For SATB Choir A Cappella.

Village Gossip is the first movement of Czech composer Antonin Dvorak ’s cycle ‘Five Choruses For Male Voice’. The cycle of five choruses is set toLithuanian folk texts translated by Frantisek Ladislav Celakovsky and is written for unaccompanied male choir (TTBB Voices). The title page of the autograph score bears the note: “Composed on the journey from Prague to Vienna 12thof December 1878”. The individual parts of the cycle present a vibrant palette of moods from the balladic ‘Dwellers by the Sea’ to the final light-hearted ‘The Sparrow’s Feast’. The songs’ melodies echothe spirit of folk songs and the composer used simple but colourful harmonies and chose a strophic form.

Leon Kirchner ’s highly original song cycle for Soprano Voice and Piano The Twilight Stood consists of 6 songs based on 6 poems by Emily Dickinson: The Auctioneer He Scanned It The Cricket Sang Partake as Doth the Bee Much Madness and There Came a Wind . The cycle is 13 minutes of pure Kirchner – very chromatic linear and frequently featuring irregularrhythms – creating a truly unique haunting atmosphere. Intended for advanced (Grade 8+) soloists this piece is extremely challenging but rewarding at the same time. Leon Kirchner was an American composer ofcontemporary classical music. Kirchner 's musical style is generally linear chromatic rhapsodic and rhythmically irregular; it is influenced by Schoenberg but does not employ the twelve-tone technique.

Entirely devoted to the best-known compositions of the great composers this book will be a permanent part of any pianist's library. There are works by Beethoven Brahms Chopin Liszt Schubert and many others. Eachcomposer is introduced in a short biography.

Favourite Spirituals For Flute by Sarah Watts includes 15 pieces for solo Flute Grades 1-3. Titles included: Deep river Do Lord Down by the riverside Go down Moses Go tell it on the mountain It's me O Lord Joshua fought the battle of Jericho Just a closer walk with thee Michael row the boat ashore Nobody knows the troubleI've seen Sometimes I feel like a motherless child Steal away Swing low sweet chariot Were you there? and When the saints go marching in . Sarah has a passionfor encouraging people to enjoy music. As Artistic Director of the National Youth Music Camps she plays a large part in promoting the Dankworth 'all music' philosophy that influenced her early years.

Sleep Secure is a work for Unaccompanied SATB chorus by Gordon Jacob featuring words by King Charles I. Sleep Secure is a work for Unaccompanied SATB chorus by Gordon Jacob featuring words by King Charles I.

Instrumental Accompaniment Set-Instrumentation Includes: Picc 2Fl 2Ob 2Cl 2 Bsn Contra Bsn 4 Hns 2 Tpts 3 Trombones Tuba Violin I & II Viola _x000D_Cello Contra Bass 2hp 3 Timp Organ String Count (12 12 8 6 4)._x000D_Regarding The Harp Brahms Specifically Stated: At Least Doubled_x000D_Also Although The Standard String Set Of Parts Is 12 10 8 6 4 Brahms_x000D_Scoring For Violin Ii Indicates It Should Be Of Equal Strength With_x000D_Violin I. Therefore Two Additional Violin II Parts Are Included.Full Score Available: (Hmb145a)String Supplemental (Hmb145s):8-Violin I 8-Violin II 5 Viola 4 Cello 4 Bass.Can Only Be Sold As A Set String Parts Not Available Separately.

Scored for Double SATB Choir.

3 Clarinets. Score and Parts.

Baritone solo or small group; expressive a cappella arrangement of a traditional spiritual From the Mark Foster catalog here is an especially pictorial and dramatic spiritual for Holy Week. Craig Westendorf has chosen anexpressive melody to recall Christ's concern for His mother. It is direct and powerful without sentimentality. Sung a cappella with baritone soloist the repetitive use of the word nailin' beneath the second verse isparticularly effective. Take My Mother Home could be used within the context of the passion reading by liturgical churches and is also suitable for Lent or Holy Week. All congregations will find this poignant andunique anthem to be a dramatic and moving addition to worship.

