Stan Pethel created this arrangement for the Berry College Concert Choir Harry Musselwhite Director. It is a stirring rendition of a favorite song and the additional trumpet part will add a distinctive flavor to the text.Available separately: SATB BonusTrax CD. Duration: ca. 2:30.

Serenade in Eb major K. 375-Late in the evening on his name day in 1781 Mozart was on his way to bed when he suddenly heard familiar sounds coming from outside: the six musicians who had given the première of his Serenade in E-flat major two weeks beforehand and whom he had described as “poor fellows but who can blow together quite nicely” had now met in the courtyard and were serenading him with his own work. Although it was officially composed for The-rese Hickel in actual fact Mozart mainly wanted to impress Emperor Joseph II whose chief of the royal chamber music often went to Therese’s house – “That’s the reason why I also put a little effort into it”. Did it really help? At any rate Mozart wasappointed imperial chamber composer by Joseph II a few years later.? Late in the evening on his name day in 1781 Mozart was on his way to bed when he suddenly heard familiar sounds coming from outside: the six musicians who had given the première of his Serenade in E-flatMajor two weeks beforehand and whom he had described as “poor fellows but who can blow together quite nicely” had now met in the courtyard and were serenading him with his own work. Although it was officially composedfor Therese Hickel in actual fact Mozart mainly wanted to impress Emperor Joseph II whose chief of the royal chamber music often went to Therese’s house – “That’s the reason why I also put a little effort into it”. Didit really help? At any rate Mozart was appointed imperial chamber composer by Joseph II a few years later.

Over the past three decades Hans Zimmer has created some of the most dynamic and memorable movie themes to hit the silver screen. With styles ranging from excitement and intensity to delicate and whimsical here's an effective medley for the concert stage featuring familiar melodies from Driving Miss Daisy Gladiator Madagascar Crimson Tide The Lion King and Pirates of the Caribbean.

Cassations Miniature Operas for Audience Participation

From the acclaimed TV miniseries (whose production team included Steven Spielberg and Tom Hanks) comes this distinctive and poignant main theme. Apart from the series itself this powerful music stands on its own and is beautifully adapted for string orchestra by James Kazik.

From Steve Winwood and the Spencer Davis group this R&B classic is always a favorite to rock the house.

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyfultext. Optional percussion and piccolo accompaniment (parts in the choral) enhance the medieval dance quality of this exciting piece.

Settings of poems by children of the Holocaust. In Czechoslovakia there is a strange walled-in fortress called Terezin. During World War II it was used as a concentration camp for Jews from all over Europe. Fifteen thousand of these children passed through the Terezin camp between 1942 and 1944; of these only about 100 lived to tell about it. The poems selected for this suite are representative of the poetry written by the children during their stay in Terezin. They reveal the children's horror and disbelief at living conditions in the ghetto their longing to leave their childish humour beauty not seen by adults and conviction of survival. I. At Terezin (poem by Teddy) II. I'd Like to Go Alone (poemby Alena Synkova) III. The Little Mouse (poem by Miroslav Kosek Hanus Lowy and Bachner) IV. The Garden (poem by Franta Bass) V. The Butterfly (poem by Pavel Friedmann) Translated into English by Jeanne Nemcova.

(Ernesto de la Cruz)-Pixar Studios strikes gold again with their imaginative and original animated film Coco. With a story of Mexican folklore and with characteristic music here is a wonderful setting of the main song. The opening is in a ballad style and then shifts to a faster tempo with a mariachi flavor.

Song To The Moon by Alan Bullard for Unison Voices with optional Descant and Piano. This attractive piece for Unison Voices celebrates the wonder of the 'bright new moon'. The composer's own text based on traditional Hebridean poems is set to a simple flowing melody and the optional descant in the final section soars over the melody and introduces an echo effect. The Piano accompaniment supports the Vocal lines while providing additional colours and textures.

You'll thrill to the music from the amazing film by Tim Burton with music by Danny Elfman! Here is the main theme from the movie as Alice experiences a great adventure filled with wonder amazement and excitement. Availableseparately: SATB SAB 2-Part ShowTrax CD. Chamber ensemble available digitally (fl cl tpt 1-2 tbn btbn syn b bells timp perc). Duration: ca. 4:15.You'll thrill to the music from the amazing film by Tim Burton with music by Danny Elfman! Here is the main theme from the movie as Alice experiences a great adventure filled with wonder amazement and excitement.

Contents: Amor S'apprende Ave Maria Caro mio ben Concerto for Trombone If with All Your Hearts (Elijah) Jesu Meine Freude Litany Nina O Sacred Head Now Wounded SentoNel Core Sweet Trip Symphony No. 5 (Schubert) Symphony No. 5 (Mendelssohn) Theme from Symphony No. 4 (Mendelssohn) Was Gott Tut Das ist Wohlgetan. Transcribed by Henry Charles Smith. Includes themes from symphonies concertos and novelty solos. With piano accompaniment.

The slow swing of this piece sets the mood and soft and intense singing tells of determination and perseverance of walkin' to the freedom land. The work is full of articulation musical silence and dynamic intensity that ebbs and flows throughout with a striking piano accompaniment.

