POD-This is the Vocal Score for Richard Rodney Bennett 's Spells a work for Soprano Soloist SATB Chorus and Orchestra. Commissioned by the Royal Philharmonic Orchestra the work sets poems by Kathleen Raine and lasts around 36 minutes. This is the Vocal Score for Richard Rodney Bennett 's Spells a work for Soprano Soloist SATB Chorus and Orchestra. Commissioned by the Royal Philharmonic Orchestra the work sets poems by Kathleen Raine and lasts around 36 minutes.

Luís Tinoco 's Lídia for 16 musicians. Score. This work was commissioned by the Companhia Nacional de Bailado for “Lídia” – a ballet with choreography by Paulo Ribeiro. It was first performed by Lisbon Metropolitan Orchestra soloists conducted by Pedro Neves – Teatro Camões in Lisbon 7th of November 2014. Instrumentation: Flute (= Piccolo) Oboe (= Cor Anglais) 2 Clarinets in Bb (2nd = Bass clarinet) Bassoon (= Contrabassoon) Horn in F Trumpet in Bb (= Flugelhorn) Trombone 2 Percussionists Harp 2 Violins Viola Violoncello and Contrabass (with C extension). Luís Tinoco 's Lídia for 16 musicians. Score. This work was commissioned by the Companhia Nacional de Bailado for “Lídia” – a ballet with choreography by Paulo Ribeiro. It was first performed by Lisbon Metropolitan Orchestra soloists conducted by Pedro Neves – Teatro Camões in Lisbon 7th of November 2014. Instrumentation: Flute (= Piccolo) Oboe (= Cor Anglais) 2 Clarinets in Bb (2nd = Bass clarinet) Bassoon (= Contrabassoon) Horn in F Trumpet in Bb (= Flugelhorn) Trombone 2 Percussionists Harp 2 Violins Viola Violoncello and Contrabass (with C extension).

Three Adagios was experlty composed by Aulis Sallinen . The piece was first performed on the Organ of the church of Saint-Sulpice Paris by Kalevi Kiviniemi on the 29th September 2013. Three Adagios was experlty composed by Aulis Sallinen . The piece was first performed on the Organ of the church of Saint-Sulpice Paris by Kalevi Kiviniemi on the 29th September 2013.

for SATB and organ This beautiful anthem set to words by Timothy Rees and the composer celebrates God's all-encompassing love for mankind. The gentle melody introduced in verse 1 by the sopranos prevails throughout and is taken up by all four voices in unison before the piece comes to a triumphant close. Andrew Carter 's God Is Love for SATB and Organ. This beautiful anthem set to words by Timothy Rees and the composer celebrates God's all-encompassing love for mankind. The gentle melody introduced in verse 1 by the sopranos prevails throughout and is taken up by all four voices in unison before the piece comes to a triumphant close.

The sheet music for Nico Muhly 's Doublespeak arranged for Chamber Ensemble and composed for the orchestral sextet 'eighth blackbird'. The piece is arranged for Flute (Soprano Recorder) Clarinet in B flat Percussion (Castanets Tenor Drum Pedal Bass Drum) Glockenspiel Piano Violin and Cello. It works for 2-6 players and this item includes the full score as well as the parts. Doublespeak had its debut at the Edlis Neeson Theatre in Chicago performed by the new musical six-piece 'eighth blackbird'. The piece is a slow and repetitive one punctuated by moments of stark beauty. It is according to Muhly something of a tribute to the great Philip Glass theforefather of minimalist classical music. It takes implicit inspiration from his entire oeuvre but also explicitly incorporates portions of his most famous and valued works interweaving them inside a new composition that captures what 'eighth blackbird' do best. The Doublespeak sheet music would be ideal for Chamber Ensembles looking to perform or practise minimalist music drawn from the 1960s and 1970s. If you love Philip Glass or Nico Muhly or both this composition is a real treat. The sheet music for Nico Muhly 's Doublespeak arranged for Chamber Ensemble and composed for the orchestral sextet 'eighth blackbird'. The piece is arranged for Flute (Soprano Recorder) Clarinet in B flat Percussion (Castanets Tenor Drum Pedal Bass Drum) Glockenspiel Piano Violin and Cello. It works for 2-6 players and this item includes the full score as well as the parts. Doublespeak had its debut at the Edlis Neeson Theatre in Chicago performed by the new musical six-piece 'eighth blackbird'. The piece is a slow and repetitive one punctuated bymoments of stark beauty. It is according to Muhly something of a tribute to the great Philip Glass the forefather of minimalist classical music. It takes implicit inspiration from his entire oeuvre but also explicitly incorporates portions of his most famous and valued works interweaving them inside a new composition that captures what 'eighth blackbird' do best. The Doublespeak sheet music would be ideal for Chamber Ensembles looking to perform or practise minimalist music drawn from the 1960s and 1970s. If you love Philip Glass or Nico Muhly or both this composition is a real treat.

