Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm flugelhorn and flute. The song is a symbol of cheer of being in love. Blue days all of them gone. Nothing but blue skies from now on. An American Songbook treasure. Irving Berlin's much-recorded song from 1926 takes a sultry and sophisticated turn with this dynamic jazzy arrangement that includes optional rhythm flugelhorn and flute. The song is a symbol of cheer of being in love. “Blue days all of them gone. Nothing but blue skies from now on.” An American Songbook treasure.

Bassoon-Introducing the first-ever curriculum for high school band! Essential Musicianship for Band is the perfect tool to assist your ensemble in developing the skills needed to read rehearse and perform band repertoirewith precision and artistry. Using proven methods for superior sound production and ensemble technique your students will transform printed notes into a meaningful musical experience. Fits easily into the traditional concert bandsetting. Ensemble Concepts is designed to help ensembles to acquire maximum performance skills while increasing overall musicianship. Every aspect of ensemble development is introduced individually in developmentalorder then combined for more advanced practice. Also available in the Essential Musicianship curriculum: Masterwork Studies (HL00960078 - 00960095) focuses on six landmarkcompositions for band (score/parts not included). Two CD-ROMs are included featuring: 1. Exemplary recordings of each work performed by some of the world's finest ensembles 2. Practice loops onthe more difficult passages for each individual instrument including tempo adjustment software on-screen assessment and a built-in metronome 3. Scale arpeggio and articulation studies in all keys Ensemble Concepts - Fundamental Level (HL00960110 - 00960127) Ensemble Concepts - Intermediate Level (HL00960129 - 00960146)

Meredith Willson's The Music Man is the hottest ticket on Broadway! This arrangement for concert choirs captures all the excitement of the stage and in addition to the classic melodies you can even imitate the sound of themarching band instruments with your singers!Available separately: SATB SAB and 2-Part. Performance Time: Approx. 3:55.(from Meredith Willson's The Music Man). Meredith Willson's The Music Man is the hottest ticket on Broadway! This arrangement for concert choirs captures all the excitement of the stage and in addition to the classic melodies you can even imitate the sound of the marching band instruments with your singers! Available for SATB SAB and 2-Part. Performance Time: Approx. 3:55.

50 songs from 50 movies including: Beauty and the Beast - Born Free - Candle on the Water - The Candy Man - Endless Love - FlashdanceWhat a Feeling - The Godfather (Love Theme) - Hello Again - Kokomo - Mona Lisa - Moon River - Never on Sunday - Thank Heaven for Little Girls - Unchained Melody - The Way We Were - A Whole New World - more! 50 songs from 50 movies including: Beauty and the Beast - Born Free - Candle on the Water - The Candy Man - Endless Love - FlashdanceWhat a Feeling - The Godfather (Love Theme) - Hello Again - Kokomo - Mona Lisa - Moon River - Never on Sunday - Thank Heaven for Little Girls - Unchained Melody - The Way We Were - A Whole New World - more!

Featuring some of the best-known spy themes from the silver screen here is a very playable medley of James Bond soundtrack favorites through the years. Includes: James Bond Theme Goldfinger Live and Let Die and Skyfall.

We Have Come to Sing!-Vibrant and percussive this original a cappella work uses both Swahili and English text creating a dynamic multicultural opening or processional performance. The theme of coming together to sing allows for a wealth of programming opportunities. The piece is filled with musical learning using language rhythm independent singing and harmonic expression. The addition of percussion enhances both rehearsal and performance. Vibrant and percussive this original a cappella work uses both Swahili and English text creating a dynamic multicultural opening or processional performance. The theme of coming together to sing allows for a wealth of programming opportunities. The piece is filled with musical learning using language rhythm independent singing and harmonic expression. The addition of Percussion enhances both rehearsal and performance.

Uses: Concert General Music Appreciation Scripture: Genesis 1:26 Acts 17:28 Romans 8:19 Romans 11:36 A majestic larger anthem this artful composition presents the imagined moment that music is given to the world. Beginning quietly with a rising melodic line this motive grows and expands into a full and rich hymn of joy. The voice of the Creator is delivered with large hymn-like chords with divided choir to create a moment of deep emotion and awe and the finale is pure joy! A full orchestration gives this anthem wings to soar and opens it up to larger festival choral performances in both sanctuaries and concert halls. Truly an inspiration this anthem will be appreciatedby fans of the composer's classic choral piece The Awakening. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba timp perc 1-2 hp vn 1-2 va vc db) available as a digital download.

from Motet VI BWV 23-Treble choruses can experience Baroque style and performance practice in this setting from Bach's Motet VI. Performed a cappella or with the continuo accompaniment it will make a fine addition to honor choir or festival concerts. Duration: ca. 2:15.

Für Klarinette Bassetthorn (2 Klarinetten) und Klavier-Favourite dish in exchange for favourite music – this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl who also played the basset horn stopped to pay a visit to Felix MendelssohnBartholdy in 1832 they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel) that Mendelssohn was mad about if he were to write a piecefor them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in d minor. Both are extremely effective works which wonderfully bring out the uniquesound and performance technique of the two instruments from the clarinet family.“Favourite dish in exchange for favourite music” – this perfectly summarizes the genesis of the Konzertstücke. When the clarinettist Heinrich Joseph Baermann and his son Carl who also played the Basset Horn stopped to pay avisit to Felix Mendelssohn Bartholdy in 1832 they came to a most curious agreement: they promised their composer friend a generous portion of “Dampfnudeln” (steamed dumplings) and “Rahmstrudel” (sweet-cheese strudel)that Mendelssohn was mad about if he were to write a piece for them which they could use on their concert tours. The Konzertstück in f minor that originated in this fashion was followed shortly afterwards by a second one in dminor. Both are extremely effective works which wonderfully bring out the unique sound and performance technique of the two instruments from the Clarinet family.

