for SATB and organ Commissioned by King's College Cambridge for the 2016 Festival of Nine Lessons and Carols This Endernight is a setting of well-known fifteenth-century words. The recurring melody has a lilting feel and Berkeley employs artful textural juxtapositions with solo lines flowering into a rich refrain. Commissioned by King's College Cambridge for the 2016 Festival of Nine Lessons and Carols This Endernight is a setting of well-known fifteenth-century words. The recurring melody has a lilting feel and Berkeley employs artful textural juxtapositions with solo lines flowering into a rich refrain.

Evis Sammoutis ' Particles (2015) for Flute (doubling Piccolo and Alto Flute) Violin and Cello. – Particles was commissioned by the 2015 Milano EXPO for the musicians of the Divertimento Ensemble. The composer was one of 50 finalists selected after an International Competition by Expo 2015’s Italian Pavilion. The competition was organised by Divertimento Ensemble in collaboration with the City of Milano the Region of Lombardia MITO SettembreMusica and Sentieri selvaggi and all composers had to create compositions inspired by the theme 'Feeding the Planet Energy for Life'. The composer decided to concentrate on exploring the notion of “Particles” (the smallest basic unitsof matter and energy) as the means of creating the main formal profile of this composition. This notion extends to all formal devises (texture figure and gesture). To use an analogy listening to this composition should feel like looking at a mosaic from an extremely short distance one’s eyes almost touching the intrinsic small tiles that create the larger picture. From this alternative perspective one begins to observe completely different patterns which went unperceived as part of the greater picture just as a closer look at a mosaic might reveal intricate bands of colour that would have been unnoticed from a greater distance. When this happens one can really appreciate the tiny details and nuances of the composition. Seen from afar these “particles” create different textures than they do from a closer distance or through a microscope exploration different matters and different qualities of energy. This composition brings into foreground microscopic “pictures” of the particles that constitute the totality of the work while simultaneously and unavoidably giving in its totality a larger formal picture over the course of time. Whilst the music is constructed into noticeably different blocks of sound each segment nevertheless originates from the same source from the same particle. Evis Sammoutis ' Particles (2015) for Flute (doubling Piccolo and Alto Flute) Violin and Cello. – Particles was commissioned by the 2015 Milano EXPO for the musicians of the Divertimento Ensemble. The composer was one of 50 finalists selected after an International Competition by Expo 2015’s Italian Pavilion. The competition was organised by Divertimento Ensemble in collaboration with the City of Milano the Region of Lombardia MITO SettembreMusica and Sentieri selvaggi and all composers had to create compositions inspired by the theme 'Feeding the Planet Energy for Life'. The composer decided toconcentrate on exploring the notion of “Particles” (the smallest basic units of matter and energy) as the means of creating the main formal profile of this composition. This notion extends to all formal devises (texture figure and gesture). To use an analogy listening to this composition sho

All you need to embark on this adventure is youtr Oboe and a Pianist! Raymond Parfrey has crafted three fantastic short movements which evoke images of Scandinavia Spain and Hungary. Suitable for grades 6 - 8.

A terrific lyircal guitar song by guitarist Luis Maravilla and composer Gil Serrano. A terrific lyircal guitar song by guitarist Luis Maravilla and composer Gil Serrano.

(Echopraxia) by Evis Sammoutis was commissioned by the Pharos Trust. First performance: 19 May 2006 at PASYDY Auditorium (Nicosia Cyprus) by Ensemble Modern. 15'; for string sextet: 2vln 2va 2vc

Bach's St Matthew Passion score. The Passions were Biblical texts set as large-scale musical works and tell the story of Christ's Passion according to the Gospels. The St. Matthew Passion is an introspective and meditative composition. Edited by Denys Darlow.

Brice Catherin a cellist and a composer exploring the notion of the one-man-band concept commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects) his feet his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre both strong frequent features of my compositional oeuvre. After several meetings and experimentation with Brice I chose asetup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself but also helps create unique soundscapes that blend together with the sounds from the spring drums the human voice (whistling groans and other effects) a singing bowl a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony) thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy harmonious distorted etc.) based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C) played and recorded using a variety of attacks and triggering objects and methods. Emmelia is also the name of my baby daughter who has been my constant inspiration since she was born.' - Evis Sammoutis 'Brice Catherin a cellist and a composer exploring the notion of the one-man-band concept commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects) his feet his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre both strong frequent features of my compositional oeuvre. After several meetings andexperimentation with Brice I chose a setup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself but also helps create unique soundscapes that blend together with the sounds from the spring drums the human voice (whistling groans and other effects) a singing bowl a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony) thus meanin

Aulis Sallinen's Katso Pohjoista Taivasta (Watch The Northern Sky) for Soprano Baritone and Piano. Composed in 2017. Duration: 12 minutes Aulis Sallinen's Katso Pohjoista Taivasta (Watch The Northern Sky) for Soprano Baritone and Piano. Composed in 2017. Duration: 12 minutes

