This String Quartet has some technical difficulties particularly for the first violinist but the musical result is worth the effort and players familiar with Beethoven's quartets will enjoy playing it. It is one of three Hummel opus 30 quartets published by SJ Music. All three are classical in style and pleasurable to listen to and play and many would say that they have been unjustly neglected. Johann Nepomuk Hummel was a Hungarian pianist conductor and composer born in Pozsony (now Bratislava) in 1778. He died in Weimar in 1837. Mozart heard him play aged seven in Vienna and was so impressed that he offered him lessons and took him to live with him for the next two years.As an adult in Vienna he became good friends with Beethoven.

A lovely arrangment of this well known piece from Verdi's Nabucco. Verdi's popular work Chorus Of Slaves from Nabucco is arranged here for Piano solo by Thomas Johnson.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

pour Piano éditée par Robert Orledge-This new completely revised edition of the Petite Sonate edited by Robert Orledge has returned to Satie’s manuscripts and first editions to give pianists a completely accurate and reliable text to play from. This new completely revised edition of the Petite Sonate edited by Robert Orledge has returned to Satie's manuscripts and first editions to give pianists a completely accurate and reliable text to play from.

Commissioned by Cheshire Libraries and Museums Services for Gary Karr. Benstead is an English composer who has written much music for Janet Smith and Dancers. The four movements Prelude Conversation Piece Lament and Finale are rhythmic and melodic. Duration c. 15'. Grade: 8

Dmitri Kabalevsky's The Comedians Suite Op.26 for Orchestra.

Some of the most beautiful music from Mozart's operas is to be found in Così fan Tutte. Now flautists can extend their repertoire and explore these glorious moments. These duet arrangements from the late 18th and early 19th centuries of Mozart's operatic highlights have served as a basis for modern-day editors. Whilst retaining many aspects of the original flute arrangements Mozart's own intentions with regard to the relevant orchestral settings have been considered and respected. Suitable for intermediate-level flautists these duets may well introduce players to the music of Mozart. Nr. 1 Terzetto (Ferrando Giolelmo Don Alfonso) Nr. 2 Terzetto (Ferrando Guilelmo Don Alfonso) Nr. 3 Terzetto (Ferrando Guilelmo Don Alfonso) Nr. 4 Duetto (Fiordiligi dorabella) Nr. 8 Coro Nr. 10 Terzetto (Fiordiligi Dorabella Don Alfonso) Nr. 14 Aria (Fiordiligi) Nr. 17 Aria (Ferrando) Nr. 26 Aria (Guilelmo) Nr. 28 Aria (Dorabella) Nr. 29 Duetto (Fiordiligi Ferrando)

This romance for clarinet is an important work because it is the composer's first attempt at writing a concert piece with orchestra. Richard Strauss wrote it in 1879 for a fellow pupil. In a letter to Ludwig Thuille he remarked: 'I have been very industrious - maybe I have told you already - composing a romance in E flat major for clarinet and orchestra which has turned out quite well; the continuous theme turns after the cantilena into a 6-part orchestral fugato.' This romance for clarinet is an important work because it is the composer's first attempt at writing a concert piece with orchestra. Richard Strauss wrote it in 1879 for a fellow pupil. In a letter to Ludwig Thuille he remarked: 'I have been very industrious - maybe I have told you already - composing a romance in E flat major for clarinet and orchestra which has turned out quite well; the continuous theme turns after the cantilena into a 6-part orchestral fugato.'

12 Balladen für Gitarre solo-The Letters for You by Giuseppe Di Girolamo are perfectly suited to the guitar as an instrument. They contain a wealth of exuberant melodies which are always enjoyable to play not only because the tempi are never over-demanding and the left-hand fingerings are almost naturally logical (fingerings are only indicated where this is not the case). No; the real reason why these pieces are such a joy to play is that they make any guitar sound simply beautiful! Players with pre-intermediate skills and beyond will find them motivating and satisfying.These pieces are also very valuable in terms of guitar didactics because they directly challenge the player to develop themelodic flow. The Letters for You will teach the player how to make the guitar sing! (Michael Koch)

Version for English Horn String Trio and Piano Duration: c. 6 min. Original version 1992: Mezzo Soprano Clarinet Violin Cello and Piano Text by Rainer Maria Rilke Score = WH31261 Set of parts for Herbstlied - Version 2009 - for English Horn String Trio and Piano. Score: WH31261

The initial and prevailing theme is from the song Det Fagreste Træ with lyrics by Ursula Andkjær Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun Set of parts for The Black Waters for String Trio by Peter Bruun . Score: WH31595 Programme note The initial and prevailing theme is from the song 'Det Fagreste Trae' with lyrics by Ursula Andkjaer Olsen and music by me. To this song I also owe the title of the piece. The melody in bar 187-217 is quoted from a pearl diver song from Bahrain recorded by the composer and music ethnologist Poul Rovsing-Olsen. Peter Bruun

Easy familiar solos for flute from baroque to boogie. With simple piano accompaniments by Denes Agay. Easy familiar solos for flute from baroque to boogie. With simple piano accompaniments by Denes Agay.

Frankreich-Voice Guitar. Volkslieder Aus

Together Or Not for Bass Recorder Violin and Accordion was composed by Danish composer Pelle Gudmundsen-Holmgreen in 2012. Together Or Not for Bass Recorder Violin and Accordion was composed by Danish composer Pelle Gudmundsen-Holmgreen in 2012. Parts are available: WH31623A

Ten upbeat numbers in full Rock style with sensational backing tracks featuring recorded live soloists.

Four Latin motets (1991) for mixed choir SSATB (SSA) by Per Norgard . Edited by Ivan Hansen . 1 Ne obsurdescas mihi (SSA/SAT) 2 Ad te Domine clamabo (SSATB) 3 Quam dilecta tabernacula tua (SSA/SAT) 4 Exultavit in Deum (SSATB) Programme note All four motets are based on the first motets simple pentatonic initial motif. Like the polarities of the hymn texts between lamentation and jubilation the motif appears in various disguises from a gloomy Japanese (death-) mode (first and second motet) to the lighter celebratory forms inthe familiar Chinese pentatonic scale and the Indonesian pelog scale (third and fourth motet). The mood-creating scales weave (like the text sections) in and out of each other ; just a few changes in notes change grief to joy from idyll to catastrophe. The latin version of the motets (originally with Danish text 1991) was made in 1998 by Per Norgard and Ivan Hansen. Ivan Hansen

Flexible String Ensemble-A set that provides easy yet wonderfully satisfying arrangements of three famous chorale harmonisations. Grade: 3 - 4

Den Lille Havfrue (The Little Mermaid) by the Danish composer Bent Sørensen scored for Soprano and Tenor solo Girl's Choir and Orchestra. The work was commissioned jointly by BBC and Danish Radio to mark the 200th Anniversary of the birth of H. C. Andersen in 2005. Text by Peter Asmussen after H. C. Andersen. Den Lille Havfrue (The Little Mermaid) by the Danish composer Bent Sørensen scored for Soprano and Tenor solo Girl's Choir and Orchestra. The work was commissioned jointly by BBC and Danish Radio to mark the 200th Anniversary of the birth of H. C. Andersen in 2005. Text by Peter Asmussen after H. C. Andersen.

This book features a great little selection of pieces for Horn in E Flat with Piano accompaniment which are all suitable for players of grades 3-5 standard.

Partita Sevèra (1951) for Piano solo by Per Norgard.