Harold Rosenbaum Choral Series-One of the four Marian antiphons this devotional text has been sung in monastic choirs for centuries. This setting features a homophonic texture and a simple ABA form. Duration: ca. 4:15. One of the four Marian antiphons this devotional text has been sung in monastic choirs for centuries. This setting features a homophonic texture and a simple ABA form. Duration: ca. 4:15.

A Ballet in Seven Scenes. A Ballet in Seven Scenes.

This wonderfully diverse collection explores the world of traditional fiddle music from Irish to Gipsy and from Bluegrass to Latin-American with many other exciting and intriguing styles along the way. The CD reflects this diversity with supporting bands featuring an extraordinary variety of instrumental colours including authentic sounds drawn from the Celtic countries central and eastern Europe and from the Americas.The arrangements can be performed as solos or duets (or played by larger ensembles) accompanied by piano violin or guitar with or without the CD accompaniment. Above all this is music to play and enjoy with other people.The edition is part of theTrinity syllabus 2007 (grade 1 2 3). This wonderfully diverse collection explores the world of traditional fiddle music from Irish to Gipsy and from Bluegrass to Latin-American with many other exciting and intriguing styles along the way. The CD reflects this diversity with supporting bands featuring an extraordinary variety of instrumental colours including authentic sounds drawn from the Celtic countries central and eastern Europe and from the Americas.The arrangements can be performed as solos or duets (or played by larger ensembles) accompanied by piano violin or guitar with or without the CD accompaniment. Above all this is music to play and enjoy with other people.The edition is part of theTrinity syllabus 2007 (grade 1 2 3).

Meet Me In The Green Glen was composed by Brian Elias for Solo Voice as part of the cycle of songs written to poems by John Clare.

Vocal Score-Vivaldi's beautiful setting of the Magnificat is a mature work and blends a variety of choral styles in and around brief solo sections. Vivaldi's Magnificat along with his Gloria is among his best-known choral works and this vocal score has been edited by Gian Francesco Malipiero with piano reduction by Raffaele Cumar.

The 1969 hit by Creedence Clearwater Revival evokes an earlier time and place with John Fogerty's signature guitar riffs and licks. Vocal harmonies and the great rhythms of the country-rock style will energize any pop/showconcert. Available separately: SATB SAB TTB ShowTrax CD. Combo parts available as a digital download (tpt 1-2 tsx tbn gtr b dm). Duration: ca. 2:40.

For Flute and Piano. Published 1994. Commissioned by Duo Dogen Tokyo. First performance: Tokyo 1994 Dogen Kinowaki (fl) Hiroshi Ohi (pf). For Flute and Piano. Published 1994. Commissioned by Duo Dogen Tokyo. First performance: Tokyo 1994 Dogen Kinowaki (fl) Hiroshi Ohi (pf).

William Boyce ’s Te Deum And Jubilate In C was written for four Voices (SATB) with Bass continuo (Piano) accompaniment and first published in 1790. The lyrics of the two sacred pieces are both in English translation – an early Christian hymn of praise ( Te Deum ) and Psalm 100 ( Jubilate ). As morning canticles they are usually sung at Morning Prayer in the Anglican tradition. Duration if performed together is approximately 6:15 minutes. William Boyce is widely regarded as one of the most important English-born composers of the 18th century however he remains little-performed today. The beauty of his sacredcompositions is proof of his lifelong involvement with various aspects of Church music (as a choirboy organist and composer) since the age of 9.

Get Me To The Church On Time' from 'My Fair Lady' is arranged for soprano alto tenor and bass vocal parts.

Classiques No.134- from 'Le Devin du Village'

For Counter-Tenor and String Quartet. Parts. For Counter-Tenor and String Quartet. Parts.

For Bassoon-To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His 12 Caprices for Bassoon is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Compiled in 1968 Bozza 's 12 Caprices addresses a variety of very difficult advanced features of the Bassoon includingcomplex rhythms articulation chromaticism variations in time signatures breath control phrasing intervals scales and arpeggios amongst other aspects. For all advanced Bassoon players Bozza 's 12 Caprices are essential to continue to develop technique to a high standard.

