Triosonate In D-moll - Wq 145

Sonate

Symphonic poem after a poem by Henri Cazalis

Symphonic poem after a poem by Henri Cazalis

The Taiwanese folk song Swa I Yan deals with the painful emotion of missing someone. A girl feels sad and lonely and asks her friends what she should do. “It is a very old tragic song clad in my western conception of harmony. In this way music does what it does best: connecting worlds.” (Juan Garcia)

Peter Schindler: Hast du Worte? - Beethoven

Peter Schindler: Hast du Worte? - Beethoven

Peter Schindler: Hast du Worte? - Beethoven

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy community protest and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano or optionally for chorus band and wind instruments by Peter Schindler stands for all these emotions. Brass riffs jazzy harmonies a choral setting in one to three parts and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Trio Avec Piano No. 2

Vier Volkslieder für vierstimmigen Chor a cappella

Warb E 22-At less than 20 years of age the youngest son of the Leipzig cantor of St. Thomas Johann Sebastian Bach withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin Milan and Naples from 1761 onwards led him all the way to London. Bach’s church music comprises a number of vespers compositions some of them large-scale including this Magnificat a 4 (1760) for soloists choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Op. 47

Die 40 Besten Songs - With 2 CD's and USB

Klavierkonzert in D

Memories Of Alhambra

Two Carols by Elizabeth Maconchy comprises two songs for unaccompanied upper voices: I sing of a maiden and This day both originally conceived in 1966 with words from fifteenth-century texts. While contrasting in character both embody a richly expressive harmony with opportunity in each for the upper soprano part to be sung solo (or by a small group of voices if preferred). Equally the composer notes that I sing of a maiden’s tenor part may be sung solo: the tenor line here is also suitable for alto voice making both carols accessible to SSA ensembles. The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of freshrepertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging works offering a thrilling array of varied styles.

from Hair-It's a tradition to bring audience members up on the stage to dance for the final jovial medley in the 1967 musical Hair. Roger Emerson's arrangement of the songs made famous by The 5th Dimension will have your audiences practically sprinting to the stage to join in the celebration!

This engaging and fun arrangement by Philip Lawson will be a treat for all choirs. Accessible and fun to learn it is a welcome addition to any choir's repertoire.

Wes Montgomery-Includes: Four on Six Road Song West Coast Blues Twisted Blues