The work opens with a dramatic brass fanfare before moving to a spirited allegro. The slower middle portion is rather jazzy in character with a trumpet solo. After several statements of this lush song the faster music returns before the opening fanfare reprises closing the piece in dramatic fashion. Includes generous cross-cuing to enable performances with smaller instrumentations.

In Party Mood was first composed in 1944 for the West End Celebrity Orchestra . However it quickly became known as the theme tune to the long running Housewives’ Choice broadcast daily on the BBC Light Programme from 1946 to 1967. It has been arranged here for solo Piano and is sure to bring back fond memories of anyone who lived through the era! Jack Strachey (1894-1972) was a British composer best known for his light-hearted songs for theatre and music hall such as These Foolish Things . He later turned to orchestral works with hits including Theatreland and Pink Champagne .

For Violin and Piano.

This composition was written on the occasion of the golden jubilee of the De Pinte wind band. This is also the derivation of Latin title Aureus (golden - from the word aurum or gold). This work is comprised of three main sections. Thefirst and last sections are predominantly a musical setting of the concepts of celebration and joy in keeping with the theme of jubilee. The music is therefore above all dynamic energetic and extrovert. The middle section has a more introspective melodic character contemplating the subtle beauty of life. Aureus is a newly composed chorale that establishes the most important attributes in life and also within a club or association: love friendship health and happiness.

This famous song by the group NSYNC sets a groove and never lets up featuring one of the most recognized choruses of all-time.

A celebration of orchestral strings in three strongly contrasting movements which showcase the lyrical emotional and diverse abilities of this core section of the orchestra.

Despite the rich and lively repertoire there are only few compositions for flute and piano which can truly be called 'jazz-inspired'. This gap is now closed by Jeremy Norris with his 'Jazz Suite'. Its musical language is characterized by syncopated and swing rhythms as well as by blues-inspired harmonies and melodies. The instrumental setting is vaguely reminiscent of the music by Earl Hines Benny Goodman or Dave Brubeck. Immerse yourself into Fantasy' 'Piano bar blues' 'La parisienne' 'Déjà vue' and 'Time out'.

Here’s a cheerful piece for young - and perhaps incomplete - ensembles which portrays a tropical island. Syncopated motifs create bags of swing. Great fun for young musicians and their audience who at one point is called upon to clap along.

Discover the Lead on these Smash Hits. The book contains carefully selected and edited arrangments with chord symbols in concert pitch. The accompanying CD includes full backing tracks and demonstration recordings to help you learn the songs. Includes 'Anything Is Possible' (Will Young) 'Just A Little' (Liberty X) and 'One Step Closer' (S Club Juniors). Suitable for players grade 1-2 standard.

Puccini makes the leap from opera house to band stand!

50 great folk favorites simply arranged with lyrics for beginning pianists to learn. Includes: Amazing Grace - Buffalo Gals (Won't You Come Out Tonight?) - Down by the Riverside - Good Night Ladies - Home on the Range - I've Been Working on the Railroad - Kumbaya - Man of Constant Sorrow - Michael Row the Boat Ashore - My Old Kentucky Home - Nobody Knows the Trouble I've Seen - Oh! Susanna - The Red River Valley - Scarborough Fair - She'll Be Comin' 'Round the Mountain - This Little Light of Mine - Turkey in the Straw - The Wabash Cannon Ball - When the Saints Go Marching In - Yankee Doodle - The Yellow Rose of Texas - and more. 50 great folk favorites simply arranged with lyrics for beginning pianists to learn. Includes Amazing Grace Buffalo Gals (Won't You Come Out Tonight?) Down by the Riverside Good Night Ladies Home on the Range I've Been Working on the Railroad Kumbaya Man of Constant Sorrow Michael Row the Boat Ashore My Old Kentucky Home Nobody Knows the Trouble I've Seen Oh! Susanna The Red River Valley Scarborough Fair She'll Be Comin' 'Round the Mountain This Little Light of Mine Turkey in the Straw The Wabash Cannon Ball When the Saints Go Marching In YankeeDoodle The Yellow Rose of Texas and more.

