Score and Parts-Instrumentation: Piccolo Oboe English Horn Clarinet Trumpet Harp and 2 Percussion. Originally written as incidental music for the 1932 performance of Jean Cocteau's condensed version of 'Antigone' by Sophocles.

In this four-movement suite every moment sings of a different type of French wine. All these wines have their origins in the little French village of Savigny-les-Beaune in Burgundy and are made by wine-grower Pierre Guillemot. It was theexcellent quality of the wines that inspired Rob Goorhuis into writing this composition. The first three movements deal with three red wines made of the Pinot Noir grape which all bear the Premier Cru designation. The final movement wasinspired by a white wine made of Pinot Blanc and Chardonnay. In the nature of their musical material the various movements not only give a characterisation of the taste of the wines. they also hint at impressions of the respective vineyards andtheir surroundings. 1st Movement Les Narbantons - Giocoso 2nd Movement Les Jarrons - Gracioso 3rd Movement Les Serpentieres - Festivo 4rd Movement Dessus des Golardes - Vivaci.

1st F Horn (or 1st & 2nd)-A march-sized folio for band that includes six great Sousa favorites annotated by Frank Simon cornetist with the original John Philip Sousa Band. Contents: Bombasto El Capitan Entry of the Gladiators GateCity The Gladiator Hostrauser's March Independentia King Cotton La Sorella The Liberty Bell Manhattan Beach Marche Lorraine Our Director S.I.B.A. March The Stars and Stripes Forever Tenth Regiment

This text by one of America's finest hammered dulcimer players contains the pieces played on the Maggie's Music recording A Scottish Christmas which features Scottish carols wassail tunes strathspeys and reels for the celebration of Christmas Hogmanay and the New Year. Arranged for the standard 12/11 hammered dulcimer. The recording was acclaimed by CBS Sunday Morning as Ancient and infectious. This text by one of America's finest Hammered Dulcimer players contains the pieces played on Maggie 's music recording A Scottish Christmas which features Scottish carols wassail tunes strathspeys and reels for thecelebration of Christmas Hogmanay and the New Year. Arranged for the standard 12/11 Hammered Dulcimer. The recording was acclaimed by CBS Sunday Morning as ‘Ancient and infectious’.

Available: SATB Brass Parts.

Score (Critical Edition)- Charles Ives ' Postlude In F for Orchestra. Edited by Kenneth Singleton . Full score.

Uses: General Music Appreciation Scripture: Psalm 8: Revelation 5:11-12 Here is a powerful and emotive anthem that is a testimony to the Giver of the Song. Written in a ballad style the attractive melody carries an impassioned prayer for God to teach us to listen and learn the music of grace. This piece begins in stately restraint and gradually builds to the affirming declaration You are the Song! Score and Parts (fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tbn 3/tba perc 1-2 hp pno vn 1-2 va vc db) available on CD-ROM and as a digital download.

The books in the Super Easy Songbook series feature accessible arrangements for Piano with simple right-hand melody letter names inside each note basic left-hand chord diagrams and no page turns. This edition contains 60 hymns including All Creatures of Our God and King Amazing Grace Be Thou My Vision Beautiful Savior The Church's One Foundation Crown Him with Many Crowns For the Beauty of the Earth I Love to Tell the Story It Is Well with My Soul Just As I Am A Mighty Fortress Is Our God Nearer O Worship the King Rock of Ages 'Tis So Sweet to Trust in Jesus We Gather Together What a Friend We Have in Jesus When I Survey the WondrousCross and many more.

A gem from the Norwegian folk music. No difficult and complicated matter but music based on sounds and atmosphere. The melody is one of pure beauty and mystical characteristic of the tranquil scenery of Norway. Solo for 2 B-flat instruments. Een juweeltje uit de Noorse volksmuziek. Geen moeilijke ingewikkelde materie maar muziek gebaseerd op klank en sfeer. De melodie is er een van pure schoonheid en karakteristiek voor het mystieke verstilde Noorse landschap. Solo voor 2 bes instrumenten.