First performed in 1691 as part of the semi-opera King Arthur this energetic arrangement may be presented by treble or mixed voices. Optional flutes will enhance the performance. Performance Time: Approx. 1:45.

The Seven Last Words of Christ Hob. XX/1B-When Haydn stopped in Passau on his second journey to England he heard a vocal version of his own orchestral work “The Seven Last Words”. It had been made by the Kapellmeister at Passau cathedral Joseph Friebert and Haydn was quite impressed – except: “I believe I could have done the voice parts better”. He acquired a copy and set about making his own vocal version taking over most of the text. Haydn particularly liked his own vocal work and it was also enthusiastically received by his contemporaries. The study edition is based on the volume (HN 5822) published as part of the Complete Edition by the Joseph Haydn Institute in Cologne.?When Haydn stopped in Passau on his second journey to England he heard a vocal version of his own orchestral work The Seven Last Words . It had been made by the Kapellmeister at Passau cathedral Joseph Friebert and Haydnwas quite impressed – except: 'I believe I could have done the voice parts better'. He acquired a copy and set about making his own vocal version taking over most of the text. Haydn particularly liked his own vocal work and itwas also enthusiastically received by his contemporaries. The study edition is based on the volume (HN 5822) published as part of the Complete Edition by the Joseph Haydn Institute in Cologne.

The core repertoire of low string instruments would not be the same without Johann Sebastian Bach’s three gamba sonatas which hark back to other works by him that were originally scored for different performing forces. They all share a strict three-part texture (gamba and two-voice keyboard). Today the sonatas are mostly played on the cello which can assimilate the gamba’s original music unchanged. A superb collection for Viola da Gamba or Violoncello with Piano accompaniment. Set as part of the ABRSM Cello Syllabus.

German/English. Of the four episodes of the 'Ring Cycle' 'Die Walkure' is most often performed separately and may be Wagner’s best-loved work. The source of this affection is certainly the sensitive depictions of Siegmund and Sieglinde's loveand the father-daughter relationship of Wotan and Brünnhilde. Siegmund stumbles into an unfamiliar house – Sieglinde’s – for shelter and the two fall for each other quickly. However Sieglinde's husband (from a forcedmarriage) Hunding is a kinsman of Siegmund’s foes and challenges Siegmund to a duel. Sieglinde gives Hunding a sleeping potion and the two realise they are brother and sister. Siegmund claims Sieglinde as his bride. Watching Wotan and Fricka tell Brünnhilde that she must defend Hunding's marriage rights. Brünnhilde sets out to observe the lovers. When Sieglinde falls asleep Brünnhilde berates Siegmund but when he argues she decides to help him. Hunding and Siegmund battle when Siegmund is about to win however Wotan appears and shatters his sword; he is killed. Brünnhilde escapes with Sieglinde and the broken sword. Wotan fells Hunding with a wave of his handand leaves to punish Brünnhilde. Sieglinde realises she bears Siegmund's child so takes the pieces of the sword and rushes off into the forest to hide. Brünnhilde herself flees to the Valkyries' Rock to hide but Wotan fins herand sentences her to become a mortal woman: she must lie in sleep to be claimed by any man who finds her but behind a wall of fire that only the bravest hero can pierce. This is the Schirmer edition of the Libretto inthe original German with an nglish translation by Stewart Robb.

2nd Edition-A great collection of over 80 Beatles tunes including: All You Need Is Love Eight Days a Week Eleanor Rigby A Hard Day's Night Help! Here Comes the Sun Hey Jude I Want to Hold YourHand In My Life Let It Be The Long and Winding Road Revolution Sgt. Pepper's Lonely Hearts Club Band Ticket to Ride Twist and Shout Yellow Submarine Yesterday and more.A great collection of over 80 Beatles tunes including: All You Need Is Love Eight Days a Week Eleanor Rigby A Hard Day's Night Help! Here Comes the Sun Hey Jude I Want to Hold YourHand In My Life Let It Be The Long and Winding Road Revolution Sgt. Pepper's Lonely Hearts Club Band Ticket to Ride Twist and Shout Yellow Submarine Yesterday and more.

Henrik Wiese has created a great stir in recent years with his many Mozart editions for Henle. He adheres strictly to Mozart's autograph score allowing only a few sporadic editorial additions and discussing all important questions regarding dating and sources in his preface. As with the horn concertos published to date this volume also includes an extra horn part in F. The piano reduction by Jan Philip Schulze pays heed to the demands of playability while producing a full-voiced piano texture appropriate to the horn.A highly authoritative Urtext edition of W.A. Mozart's Horn Concerto No.2 In E Flat K.417 as edited by Henrik Wiese with Piano Reduction by Jan Philip Schulze. Solo parts for Horn in E Flat and Horn in F are included.

The piano introduction sets the mood for this lovely inspirational piece. Arranged as an SSAB choral the baritone range is limited and does not go above middle C and rarely goes below G. With this part being optional the piececan easily be done as an SSA. Come What May is perfect for graduation as the text speaks of the power of music to bind us together with wonderful memories and hope for the future.