This book presents six contemporary guitar works by Irish composers. These works are fairly evenly divided with reference to their position in the composer's output and also to the composers' age: three of the six are early works (Farrell Bromhead and Fennessy) while the remaining three were produced during the composers' more mature years (O'Leary Sweeney and Bodley): also three generations of living composers are represented. The six works chosen vary widely in compositional style approach to writing for the guitar and technical requirements thus presenting a generally good overview of contemporaryIrish guitar music. This collection spans the period from 1970 to 2006 andincludes 'Gemini' by Jerome de Bromhead the first Irish solo concert work for guitar. A short introduction to each composer and a background to his/her work is included. This book presents six contemporary guitar works by Irish composers. These works are fairly evenly divided with reference to their position in the composer’s output and also to the composers’ age: three of the six are early works(Farrell Bromhead and Fennessy) while the remaining three were produced during the composers’ more mature years (O’Leary Sweeney and Bodley); also three generations of living composers are represented. The six works chosen varywidely in compositional style approach to writing for the guitar and technical requirements thus presenting a generally good overview of contemporary Irish guitar music. This collection spans the period from 1970 to 2006 andincludes “Gemini” by Jerome de Bromhead the first Irish solo concert work for guitar. A short introduction to each composer and a background to his/her work is included

This is the Oboe and Piano version of Geoffrey Bush 's Christmas Cantata . This is the Study Score and Oboe Part .

Malcolm Arnold wrote this little fantasy in the early 1960s as a present for his children Katherine and Robert to play together. Even as a miniature it has many of the hallmarks of the Arnold style such as the evocative melodic writing together with the occasional dark dissonance. It was written at a time when Arnold was deeply into film music. Perhaps this is why in the famous film Whistle Down the Wind the main theme is for flute/piccolo and turns out to be not entirely dissimilar to the theme found in this fantasy.

A song for unison voices and piano accompaniment using words from an old rhyme.

Vocal score to Alec Rowley's Three English Lyrics for SSA choir.

Sadie Harrison 's A Journey for Double Bass and Piano. Composed in 2015 revised and published in 2016. Duration: 8 minutes. This four movement work was written at the request of bassist Ben Groenevelt for his pupil Alex Gibberd with funds provided by Bristol City Council's Guild of Guardians in recognition of Alex's contribution to the musical life of the city. A Journey is a reflection of Bristol's history as a trading port with routes to the Americas Northern Europe and the Far East with movements entitled: I Deep South - lazy dark blues' II The Eastern Road - austere theatre' III Northern Lights -a frozen glittering landscape' IV Wayout West! - jaunty hoedown' Sadie Harrison 's A Journey for Double Bass and Piano. Composed in 2015 revised and published in 2016. Duration: 8 minutes. This four movement work was written at the request of bassist Ben Groenevelt for his pupil Alex Gibberd with funds provided by Bristol City Council's Guild of Guardians in recognition of Alex's contribution to the musical life of the city. A Journey is a reflection of Bristol's history as a trading port with routes to the Americas Northern Europe and the Far East with movements entitled: I Deep South - lazy darkblues' II The Eastern Road - austere theatre' III Northern Lights - a frozen glittering landscape' IV Wayout West! - jaunty hoedown'

Choral cantata No. 4-Choral-cantata Nr. 4

Set of parts for John Rutter's joyful carol Rejoice and be merry! Set of parts for John Rutter 's joyful carol Rejoice And Be Merry! for SATB Brass Ensemble Timpani optional Handbells and optional Organ. Orchestration: 3tpt 3tbn/2tbn & hn tba timp opt. handbells opt. org .

For SATB unaccompanied For SATB unaccompanied

for children's unison chorus with optional SATB and piano or small orchestra This anthem is a celebration of life. The adult choir is intended as support for the children's voices and is entirely optional. Orchestral material is available on hire. I Believe In Springtime is a lively and spirited anthem composed by John Rutter for Children's Choir with Piano Accompaniment and an optional SATB Choir.

Frederick Viner's Herz an Herz for Piano Solo. Herz an Herz as the title implies ( heart to heart ) is a love duet. Two distinct voices characterised through their respective male and female vocal registers negotiate a warm heartfelt melody through a loosely strophic form. Initially the voices sing in turn each section - or verse - led predominantly by one. Each time their lines entwine virtuosic flourishes ascend the keyboard interrupting to render them silent again. It is only after one particularly tumultuous episode that the true duet appears: Out of the murky resonances of the lowest A' emerges thethrobbing chords and impassioned vocal lines from Wagner's famous duet O sink hernieder Nacht der Liebe from the second act of Tristan und Isolde . The singers' now reconciled come together for one final verse before a fleeting memory of the beginning gently ushers in the end of the piece. Herz an Herz was awarded 1st prize in William Howard's Love Song Composing Competition and was premiered on 26th April 2017 at Hoxton Hall London by William Howard. Duration: 5 minutes

Prepared Piano-Sheets Eins is a deluxe artefact now available in soft cover containing the sheet music to ten of Nils Frahm’s piano works illustrated instructions on how to modify your piano to achieve Nils’ signature ‘Felt’ sound. Sheets Eins is a deluxe artefact now available in soft cover containing the sheet music to ten of Nils Frahm's piano works illustrated instructions on how to modify your piano to achieve Nils' signatureFelt' sound.