Rarely has a new setting of such a time honored text been so refreshing. Including the Tallis Canon (with a new text) this anthem brings elegance and depth to profound poetry.

An original gospel spiritual for Easter from Rollo Dilworth paired with Christ the Lord Is Risen Today. The percussive piano accompaniment and rhythm section make this anthem dance with joy. Put a smile on everyone'sface Easter morning with this exuberantly high-energy anthem! Performance Time: Approx. 4:05.Available separately: SATB ChoirTrax CD and Instrumental ePak (Parts for Guitar Bass and Drums)

Overture for Band-Once again Richard Saucedo has created an overture that focuses on brassy fanfares exciting concert percussion and tuneful themes coupled with skilled counterline writing. Bands everywhere love to program this type of energeticopener-style overture that is an attention getter from the opening downbeat.

A dozen of the year's best from GN'R Daughtry Mastodon Kings of Leon and other rockstars. Includes: Chinese Democracy; Come On Get Higher; Hard to See; I Will Not Bow; New Moon Rising; No Surprise; Oblivion; Second Chance; Set to Fail; Still I Rise; Toes; Use Somebody . A dozen of the year's best from GN'R Daughtry Mastodon Kings of Leon and other rockstars. Includes: Chinese Democracy; Come On Get Higher; Hard to See; I Will Not Bow; New Moon Rising; No Surprise; Oblivion; Second Chance; Set to Fail; Still I Rise; Toes; Use Somebody .

Together We Sing Series-Celebrate the season with this delightful medley using some of our favorite Christmas melodies. Unique in its spiritedness in a minor key the piece builds to a majestic finish in a major key for the final carol making this a wonderful opening selection or grand finale for your concert. The optional brass quintet accompaniment will add extra Christmas joy to your performance. Duration: ca. 4:00 Celebrate the season with this delightful medley using some of our favorite Christmas melodies. Unique in its spiritedness in a minor key the piece builds to a majestic finish in a major key for the final carol making this a wonderful opening selection or grand finale for your concert. The optional brass quintet accompaniment will add extra Christmas joy to your performance. Duration: ca. 4:00

Uses: General Trinity Sunday Praise Team Scripture: Psalm 138:2; Philippians 2:9-11 This powerful original song raises high the voice of praise in a confident contemporary ballad style. The textsprings from Scripture and is written to encourage a corporate moment of adoration to the name above all names. The inclusion of the time-honored hymn Holy Holy Holy makes this anthem an ideal choice forTrinity Sunday or for any service of worship! Available separately: SATB LiteTrax CD. Duration: ca. 4:35.

First performed in May 1960 this is a wonderful piece for SSAA Women's Chorus a cappella.

Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.

Quiet with longing this a cappella arrangement of a favorite American folk song is one of the most haunting and lush ever written. Beginning with rich and low vocal writing the work moves with the unexpected painting theromantic lyric and building into full vocal divisi-writing that captures the familiar and powerful essence of this beloved text and melody. A true classic in the making for mixed and men's choirs. Available separately: SATB acappella; TTBB a cappella. Duration: ca. 4:15.Quiet with longing this a cappella arrangement of a favorite American folk song is one of the most haunting and lush ever written. Beginning with rich and low vocal writing the work moves with the unexpected painting the romantic lyric and building into full vocal divisi-writing that captures the familiar and powerful essence of this beloved text and melody. A true classic in the making for mixed and men's choirs. Available separately: SATB a cappella; TTBB a cappella. Duration: ca. 4:15.

Available: SATB a cappella TTBB a cappella.

Uses: Holy Week Maundy Thursday Scripture: Matthew 26:36-46 - Mark 14:32-42 - Luke 22:39-46 This lovely sacred song portrays a bittersweet moment in the life of the Savior. The shadows of Gethsemane fall deeply as the Rose of Sharon opens to His Father's will. Touching words join with an Irish folk melody and the result is this stunning and creative arrangement. The interplay of flute and piano is particularly appealing and so appropriate for Holy Week. Flute part included.