For Piano Solo.

This three-movement woodwind quintet begins in a lilting 6/8 meter in the key of C. The second movement features a melody that moves through all the instruments with ease. The reflective mood of the final movement features the flute and basson sharing the melodic introduction. Ranges are not extensive for this ensemble. This three-movement woodwind quintet begins in a lilting 6/8 meter in the key of C. The second movement features a melody that moves through all the instruments with ease. The reflective mood of the final movement features the flute and basson sharing the melodic introduction. Ranges are not extensive for this ensemble.

Native American Song-poems-This five movement work for SATB choir is based on five different Native American peoples. The sequence starts with “Falling ” a lullaby and ends with “Rising ” an image of spirits gently swaying on their final journey above. Between these two lie “Waking ” a celebration of the joy of being alive “Singing ” which expresses the experience of attending deeply to the natural world and “Leaving ” in which images of autumn remind us poignantly that we must all one day depart from this earth.This five movement work for SATB choir is based on five different Native American peoples. The sequence starts with “Falling ” a lullaby and ends with “Rising ” an image of spirits gently swaying on their final journey above. Between these two lie “Waking ” a celebration of the joy of being alive “Singing ” which expresses the experience of attending deeply to the natural world and “Leaving ” in which images of autumn remind us poignantly that we must all one day depart from this earth.

The Play ‘em Right collection is aimed at musicians who wish to familiarise themselves with jazz rock and Latin styles. Each of the duet books contain many pieces together with keyboard and guitar chords which explore the particular genre.

Instrumental Play-Along-Seven arrangements from the Disney hit movie Moana penned by Lin-Manuel Miranda are included in this collection for instrumentalists. Each book features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs include: How Far I'll Go - I Am Moana (Song of the Ancestors) - Know Who You Are - Shiny - We Know the Way - Where You Are - You're Welcome. Online audio is accessed at halleonard.com/mylibrary In Disney's CG-animated film Moana the eponymous teenage heroine is inspired to leave the safety and security of her island and embark on a daring journey to save her people - with a little help from the demigod Maui. The film features original songs written by Lin-Manuel Miranda (Hamilton) Opetaia Foa'i and Mark Mancina. This volume in the Hal Leonard Instrumental Play-Along series contains seven pieces from the film arranged for solo Clarinet. Backing tracks are included to download so you can sound like a pro! Hal Leonard Instrumental Play-Along: Moana features the songs: How Far I'll Go I AmMoana (Song of the Ancestors) Know Who You Are Shiny We Know the Way Where You Are and You're Welcome . This book includes Playback + a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right - available exclusively from Hal Leonard.

Using an Afro-Cuban style alternating with an authentically notated cha-cha groove composer Michael Philip Mossman adds a hint of Egyptian mystery (Dance of da Nile?) in creating this marvelous production number for today'sadventurous jazz ensemble. Includes solos for alto and trumpet as well as space to feature Latin percussion and/or the drummer.

An extremely expressive and beautiful piece Ave Maria has been a traditional favorite for church performance. This timeless masterpiece is an adaptation of Bach’s famous Prelude No.1 In C by Charles Gounod for Voice. Available here for High Voice with Piano accompaniment. An extremely expressive and beautiful piece Ave Maria has been a traditional favorite for church performance. This timeless masterpiece is an adaptation of Bach’s famous Prelude No.1 In C by Charles Gounod for Voice. Available here for High Voice with Piano accompaniment.

Reminiscent of a patriotic Kenton arrangement this chart is great to use for your spring concert. Also ideal to change the pace of your standard jazz repertoire. Great sounds! Reminiscent of a patriotic Kenton arrangement this chart is great to use for your spring concert. Also ideal to change the pace of your standard jazz repertoire. Great sounds!

from Variations on a Theme by Haydn-Sheet Music. From Variations on a theme by Haydn.

Spooky Halloween piece focuses on soft staccato playing throughout. Set in middle C position this solo features hand positions shifting by the octave. Spooky Halloween piece focuses on soft staccato playing throughout. Set in middle C position this solo features hand positions shifting by the octave.

Eight carefully selected and edited piano arrangements with chord symbols in concert pitch. The accompanying CD features full backing tracks professionally arranged and recorded and full demonstration recordings to help you learn the songs.

