Lent and Easter Cantatas- 72 Solo Cantatas for Voice Melodic Instrument and Basso continuo. Lent & Easter - High Voice . When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice. Each series spreads the works over threevolumes accompanied by separate parts for solo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are also suitable for an ordinary alto or bass'. Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute. Interesting solo cantatas for use in church services. Urtext from the Telemann Edition. Separate parts for instrument and continuo.

Charles Offer arranged by Benoy. Fifteen foreign folk songs arranged for two descants with optional parts for treble and tenor instruments.

Voice Piano. Head M

No. 2 The Tyger-Treble Piano. Freund D

Version for SAB Choir and Piano with optional Guitar Bass and Drums.

Published 1997. Commissioned by Nexus Toronto. First performance: Tokyo 1997 Nexus. Published 1997. Commissioned by Nexus Toronto. First performance: Tokyo 1997 Nexus.

Published 1990. Commissioned by Satoko Inoue. First performance: Tokyo 1991 Satoko Inoue. Published 1990. Commissioned by Satoko Inoue. First performance: Tokyo 1991 Satoko Inoue.

Two volumes containing well-crafted arrangements and original compositions presented in chronological order from the 16th century right up to the present day. Includes contrasting styles from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. Time Pieces For Double Bass Volumes 1 and 2 contain well-crafted arrangements and original compositions presented in chronological order from the sixteenth century right up to the present day. Pieces feature on the ABRSM Double Bass syllabus at Grades 1-6 (Volume 1: Grades 1-3 Volume 2: Grades 4-6) and are an invaluable source of repertoire for study in contrasting styles from Louis Couperin to Giles Swayne and William Byrd to Gavin Bryars. The arrangements have been designed to cover the note ranges and keys of the early grades.

Voice Piano. Perera R

from 'Die Meistersinger' (Solo and SATB chorus)

A critical edition of the 35 Piano Sonatas by specialist Professor Barry Cooper. Includes a general introduction covering performance practice including tempo articulation pedalling and dynamics and commentary to each sonata including history full assessment of the sources and detailed notes on interpretation. Introductory CD included. A critical edition of the 35 piano sonatas by Professor Barry Cooper renowned Beethoven specialist. Created for today’s performers teachers and scholars this is the most comprehensive study of these extraordinary works yet undertaken.

These four dances are written in a kind of neo renaissance style. Because of the fact that little technical demands are required from its performing artists these dances are mainly meant for beginning groups youth ensembles and also for orchestras in all kinds of small strengths. Jan Van der Roost originally had pedagogical intentions with this piece. Myriam Mees arranged Four Old Dances with the same intention for accordion orchestra with electronium and percussion ad libitum.

No. 4 At The River- Old American Songs II No. 4 At The River For women's choir (SSA) and piano.

These pieces have for the most part been taken from collections compiled and arranged by Alfred Moffat for Violin and Piano. Originally composed during the periond when the Recorder was a favourite instrument in England it can be assumed that many of these pieces were actually composed for the instrument.

Comme elle a les Yeux bandés elle a d'abord demandé...

A Cycle of Six Songs on Texts of Chana Bloch-Mezzo-Soprano Piano. Del Tredici D

Includes Super-Tab notation for the non-music reader. Songs include Sweet Baby James How Sweet It Is (To Be Loved By You) Fire and Rain and That's Why I'm Here.

For snare drum and piano.

More Than 25 Pieces For Violin And Piano-Tired of the same old arrangements? Want to give your pupils something simple yet rewarding to play? Carol Barratt creates easy pieces that are creative idiomatic simple yet rewarding to play and that will really get pupils listening and performing musically right from the beginning. The pieces in Bravo! Violin take the student progressively through the early grades. They consist mainly of original material with a few arrangements too - some well-known some more unusual. These pieces are intended to encourage the student to perform - rather than merely play - whenever the opportunity arises.About Bravo! ViolinViolin and Piano. By Carol Barratt. (Violin). This edition: M060110276. Boosey and Hawkes Chamber Music. 16 pages. Published by Boosey & Hawkes. (48011971) Contents: Round Dance * Quirk * Rise and Shine! * String Along * Fais Dodo * Polka * Russian Dance * Shortcake-Walk * On the Wing * Minuet * Hunt the Rosin! * Torry Burn * German Dance * Out-of-Step March * Sowing Marjoram * The Night Visiting Song * Penny-Stinkards * Wimbledon Waltz * Ballyhoo! * Harvest Time * Fivepins * Midsummer Fire * Barrel Blues * English Jig * The Hurdy-Gurdy * Three Variations on Cat in the Snow.Size 9x12 inches.

Francesco Ezechiele Ermenegildo Suppe Demelli better known as Franz von Suppé (1819-1895) was the son of a Belgian father and an Austrian mother. In total he wrote some 30 operettas and Steven Verhaert selected Die schöne Galathea for his arrangement. This splendid overture is a real gem for lovers of the operetta style which is sometimes (unfairly) looked down upon.