Eight pop hits specially arranged for descant recorder by Barrie Carson Turner complete with lyrics and chord symbols. Includes recorder fingering chart. Eight pop hits specially arranged for descant recorder by Barrie Carson Turner complete with lyrics and chord symbols. Includes recorder fingering chart.

A fresh spin on popular tunes-A fresh spin on popular tunes Here Alan Haughton puts a fresh spin on some of the world's most familiar tunes. The 21 mega favourites' in Don't You Just Love These Tunes - Treble Recorder have been expertlyarranged for Grade 1-2 Treble Recorder with great Piano accompaniments and the free CD including both backing tracks and performances of each song. The fun titles include Popeye the Sailor Man The Entertainer James Bond Theme Ode to Joy Mama Mia and many more!

An anthem for four voices attributed to the Renaissance composer Richard Farrant. Edited by Martin Shaw and written for SATB chorus with Piano accompaniment for rehearsal purposes only.

Higher Faster Stronger (A3 Full Score)- Full A3 score for Higher Faster Stronger by Eric Whitacre Commissioned by BBC Radio 3. First performance 29 August 2012 at the BBC Proms Royal Albert Hall London by the BBC Singers Eric Whitacre Singers ensemblebash (percussion) and Christopher Glynn (piano) conducted by the composer. Scoring: Triple chorus (SATB) including solo soprano Percussion (3 players) Piano Duration: c. 5 minutes

POD-Christ Hath A Garden is a work by Heathcote Statham for Treble Voice and SATB Chorus with Organ Accompaniment. Christ Hath A Garden is a work by Heathcote Statham for Treble Voice and SATB Chorus with Organ Accompaniment.

A generous bumper collection of the greatest songs ever to grace the silver screen all arranged for Piano Voice and Guitar. It is impossible to imagine Goldfinger without the huge rich voice of Shirley Bassey Midnight Cowboy without Nilsson's lilting country whisper Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins and Easy Rider just would not be the same without Steppenwolf. The greatest film songsare synonymous with the movies they embellish capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations long after the film hasended. Learn to play 100 of the greatest film songs ever written with this great-value songbook packed to the limits with all the laughs tears memories and surprises of the movies - a guaranteed hit no matter what theoccasion!

Andrea Ramsey Choral Series-Blending scholarship and practicality this performing edition of a Palestrina masterpiece can be performed a cappella. Or employing the optional instrumental parts for strings in C Alto and Bass clefs and a keyboard part it can be performed with whatever combination your situation calls for.

Taken from Nonsense Songs and arranged as a four part song with piano accompaniment.

Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman Music Director) with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica Viva Commission Circle: Ridgely DuvallMarilyn Bone KlossJohn and Elizabeth Loder First performance on 24th March 2013 at the Tsai Performance Center Boston Massachusetts by Boston Musica Viva conducted by Richard Pittman. Scoring: Flute (doubling alto flute in G) Clarinet in B flat Violin Cello Piano Transposed score Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman Music Director) with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica VivaCommission Circle: Ridgely DuvallMarilyn Bone KlossJohn and Elizabeth Loder First performance on 24th March 2013 at the Tsai Performance Center Boston Massachusetts by Boston Musica Viva conducted byRichard Pittman. Scoring: Flute (doubling alto flute in G) Clarinet in B flat Violin Cello Piano Transposed score

This setting of the Te Deum was written for St Cecilia's day in 1694 almost exactly a year before the composer's death. Composed in a highly flamboyant style it was originally scored for adult and boy choirs soloists strings bass and trumpets but has been scored here for SSAATB soli SSATB chorus and Piano accompaniment. It was edited by the organist of Westminster Abbey J. F. Bridge for a bicentennial commemoration in 1895 at which time the 18th century changes were replaced and the original version restored. The Latin text was provided by the musicologist R. R. Terry. Henry Purcell (1659-1695) held numerousappointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.