Scottish Folk Song-This well-known Scottish folk song presents the image of a Scottish Pipe band in formal Scottish dress with their tartans kilts and all. The Bonnie Charlie mentioned in the text is of course a reference to Prince Charles Edward Stuart whose efforts to reclaim the Scottish throne ended in disaster. The 1745 rebellion was followed by a period of widespread repression of Scottish culture including music and the wearing of the kilt. SSS. Richardsong A

Scholarly critical edition with many corrections in the score and orchestral parts. Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm. “ Prélude A L’Aprés-Midi D’Un Faune ” often referred to as the first composition of the “modern” era is one of Debussy ’s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter’s scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed. Bärenreiter’s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy ’s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.

Depicting some of the composer's favorite legends of the Middle East Arabian Dreams is written in several sections. Beginning with imagery suggesting a fiery sunrise the piece is soft and reflective in nature. Becoming more animated it quickly progresses into the faster pace of market life before culminating in a magnificent ride on a galloping horse through a desert oasis. Soon Hee Newbold at her best!

Elementary-A melodic approach to the violin for individual or class instruction. A melodic approach to the violin for individual or class instruction.

This beautiful variant of the standard Ave Maria text has been only occasionally set to music throughout history most notably by the Renaissance composer Gesualdo. My setting is for men's chorus (with three brief solopassages to be sung by members of the choir) and one set of finger cymbals to be played by a chorister. Finger cymbals often formed part of the performance ritual of early music calling the singers and listeners to worship bysong. --Morten Lauridsen

Perfect for any performance occasion this piano solo sounds impressive yet remains surprisingly easy to play. This outstanding arrangement of Scott Joplin's perennial hit is a wonderful choice for the intermediate pianist.

Early Elementary Level-Description: Six Silly Geese is written in the C position with accidentals in the B section giving it a modal sound. This happy little melody uses eighth quarter and half notes. The text will help the students with the rhythm. Purpose: This piece tells a story through music. Hands play together in the A section only on repeated notes. In the B section the harmony changes to Phrygian mode with the flatting of D and E. Staccatos accents and hand crossings add interest. Students will be playing in several different octaves. Suggestions for Instruction: Tap the rhythm on knees or fallboard before playing saying or singing the words. Have the student find all the groups oftwo black notes that they will be playing. Play m. 24 in the air several times before trying to play it hands together. Other Information: There are several geese living at the pond in my neighborhood. More than once motorists have encountered them crossing the street in a single line moving very slowly. They are never in a hurry although we often are! Even a honking horn cannot make them move faster! Key: C Major Description: Six Silly Geese is written in the C position with accidentals in the B section giving it a modal sound. This happy little melody uses eighth quarter and half notes. The text will help the students with the rhythm. Purpose: This piece tells a story through music. Hands play together in the A section only on repeated notes. In the B section the harmony changes to Phrygian mode with the flatting of D and E. Staccatos accents and hand crossings add interest. Students will be playing in several different octaves. Suggestions for Instruction: Tap the rhythm on knees or fallboard before playing saying or singing the words. Have the student find all the groupsoftwo black notes that they will be playing. Play m. 24 in the air several times before trying to play it hands together. Other Information: There are several geese living at the pond in my neighborhood. More than once motorists have encountered them crossing the street in a single line moving very slowly. They are never in a hurry although we often are! Even a honking horn cannot make them move faster! Key: C Major

Francesco Ezechiele Ermenegildo Suppe Demelli better known as Franz von Suppé (1819-1895) was the son of a Belgian father and an Austrian mother. In total he wrote some 30 operettas and Steven Verhaert selected Die schöne Galathea for his arrangement. This splendid overture is a real gem for lovers of the operetta style which is sometimes (unfairly) looked down upon.

From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto Op. 39 BV247 which included music from an unfinished adaptatioon of Adam Oehlenschläger's Aladdin. In 1904 Busoni began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite which was first performed in 1905 and published in 1906. A production of Gozzi's play with Busoni's music was mounted by Max Reinhardt in Berlin in 1911 and for the second and last time in London in 1913. This transcription of the first movement of Busoni's Turandotsuite was created for George A. Treviño and his superb Lopez High School Band of Brownsville Texas. The piece was premiered in February 2017 at the Texas Music Educators Association convention on the occasion of the Lopez band's 6A Honor Band performance.