Cheryl Frances-Hoad's Unto The Rainbow for Trumpet Piano and Electronics. Unto the Rainbow was commissioned by John Rubinstein (Master of the Worshipful Company of Cordwainers) and premiered on the 21st April 2016 by Brant Tilds (flugelhorn) and Cheryl Frances-Hoad (piano and electronics) at the 'Corwainers Extravanganza for Blind People'. The charitable event was a 'festival of touch voice colour and Shakespeare' and its purpose was to raise awareness of the needs of blind and visually impaired people in the community.

Zulu Folk Song-Jabula Jesu is not hard to learn and yet creates very rich textures that allow for great variety in shaping and phrasing. The piece can be performed completely unaccompanied but two or more percussionists can be added as desired. Jabula Jesu is based on an African folk song and uses the standard SATB choir to layer polyrhythms and ostinato in fragmented phrases that repeat across the song. Although unaccompanied the piece features parts for two optional percussionists if desired.

Piano 4 Hands. Goldwyn

Cheryl Frances-Hoad's The Prophecy for Cello and Piano. Duration: 15 minutes

Für Violine Solo- Geschrieben für Isabelle Faust Patricia Kopatchinskaja Hansheinz Schneeberger und Thomas Zehetmair sind die 4 Hommages teils vergnügliche Encores teils ausgewachsene Konzertstücke und Etüden in avancierten zeitgenössischen Spieltechniken.

16 Pieces From 5 Centuries- The ‘Easy Concert Pieces’ series presents a varied selection of easy concert pieces for flute and piano from the Renaissance Baroque and Classical periods through to the modern era. To facilitate choosing individual pieces for performance and auditions at music schools competitions or examinations these pieces have been ordered according to level of musical and technical difficulty: Volume 1 (ED 22925) contains very easy to easy pieces with a range of notes up to two octaves. These generally song-like and intuitively straightforward melodies require simple breathing techniques. Phrasing is supported throughout by clear and straightforward pianoaccompaniments.

Three Sketches from the legendary Frank Bridge for Piano solo.

Solos for Classical Guitar- Traditionals folk blues and other styles.

Stormen / The Tempest Suite No.2 Op.109 No.3 for Orchestra. From the music to William Shakespeare's 'The Tempest'. Partitur / Score Parts are available on hire: hire@ewh.dk

Mixed Voices. Kodaly Z.

pour soli choeur et orchestre version de concert de 1900- Requiem op. 48 pour soli choeur et orchestre version de concert de 1900/edition critique/prtn poche. Par Faure aux éditions Leduc. Partition / Livre de chansons pour Choral

Guitar. Sor F Guitar. Sor F

For pianists who love Bruce Springsteen this sheet music collection is a dream come true. Rich with piano Hammond organ glockenspiel and more Springsteen's early albums contain some of the most memorable keyboard tracks in rock 'n' roll history. Now for the first time keyboard parts for 25 songs from his legendary 1973--1980 era have been notated with unprecedented accuracy and gathered in this collectible volume. Note-for-note keyboard transcriptions are woven into arrangements that make each song playable on piano from start to finish. Complete vocal melodies and lyrics are included along with chord grids for guitar. The 25 selections in this volume werechosen for their playability on piano and their popularity among songs Springsteen recorded during his exciting '70s era---a time of boundless creativity and energy that stands out amid the many highlights of his unparalleled career. Titles: Ain't Good Enough for You * Backstreets * Badlands * Because the Night * Born to Run * Darkness on the Edge of Town * Growin' Up * Hungry Heart * It's Hard to Be a Saint in the City * Jungleland * Kitty's Back * Meeting Across the River * New York City Serenade * Out in the Street * Point Blank * The Promise * The Promised Land * Prove It All Night * Racing in the Street * The River * She's the One * Spirit in the Night * Streets of Fire * Tenth Avenue Freeze-Out * Thunder Road.

Siegfried Fink's Game is written for Piano Accordion and Percussion. The object of this piece is to increase the repertoire for the Accordian which is too often confined to folk tunes and transcriptions of other works. Percussion instruments are particularly suitable for a duet of this nature because they give the Accordian a new dimension enliven it rhythmically and give the instrument the prominence it deserves.

from Vol. I-Beethoven's Sonata in F minor is published as part of the 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. published within the 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes.

Viola- Trilingual preface (Ital/Eng/Ger) Detailed critical commentary (Eng) Straight-forward well-presented Piano reduction (Lat) In this new scholarly-critical edition of the Messa da Requiem the editor on the basis of all available sources succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for Voice and Piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed critical commentary as well as a preface on the genesis andhistory of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems.

It could be argued that Geoffrey Bush's most characteristic music is for voices: stage-works choral pieces and solo songs. With a natural affinity for a wide range of texts (from Chaucer to Stevie Smith via Jonson Wilde and Virginia Woolf) - his music always serves to embellish and illuminate the given word. It could be argued that Geoffrey Bush's most characteristic music is for voices: stage-works choral pieces and solo songs. With a natural affinity for a wide range of texts (from Chaucer to Stevie Smith via Jonson Wilde and Virginia Woolf) - his music always serves to embellish and illuminate the given word.

A collection of humorous and nostalgic songs with which Sarah Walker and Roger Vignoles have regaled audiences from time to time with enormous success. Two by Jeremy Nicholas and a very rare one by Michael Flanders and Donald Swann are here published for the first time. Singers will welcome the opportunity to acquire such a witty selection in one volume. A collection of humorous and nostalgic songs with which Sarah Walker and Roger Vignoles have regaled audiences from time to time with enormous success. Two by Jeremy Nicholas and a very rare one by Michael Flanders and Donald Swann are here published for the first time. Singers will welcome the opportunity to acquire such a witty selection in one volume.

Variations brillantes-Flute Piano. Ciardi C

Six of Ahmatova's poems set to music (for soprano and cello) by John Tavener. In these settings Tavener has tried to reflect the deceptive simplicity of the verse which stems from classical tradition. In the final song Deaththe musical material of the earlier songs is gathered together. Then the poet bids a painful farewell to her beloved homeland and steps into the ‘cabin’ that has been particularly prepared for her. The Akhmatova Songs werecommissioned by the Cricklade Music Festival and first performed on 28 September 1993 by Patricia Rozario and Steven Isserlis at St Sampsons Church Cricklade.