Opera scored for 2 Sopranos Mezzo-Soprano Contralto 2 Tenors 2 Baritones Bass and Orchestra. Libretto by the composer and Ole Sarvig. Opera scored for 2 Sopranos Mezzo-Soprano Contralto 2 Tenors 2 Baritones Bass and Orchestra. Libretto by the composer and Ole Sarvig.

Piano reduction by the composer (Op. 95bis)-Itaru Sakai’s CONCERTO FOR EUPHONIUM is written in an appealingromantic style. The first movement marked by a moving theme is followed by a slow lyrical second movement. A rapid third movement in rondo form requires great virtuosity of the soloistwho can truly shine withthis work.

This traditional African-American slave song comes from the Georgia Sea Islands. The a cappella Spiritual style rocks this energetic and evangelizing song. Brian Tate brings a soulful passion to his arrangements and this one does not disappoint. Easy to medium excellent for high school community and church choirs.This traditional African-American slave song comes from the Georgia Sea Islands. The a cappella Spiritual style rocks this energetic and evangelizing song. Brian Tate brings a soulful passion to his arrangements and this one does not disappoint. Easy to medium excellent for high school community and church choirs.

Andrej Makor currently a master student of composition at the Conservatorio Cesare Pollini in Padua has already won numerous international composition prizes. The highly respected works by the artist born in Slovenia in 1987 are performed by renowned choirs ensembles and soloists at prestigious competitions and festivals among others. His composition O Emmanuel for which he was awarded the 2nd prize of the International Composition Competition 'Musica Sacra Nova' 2016 is based on the original Gregorian chant of the last of a total of seven so-called O antiphons which are sung at the seven Advent days with the Magnificat at Vespers in anticipation of Christmas Eve.Makor's score which follows the traditional motet form but is structured in a more modern form begins with the original Gregorian chorale. Its melody runs through various voice groupings in the course of the piece. In the concluding 'Domine Deus noster' whose pressing character becomes obvious in the constantly recurring triplet figurations of the middle parts the work imbued with the idea of eternity reaches its extremely impressive climax.

6 Saxophone Pieces Vol. 1 for Tenor Saxophone and Piano by Ole Winstrup Olesen dating from 1937. 6 Saxophone Pieces Vol. 1 for Tenor Saxophone and Piano by Winstrup Olesen dating from 1937.

inspired by the traditional song An der Weser- Along the Weser as the title suggests is an homage to the river Weser the beautiful waterway that meanders through Northern Germany. With its exuberant rhythms and lyrical melodic lines the work mirrors the strong bond between theinhabitants of the region and the river itself. The connecting thread is the melody of the well-known ‘An der Weser’ composed by Gustav Pressel to lyrics by Franz von Dingelstedt which has been incorporated in three different ways. The result is acomposition that is sure to be enjoyed by both musicians and audience alike.

Concludes with a quotation of the melody from Jewish liturgy. Concludes with a quotation of the melody from Jewish liturgy.

for Clarinet and Piano-The heat of the day ebbs away as the sun slowly dips from view over the western horizon. A dazzling display of warm hues vibrant yellows glowing oranges and burning reds lights up the evening before cooling to calm blues dark cool purples andfinally the black of night. Such are the unforgettable sunsets that inspired Jan de Haan to write this piece.

from the Opera 'Tannhauser'-During his time in Weimar (1848–1861) Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827–1908) from Tiefurt he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ Liszt by means of this example laid the foundations for the (not always undisputed) tradition extending to the present day of organ transcriptions from the operas of Wagner. 'Organistic' elements in the Pilgrims' Choir are theclassical chorale theme the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification from the antiphonal-organ-like piano dolce of the beginning to the 'full organ' can be realized in a convincing manner with an orchestrally conceived three-manual organ with the sensitive use of the swell box and the successive seamless build-up of the crescendo pedal being of particular significance. Important repertoire piece marking the 200th birthday of Richard Wagner in 2013.