Piano- Classical Real Repertoire edited by Christine Brown for Piano. Intermediate level. Titles: Adagio from Sonata in C Hob. XVI/35 (Haydn) Adagio from Sonata in E flat K. 282 (Mozart) Allegro burlesco from Sonatina in A minor Op. 88 No. 3 (Kuhlau) Allegro from Viennese Sonatina in A No. 2 (Mozart) Bagatelle in D Op. 33 No. 6 (Beethoven) Bagatelle in E flat Op. 33 No. 1 (Beethoven) Finale from Sonata in D Hob. XVI/37 (Haydn) Menuet from Sonata in B minor Hob. XVI/32 (Haydn) Minuet in D K. 355/576b (Mozart) Moment Musical in F minor Op.94 No. 3 (Schubert) Rondo from Sonatina in G Op. 20 No. 1 (Dussek) Scherzando from Sonatina in D WoO 47/3 (Beethoven) Scherzo in B flat D. 593/1 (Schubert) To Alexis (Hummel) Un Poco andante from Sonata in D Op. 25 No. 6 (Clementi).

Israfel is an arranged excerpt from The Ecstasies Above. The latter was commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music was premièred by Yale Schola Cantorum under the direction of Simon Carrington on 4th March 2007 in Woolsey Hall Yale University. The minimum number of singers required is 16 (two each per chorus part together with the solo voices); however a larger number for the main chorus (16-32 voices for example) is more suitable. Israfel is an arranged excerpt from The Ecstasies Above. The latter was commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music was premièred by Yale Schola Cantorum under the direction of Simon Carrington on 4th March 2007 in Woolsey Hall Yale University. The minimum number of singers required is 16 (two each per chorus part together with the solo voices); however a larger number for the main chorus (16-32 voices for example) is more suitable.

Oboe D'amore Harpsichord. Redel Mc

An Opera In Four Scenes-Full Score For Stuart Macrae 'S Four-Scene Contemporary Opera Ghost Patrol Featuring A Libretto By Louise Welsh. Full score for Stuart MacRae 's four-scene contemporary opera Ghost Patrol featuring a libretto by Louise Welsh.

Übers Gebirg Maria Geht is a work by Johannes Eccard for Unaccompanied SSATB Choir. The piece lasts around 4 minutes. Please note that the lyrics are in German. Übers Gebirg Maria Geht is a work by Johannes Eccard for Unaccompanied SSATB Choir. The piece lasts around 4 minutes. Please note that the lyrics are in German.

For SSATTB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. 'The Spirituals represent an extraordinary religious social and musical legacy. They are among the most enduring examples of all vernacular art and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality.' - Richard Allain For SSATTB chorus unaccompanied. Includes a Keyboard/Piano line for rehearsal purposes only. 'The Spirituals represent an extraordinary religious social and musical legacy. They are among the most enduring examples of all vernacular art and their appeal remains undiminished. These poignant expressions of joy and sorrow were crafted with the utmost simplicity and a noticeable absence of sentimentality.' - Richard Allain

This Fantasia is founded on the following traditional English carols: The Truth Sent From Above (Herefordshire) words and tune; Come All You Worthy Gentlemen (Somerset) words and tune; On Christmas Night (Sussex) words and tune; There Is A Fountain (Herefordshire) tune only; together with fragments of other well-known carol tunes. The work is scored for ordinary full Orchestra with Organ and set of bells (ad lib.) or String Orchestra with Organ or Piano. Alternatively it may be accompanied by Organ or Piano alone played from the Vocal score with an optional solo Cello part (H212). A chorus part for performance bysolo Baritone and TTBB is also available (W41). The chorus is required to sing in four different ways: 1. Singing the words. 2. Singing with closed lips. 3. Singing 'Ah'. 4. Singing with half-closed lips i.e. with a short 'u' sound as in the word 'but'. Watch Pasadena Master Chorale performing Ralph Vaughan Williams ' Fantasia On Christmas Carols :

Tenor Saxophone and Piano reduction.

This work was commissioned by the Nash Ensemble with funds provided by Wigmore Hall and PRS for Music Foundation. It was first performed by the Nash Ensemble at Wigmore Hall London on 23rd March 2011.

Single sheet music arranged for soprano alto tenor and bass with piano accompaniment.

For SSA Choir A Cappella. For SSA Choir A Cappella.

Music For Recorder-Antonio Vivaldi's 'Stockholm' Sonata arranged for Treble Recorder and Continuo from the Flute original.

Kevin Volans ' String Quartet No 11 Was Commissioned By The Callino Quartet With Funds From The Arts Council Of Ireland And First Performed At The National Concert Hall In Dublin In 2012. Kevin Volans ' String Quartet No 11 was commissioned by the Callino Quartet with funds from The Arts Council of Ireland and first performed at the National Concert Hall in Dublin in 2012.

For A Cappella SATB Choir.

It was during the 1950s that popular music first began to reflect the influence of rock ‘n’ roll. From Fats Domino's rolling New Orleans Piano pieces to Buddy Holly's staccato Texas rock and the Everly Brothers' countryharmonies this was the period that first recognised the new teenage market. It was also during the 1950s that legendary musicians such as Ray Charles and Elvis Presley first rose to fame. From heartfelt ballads to pop the Big Book Of 50s Songs includes 33 of the very best songs from this unforgettable era arranged for Piano Voice and Guitar.

In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor:different articulation and dynamic markings something Britten was later very fussy about but perhaps left unchanged on proof because of his relative inexperience at this stage of his career with the processes of musicpublishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected inthe new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal score to prepare his orchestral version). The two versions have been made consistent in other details - rehearsal cues andbar numbers for example - since Britten intended choristers to use the vocal score to perform the orchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (arare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in the orchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated stringwriting while the spacing of chords is frequently much wider in the string version with melodies transposed into different octaves. Although harmony in both versions is identical voice leading is sometimes altered in the latterto make it better suited to the idioms of the instruments concerned. So although in essence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither beviewed as an occasional piece nor considered solely a liturgical work like many of his choral pieces from the 1930s and 1940s it is equally at home in church and concert hall.

Arranged for Bb or Eb Saxophone and Piano by James Rae.

This work is based on the composer's three-part motet John written in 1963 to a poem of Thomas Blackburn. The ten sections (the last a repeat of the first) are variations on themes and rhythms of the choral piece.

Additional books to complement the tutor for adults and young people Play the Piano! Levels 1 & 2 are now available providing specially arranged favourite pieces in keeping with the technical level attained by the end of each course book. Whilst still under Mike's guiding hand here is the chance for players to explore and enjoy more beautiful music in a variety of styles confident that the technical levels are within their capabilities. Includes popular classics by Purcell Handel Bach Mozart Grieg Humperdinck Schumann Chopin Rimsky-Korsakov Brahms Elgar and more. Also included are traditional folksong favourites along with selections of Jazzy Latin and Ragtimepieces by Scott Joplin Mike Cornick and Duke Ellington.

Edition Le Fleming