This volume takes into account the most recent research and is based on the first edition printed in 1799 and subsequent reprints published during Beethoven’s lifetime. The latter are of particular importance as secondary sources as neither the autograph nor any MS copies closely related to the autograph have survived. The restrained editorial practice of these early prints served as a model for the minimum of careful editorial intervention in these volumes. The layout is distinguished by its clarity easy legibility and sensible page-turns making this edition eminently suitable for practical performance. The present volume like all Wiener Urtext editions alsocontains an informative preface filling in the historical background detailed notes on interpretation and a Critical Commentary. This volume takes into account the most recent research and is based on the first edition printed in 1799 and subsequent reprints published during Beethoven 's lifetime. The latter are of particular importance as secondary sources as neither the autograph nor any MS copies closely related to the autograph have survived. The restrained editorial practice of these early prints served as a model for the minimum of careful editorial intervention in these volumes. The layout is distinguished by its clarity easy legibility and sensible page-turns making this edition eminently suitable for practical performance. The present volume like all WienerUrtext editions also contains an informative preface filling in the historical background detailed notes on interpretation and a critical commentary.

Fanfare For Malcolm has been beautifully composed for 3 Trumpets and 3 Trombones by Toby Young . Specially commissioned for the 8th Malcolm Arnold Festival Toby Young 's brilliant Fanfare catches both the wit and ceremony of the master's style.

Composed in 1911 this work is dedicated to the memory of Edward VII who died in 1910. The symphony reflects the abrupt change of mood that took place throughout the country upon Edward's death. Here it has been transcribed for piano.

Full score for the brass accompaniment to John Rutter's popular setting of the Te Deum: a hymn of praise that is appropriate for choral concerts as well as for use in sacred settings. The music is jubilant straightforward and appealing with extrovert organ writing.

Timon Of Athens (Paperback Full Score)-Full Score. Purcell Society Volume 2 paperback edition. Edited under the supervision of the Purcell Society by Ian Spink. Instrumental parts are available on hire from the publishers. Hardback edition available: NOV151002-01. Full Score. Purcell Society Volume 2 paperback edition. Edited under the supervision of the Purcell Society by Ian Spink. Instrumental parts are available on hire from the publishers. Hardback edition available: NOV151002-01.

Vijay Iyer is one of the most significant contemporary composers and performers on the piano. This manuscript represents a compilation of small group compositions by Iyer during a period from 1999 through 2008. The bulk of the pieces were originally written for Vijay's quartet with altoist Rudresh Mahanthappa bassist Stephan Crump and drummers Marcus Gilmore Tyshawn Sorey and Derrek Phillips and documented on the albums Panoptic Modes (2001) Blood Sutra (2003) Reimagining (2005) and Tragicomic (2008). The music features experimentation on rhythmic techniques harmony orchestration soloing structures and macro-form with an overriding focus on sound and feel. Thisvolume contains contrasting compositional approaches so as to give the reader insight into the broad spectrum of compositional language and devices employed by Iyer. Photo credit: Lena Adasheva Vijay Iyer is one of the most significant contemporary composers and performers on the piano. This manuscript represents a compilation of small group compositions by Iyer during a period from 1999 to 2008. The bulk of thepieces were originally written for Vijay's quartet with altoist Rudresh Mahanthappa bassist Stephan Crump and drummers Marcus Gilmore Tyshawn Sorey and Derrek Phillips and are documented on the albums Panoptic Modes (2001) Blood Sutra (2003) Reimagining (2005) and Tragicomic (2008). The music features experimentation on rhythmic techniques harmony orchestration soloing structures and macro-form with an overriding focus on sound andfeel. This volume contains contrasting compositional approaches so as to give the reader an insight into the broad spectrum of compositional language and devices employed by Iyer.