Something for all ages! This novel little swing number is a cool selection to add humor and spirit to your holiday or winter concert. The upbeat song laments the return of Jack Frost and cold weather and pleads for him to get lost. A lesser known gem from the American songbook.

The substantial cycle published in 1853 unites splendid concert pieces (Bénédiction and Funérailles) and simple short compositions which partly make use of Gregorian modes. The volume was composed over a long period of time. As early as 1835 No. 4 was published in a compositionally revolutionary first version entitled Harmonies poétiques et religieuses after the volume of poetry with the same title by Lamartine. In 1853 Liszt distanced himself from the important early piece presenting it in a slightly smoother form as Pensées des morts although it still had considerable impact. Henle has reproduced the bold early work in the appendix to this volume (Bénédiction andFunérailles are available as separate editions HN 984 and 748). Henle Urtext Edition of Franz Lisz's Harmonies Poétiques et Religieuses for Piano solo edited by Ernst-Gunter Heinemann.

Wunderkind-Sonatas III K. 26-31-The Six Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the “Wunderkind” Mozart have only been known in the form of violin sonatas up to now (also see Henle Urtext edition HN 1079). Our edition for solo piano the first time it has ever been printed in this form is now available for piano teachers to make use of in their lessons as well as for all lovers of Mozart.The Six Sonatas for Piano K. 26–31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the “Wunderkind” Mozart have only been known in the form of Violin sonatas up to now (also see Henle Urtext edition HN 1079). Henle's edition for solo Piano the first time it has ever been printed in this form isnow available for Piano teachers to make use of in their lessons as well as for all lovers of Mozart .

One of the great female rock anthems of all time this Pat Benetar classic makes a great last song or encore and will have the audience bobbing their heads and screaming for more.

Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song “The Trout” from 1817 served as a theme for the variations in his Quintet D. 667 for piano violin viola violoncello and double bass one of chamber music’s most popular works. The piece’s sunny mood – it sounds much more cheerful than Schubert’s other chamber music – comes across like an echo of the felicitous summer months of 1819. The then twenty-two-year-old Schubert passed these in convivial company at Steyr in Upper Austria and subsequently set to work composing. The present Urtext edition largely follows the Viennese first edition which likely reproduces theoriginal version of the now lost autograph. In addition it takes into account the only manuscript source of this work a copy by Schubert’s friend Albert Stadler. Musicians everywhere will appreciate the optimally-placed page turns in the individual parts! Henele Verlag Urtext Study score edition of Schubert's 'Trout Quintet' or Quintet In A Op. Post. 114 D667 for Violin Viola Cello Contrabass and Piano.

Piano Sonata in E major K.380 L.23-“Bach’s Preludes are on holiday at the Mediterranean” – the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti’s piano sonatas could be described thus. Originally composed for harpsichord these pieces exhaust the technical and tonal possibilities of keyboard instruments in such a refined manner that pianists have never been able to resist playing them on modern pianos whether grand or upright. We have chosen one of the most popular sonatas with a moderate level of difficulty (level 4/5) from our extensive three-volume Urtext edition (HN 395 451 476). This single edition is an asset for teaching and provide an ideal introduction to Scarlatti’sfascinating musical language. “Bach’s Preludes are on holiday at the Mediterranean” – the wonderful alliance of polyphonic fluency and musical delight in Domenico Scarlatti’s piano sonatas could be described thus. Originally composed for harpsichord thesepieces exhaust the technical and tonal possibilities of keyboard instruments in such a refined manner that pianists have never been able to resist playing them on modern pianos whether grand or upright. We have chosen one of themost popular sonatas with a moderate level of difficulty (level 4/5) from our extensive three-volume Urtext edition (HN 395 451 476). This single edition is an asset for teaching and provide an ideal introduction to Scarlatti’sfascinating musical language.

Celebrating peace this Hebrew folk song will delight with its spirited accompaniment bright and fun-to-sing vocals and easy Hebrew text that create a round for 2-part and SAB voices. A wonderful multicultural performance for any time of year.

Lovely treatment from The Sound of Music for flute trio or ensemble with opt. rhythm section.

Snare Talk is a collection of 25 motivating snare drum duets easy to medium-hard. Using a variety of musical elements they help teach students to listen and to become more expressive in their playing. In other words they help the players to communicate with their instruments. That’s what makes these duets so much fun.Let’s talk SNARE! Snare Talk is a collection of 25 motivating snare drum duets easy to medium-hard. Using a variety of musical elements they help teach students to listen and to become more expressive in their playing.In other words they help the players to communicate with their instruments. That’s what makes these duets so much fun.Let’s talk SNARE!

Global superstar Adele has broken all records with her new album 25 and this single exceeds all expectations with a light island feel over the inviting synth pop groove. Singers will love performing this mesmerizing hit in concert! Global superstar Adele has broken all records with her new album 25 and Water Under The Bridge exceeds all expectations with a light island feel over the inviting synth pop groove. Singers will love performing this mesmerizing hit in concert!

for SATB and chamber ensemble A splendid curtain-raiser to Vivaldi's Gloria Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices not five. Durante's vocally richer five-voice version has been chosen for the Sacred Choruses volume which this orchestration accompanies and merits performance as an alternative to the familiar four-voice version which may or may not have been Durante's own work.