962) studied at the Paris Conservatoire. His Antiphone for Alto Saxophone and Piano is a challenging yet exciting addition to the repertoire. A typical performance of Paulet 's Antiphone lasts around four minutes and fifteen seconds. It is a highly modern work addressing features of fast semiquaver passages exploited tonality extended techniques chromaticim and complex rhythms among other aspects. The extended techniques include multiphonic sounds flutter tonguing and slap notes. For all advanced saxophonists Paulet 's Antiphone is an essential modern addition to the repertoire.

Publisher: Schott Composer: Don Banks Name: Prologue Night Piece and Blues for Two (1968) - Clarinet and Piano Pages : 16 UPC : 073999844467

Joplin was the undisputed master of ragtime and this is one of the best-known examples of the genre arragend in this edition for flute trio.

This is one of the finest of the six great Haydn masses in an edition prepared from Haydn's autograph which fully integrates both the original Eisenstadt and expanded Viennese orchestrations. The specially prepared piano reduction provides a full and practical representation of the instrumental textures. Orchestral material is available on hire. This is one of the finest of the six great Haydn masses in an edition prepared from Haydn 's autograph which fully integrates both the original Eisenstadt and expanded Viennese orchestrations. The specially prepared Piano reduction provides a full and practical representation of the instrumental textures. Orchestral material is available on hire.

6 Pieces-These attractive pieces are aimed at the younger player cover a wide variety of styles. Grade: 2 - 5

A collection of seven pieces mainly from Vivaldi's violin concerti arranged for Oboe and Piano by Trevor Wye. Grade: 5 - 6 A collection of seven pieces mainly from Vivaldi's violin concerti arranged for Oboe and Piano by Trevor Wye. Grade: 5 - 6

Volume 4 Advanced-for solo piano The fourth volume in this series includes seven advanced pieces that are longer in duration than those in the first three volumes making them excellent options for recitals. These are wonderfully entertaining for both the listener and performer and will appeal to pianists looking for fun and expressive repertoire. The fourth volume in this series includes seven advanced pieces that are longer in duration than those in the first three volumes making them excellent options for recitals. These are wonderfully entertaining for both the listener and performer and will appeal to pianists looking for fun and expressive repertoire.

An imaginative retelling of the traditional story of Little Red Riding Hood with some very innovative twists and appealing pantomime routines. The Teachers book contains background notes on the origins of folklore and myths placing the tale in the context of a long European tradition. Easy-to-play piano part with optional percussion and panto sound effects. The choir performs songs action and dance routines. Duration: 50 mins. Scriptavailable in student book. You will require a license to perform this work at your school/youth theatre; please click here for more information and ourapplication form. Professionally recorded demonstration and backing tracks are available to purchase and download here .

Piano. Wolf- Ferrari E

Masquerade - Ouverture by Carl Nielsen .

for SATB double choir and piano or guitar This enticing choral arrangement of the well-known first 'Polovtsian Dance' from Borodin's Prince Igor juxtaposes the music of a Russian Romantic with text from Act 4 of The Tempest - 'Our revels now are ended'. Chilcott masterfully combines the SSAATTBB forces with wordless upper-voice solos and an optional guitar line in a calm yet powerful evocation of the text. This enticing choral arrangement of the well-known first Polovtsian Dance from Borodin's Prince Igor juxtaposes the music of a Russian with text from Act 4 of The Tempest - 'Our revels now are ended'. Chilcott masterfully combines the SSAATTBB forces with wordless upper-voice solos and an optional guitar line in a calm yet powerful evocation of the text. A featured song on the album Into The Light with Kaori Muraji(guitar) and The Sixteen conducted by Harry Christophers.

A graded anthology-This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. With extended historical information and a wonderful array of varied pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities. This four-volume anthology contains a sparkling selection of pieces and represents all the major composers of the period. It includes pieces in all the main genres with Cornet and Trumpet Voluntaries Echo Voluntaries fugal works with slow introductions and Full Voluntaries; as such the collection offers a wide range of attractive music suitable for both church and recital use. Each volume contains an extended Introduction with information on instruments of the period registration ornamentation and notes on the composers. An important feature of the collection is an editorial realization of the cadenzas which occur at key points in some of the pieces; thesecomplete the works and demonstrate how they would have been performed at the time. With extended historical information and a wonderful array of pieces carefully edited from original sources this is a major collection that will be of interest to organists of all abilities.

For Piano And Keyboards-The Blues Play-A-Long and Solos Collection For Piano/Keyboards by Andrew D. Gordon consists of 30 12 bar blues play-a-long backing tracks created in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you ample time to practice soloing techniques totaling over 3 hours of music. The inside front cover of the book gives a link to download the free audio files for the book The 30 Blues styles contains 3solo improvisational melody lines each of which are 12 measures in length ranging from a basic solo and increasing in skill level designed for musicians/music students of all levels totaling 90 solos. Also there is a rhythm keyboard chart so that you can play a rhythm keyboard part for each Blues style. Using this book will help you on your way to becoming a great sounding blues pianist/keyboard player. Blues is the basis of many forms of music and these tracks have been specifically arranged to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues. The Blues Play-A-Long and Solos Collection For Piano/Keyboards by Andrew D. Gordon consists of 30 12 bar blues play-a-long backing tracks created in various Blues styles keys and tempos such as: Funky Blues Boogie Blues Jazz Blues Minor Blues Country Blues Latin Blues Old Time Jazz Blues Jazz Swing Blues Classic Blues Rock Soulful Blues Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you ample time to practice soloing techniques totaling over 3 hours of music. The inside front cover of the book gives a link to download the free audio files for thebook The 30 Blues styles contains 3 solo improvisational melody lines each of which are 12 measures in length ranging from a basic solo and increasing in skill level designed for musicians/music students of all levels totaling 90 solos. Also there is a rhythm keyboard chart so that you can play a rhythm keyboard part for each Blues style. Using this book will help you on your way to becoming a great sounding blues pianist/keyboard player. Blues is the basis of many forms of music and these tracks have been specifically arranged to include styles such as: Jazz Funk Folk Country Latin Rock Gospel Pop Boogie giving you a well-rounded selection of musical styles based on the Blues.

Trombone Piano. Grube F

William Whittaker (1876-1944) was an English conductor composer and academic who produced many choral arrangements of English folk songs. Blow The Wind Southerly originated in his nativeNorthumberland and tells the story of a woman hoping for a southerly wind to blow her lover a sailor back home to her. This arrangement is for Voice with Piano accompaniment.

for SSATB unaccompanied No. 1 of McDowall's 'Three Latin Motets' Ave Regina is a gentle and lyrical setting of the text 'Hail Queen of the Heavens'. The calm and memorable opening phrase is hinted at in passages of more intensity and its partial statement at the end leaves it lingering after the voices have faded away. No. 1 of McDowall's 'Three Latin Motets' Ave Regina is a gentle and lyrical setting of the text 'Hail Queen of the Heavens'. The calm and memorable opening phrase is hinted at in passages of more intensity and its partial statement at the end leaves it lingering after the voices have faded away.

This adaptation of a text from Shakeseare's Twelfth Night is written for the upper voices (SSA) with Piano accompaniment.