The edition is part of the ABRSM syllabus (grade 6 7 8) Georg Philipp Telemann ' Fantasies for solo Flute.

Auden Songs by composer Peter Dickinson is a collection that includes Four W.H. Auden Songs Three Comic Songs and Let The Florid Music Praise scored for Soprano or Tenor and Piano Accompaniment. All of these pieces are settings of poetry by the great W.H. Auden and have been newly engraved for this collection.

for SSAATTBB choir with organ For SSAATTBB choir with organ. A popular anthem for Holy Week.

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 14' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from the RVW Trust and Arts Council England. Voyage To The Moon is a continuous score with outer fast sections and a slower inner section of a dream-like character. The work is inspired by a film entitled 'Le Voyage dans la Lune' (1902) written and directed by Georges Méliès. There is also a version of this piece for Orchestra entitled Le Voyage dans La Lune.

Work for Organ with distinct feel of Lefebure-Wely.

The twenty-five pieces in this collection date back to eighteenth and nineteenth century Scotland. Music was passed around among professional and amateur musicians hand copied and ended up in slightly different versions in many collections. The Airs were originally songs or for solo violin. The Dances - strathspeys reels jigs a hornpipe and the sword dance - were originally for fiddle or bagpipe. The book is arranged as a program from beginning to end - from sunrise with Ossian's Hymn to the Sun to sunset with the lullaby O Can Ye Sew Cushions. And no Scottish evening is complete without Auld Lang Syne as a finale. But one can of course choose to play aselection. Three of the airs are Gaelic songs. Others are tunes for which Robert Burns and other poets wrote lyrics. Two airs were composed for the violin - Neil Gow's Lament for the Death of His Second Wife and the anonymous Killiecrankie. The dances were played by fiddlers or pipers. They played (and still play) many of the same pieces. One example is Gillie Callum the sword dance. Originally a bagpipe tune its range was expanded beyond the pipes' nine notes and it became a fiddle tune. The composers are anonymous except for pieces by Niel Gow (1727-1807) his son Nathaniel Gow (1763-1831) and William Marshall (1748-1833). Niel Gow was the preeminent violinist of his day. All three composed many fiddle tunes for Scottish country dancing. Most of the pieces are presented in sets of two and they should be played without stopping in-between as they would be performed at a country dance. Metronome markings are given as a guideline. Guitar chords are included ad libitum. Since the first violin generally has the melody the pieces can also be played by solo violin. The music of Scotland is unique. The airs have their own special beauty. The dances are fun to play with lively tempos dotted rhythms and sudden key changes. This music has long been the pleasure of country fiddlers and pipers. These new arrangements for two violins are perfect for student and teacher as well as violin colleagues. The twenty-five pieces in this collection date back to 18th and 19th century Scotland. Included are song and fiddle airs strathspeys reels jigs a hornpipe and the sword dance. The pieces are arranged for viola and cello withguitar chords. Since the viola generally has the melody the pieces can also be played by solo viola. The music of Scotland is unique. The airs have their own special beauty and the dances are fun to play with lively tempos dotted rhythms and sudden key changes. This music has been the pleasure of country fiddler and pipers. Now violists and cellists and their listeners can feel themselves transported to the Lowlands and Highlands of Scotland. Twenty-five pieces dating back to 18th and 19th century Scotland. Includes song and fiddle airs strathspeys reels jigs a hornpipe and the sword dance. Since the viola generall

for SS with piano or piano and string orchestra A simple and beautiful setting describing the wonder of a world seen through the eyes of a deaf child. In the chorus singers are encouraged to sign the words they are singing resulting in very moving but unsentimental music. The orchestral material is available on hire. A simple and beautiful setting describing the wonder of the world seen through the eyes of a deaf child. In the chorus section the singers are encouraged to sign the words they are singing which adds emphasis and atmosphere to the moving but unsentimental music. A glossary of the relevant sign language is included for guidance.

Jose Padilla's La Violetera written for accordion and harmonica edited by Acheter Biok. Jose Padilla's La Violetera written for accordion and harmonica edited by Acheter Biok.