Blizzard! is an expressive choral depicting a coming snowstorm! Sung in a brisk 6/8 meter with articulation dynamic contrast and a very expressive piano accompaniment the listener easily imagines the snowflakes as theycome down one by one swirling and building into a blizzard of choral sound and excitement. A fresh winter number! Available separately: SATB SAB PianoTrax CD (35027473). Duration: ca. 2:26.

Oklahoma City post-grunge rockers Hinder released this full-length debut in 2005. Our songbook features note-for-note transcriptions with tab for all 10 songs: By the Way * Get Stoned * How Long * Lips of an Angel * Shoulda * andmore. PARENTAL ADVISORY FOR EXPLICIT LYRICSOklahoma City post-grunge rockers Hinder released this full-length debut in 2005. Our songbook features note-for-note transcriptions with tab for all 10 songs: By the Way * Get Stoned * How Long * Lips of an Angel * Shoulda * andmore. PARENTAL ADVISORY FOR EXPLICIT LYRICS

We are pleased to present Lee Dengler's inaugural piano compilation in this engaging homage to the great hymns of the faith. These artful arrangements are a pianist's dream - filling the air with a variety of beautifulmoments well designed to the hand and heart of the performer. The table of contents is filled with a wide assortment of time-honored tunes perfect for sanctuary or concert usage. Includes: For the Beauty of the Earth Joyful Joyful We Adore Thee Immortal Invisible God Only Wise Morning Has Broken Fairest Lord Jesus Now Thank We All Our God Holy God We Praise Thy Name All Creatures of Our God and King Praise to the Lord the Almighty Praise Him! Praise Him!

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed in Vivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldi pieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10). Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmic potential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangement for four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is done with little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage work suits the violinistic lines and passages of the original. The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in the

Full orchestra with soprano solo and opt. chorus (full set includes 40 choral octavos)

Available: SATB Percussion Part Full Score.

A recomposition of Mozart's Il sogno di Scipione written in colloboration with Margaret Williams for a television film in the Not Mozart series. For Soprano Mezzo-Soprano Tenor/High Baritone and Bass Soli SATB Chorus and Ensemble. A recomposition of Mozart's Il sogno di Scipione written in colloboration with Margaret Williams for a television film in the 'Not Mozart' series. For Soprano Mezzo-Soprano Tenor/High Baritone and Bass Soli SATB Chorus and Ensemble.

Uses: General Scripture: Psalm 5:1-5: Psalm 55:16-17: I Thessalonians 5:17 This splendid song has been adapted for choirs with ultimate sensitivity. Well-considered vocal writing enables quick learning and the tender subject matter is a gracious reminder of God's divine attributes. A perfect balance between contemporary and traditional this piece is an excellent choice for blended worship formats. Very special! Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tbn 1-2 tbn 3/tba perc 1-3 hp rhythm vn 1-2 va vc db) available on CD-ROM and as a digital download.

Following the solid success of Dickau's SATB setting of the beautiful love poem by e.e. cummings here is his musical arrangement for men's voices. It is an impressive yet romantically intimate piece suited for festival highschool college and beyond. Also available for SATB and SSAA. Duration: ca. 4:00.

Uses: General Epiphany Youth Scripture: I Corinthians 2:12-15; I John 2:20; John 1:3-7 Sizzling with a jubilant rhythmic syntax this original sacred choral is unrelenting in its drive and appeal. Themixed meter elements are easily learned and are very natural to the flow of the words that proclaim the attributes of God. A lyrical second theme brings a poetic touch before the spirited opening theme returns and drives theanthem to a festive conclusion. Duration: ca. 2:56.

For solo tenor and SATB chorus. Vocal score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. For solo tenor and SATB chorus. Vocal score. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

Jesus Christ Is Risen Today Now Let the Heavens Be Joyful and Christ the Lord Is Risen Today- Uses: Easter Eastertide Hymn Arrangement Scripture: Matt. 28:5-6 This octavo is an Easter gathering of hymns to awaken the alleluias of praise in your choir and congregation. Puttingthree time-honored tunes and texts together in a successful musical mosaic the arrangement gives equal treatment to all vocal parts creating rich encouraging harmonies and powerful vocal effects. The final hymn Christ theLord Is Risen Today has a soaring descant that lifts the Easter declaration to the skies. Available separately: SATB Digital Handbells (3 octaves) Orchestration (Score and parts for Trumpets 1-3 (Horn sub. for Tpt 3)Trombones 1&2 Timpani) StudioTrax CD. Duration: ca. 4:04.

SATB-With a verse of The Old Rugged Cross as part of the arrangement Jack Schrader's setting of this new worship song makes a perfect Lenten anthem - a powerful message accessible to all. With a verse of The Old Rugged Cross as part of the arrangement Jack Schrader's setting of this new worship song makes a perfect Lenten anthem - a powerful message accessible to all.

Italian and English texts. Available: SATB Double Choir a cappella.

Uses: General Church Anniversary Graduation Benediction Scripture: Acts 2:17: Ephesians 3:14-21 Here is a powerful ballad that takes a beloved Scripture to soaring heights. A heartfelt testimony of faith this piece gives us a glimpse of God's divine plans for those who are established in His love. A lush melody coupled with accessible part-writing will endear the message of the text to the heart of the listener. An orchestrated track adds an additional option for directors as they program this memorable number. Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba bells/chimes timp aux perc elec bass dm vn 1-2 va vc db) available on CD-ROM and as adigital download.

Concert Band Score/Parts w/opt. Choir-The music of Irving Berlin is timeless. As we celebrate the 100th anniversary of Alexander's Ragtime Band use this entertaining medley with band alone or with added chorus and strings for a grand finale. Other songs included are:Play a Simple Melody Blue Skies and Puttin' on the Ritz.

The famous Flight of the Bumblebee now as duet for euphonium or xylophone.

An original Christmas anthem with the refrain of What Child Is This? interwoven. John Parker has created a worshipful text which will add to any Christmas service. Performance Time: Approx. 2:40

A fun piece playing with the combination of unique Native Californian song texts and the traditional Oh Susanna motif. Preparation is easier than expected at first glance with repetitive rhythms and patterns. An excellentselection for a multi cultural touch in a concert program. For advanced high school and beyond. Duration: ca. 3:25.

Work for Sting Orchestra. Work for Sting Orchestra.