Schirmer's Library of Musical Classics #2071-This affordable and convenient collection features sonatas variations sonatinas bagatelles and more from one of the most reveredcomposers of all time. Includes: Sonata in C minor Pathétique Op. 13 Sonata in C-sharp minor (Quasi una Fantasia) Moonlight Op. 27 No. 2 Fur Elise Six Variations on the Duet Nel cor più non mi sento Adieu to the Piano Rondo aCapriccio in Hungarian Style Rage Over a Lost Penny Op. 129 and more. Includes a total of 10 sonatas 3 variations 4 sonatinas 10 bagatelles and 8 other pieces.This affordable and convenient collection features sonatas variations sonatinas bagatelles and more from one of the most revered composers of all time. Includes: Sonata in C minor 'Pathétique ' Op.13; Sonata inC-sharp minor (Quasi una Fantasia) 'Moonlight ' Op. 27 No. 2; Für Elise; Six Variations on the Duet 'Nel cor più non mi sento'; Adieu to the Piano; Rondo a Capriccio in Hungarian Style 'Rage Over a Lost Penny ' Op. 129; andmore. Includes a total of 10 sonatas 3 variations 4 sonatinas 10 bagatelles and 8 other pieces.

Music for Manuals-Music for Manuals As publishers and church musicians ourselves we understand the financial restraints faced by many organists. So here's our contribution to the solution: several pieces for the price of one. Even if you use just one of thepieces in the set you are paying only the usual price of a single Organ piece. If you use two you're getting double value and if you use three four five or more you're quids in! Music For Manuals: Joyful Music -Set 2 includes 11 well-known pieces for the Organ repertoire: Gavotte (William Boyce) Gavotte from Suite No. 3 (Johann Sebastian Bach) Jubilato Deo (Norman Warren) Little Toccata (Elizabeth Hill) March (Richard Lloyd) March from the Occasional Oratorio (George Frideric Handel) Sortie (Robert Jones) Trumpet Voluntary (Jeremiah Clarke) Trumpeting Tune (JuneNixon) Two Trumpet Tunes and Air (Henry Purcell) and Use the Reeds (Colin Mawby).

The Bärenreiter Romantic Piano Album presents a representative cross section of romantic piano music by renowned composers of the nineteenth and early twentieth centuries. The pieces are well suited to lending variety to the piano lesson.

Progressive studies for unaccompanied saxophone-An indispensable collection of sixty progressive studies for unaccompanied saxophone suitable for E flat and B flat instruments. The book systematically covers aspects of technique in order of difficulty from Grades 1 to 8 while being carefully paced to provide lots of material at each level. Sixty For Sax is an unmissible collection of studies that cover the full range of musical styles with challenges for players of all abilities. Discover the versatility of your Saxophone - this progressive set of sixty studies varies from the sad sorrowful and bluesy to jumping Jazz and elegant Classical tunes. Each study is designed to address a particular Saxophone technique from legato slurs to stuttering staccatos and each study is written in a characterful style that reflects the style of playing. The studies are intended to provide a systematic coverage of different aspects of technique from Grades 1 all the way up to 8 and all aredirectly applicable to the playing standards required for the ABRSM examination program for both Tenor and Alto Saxophones.

Composed in 2003 this is a complex undulating piece for solo Guitar by Joby Talbot with overlapping rolling textures that create the illusion of stasis whilst the music progresses.

This Irish traditional song is widely known even though this tune consists of only a few bars that are repeated all the time. Bart Picqueur turned it into a lively arrangement and incorporated the theme in different ways with a stirring crescendo towards the end.The perfect encore piece or taster piece for any concert!

The Pogues' classic Christmas hit arranged for SATB chorus and Piano. Words and music by Shane MacGowan and Jem Finer.

for 3 bassoons