Arranged for Organ by O.H Peasgood

Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii Sackey Codjoe who came to England from Ghana as an illegal worker. Sackey's goal was to make money to give himself a better future in his home country but he was made redundant with the result that his life fell apart. He gambled and drank away all the money he had saved and eventually died of heart failure. Sackey's story is all too common but none the less tragic for that. He left no children and his warmth and laughter were blotted out by a world for which he was not adequately equipped leaving nothing behind. Nobody except a handful of kind Ghanaian church people came to hiscremation which was paid for by the hospital where he died. In the piece a simple 25-bar refrain is gradually transformed recurring four times. These four refrains are interspersed by four episodes which give a musical portrait of aspects of Sackey's life and character. After the fourth refrain comes the final section Valediction in which we hear his pulse (represented by flute horn and viola) falter and cease while the harp quietly plays the melody of a hymn which was a favourite of Sackey's: 'Rock of ages cleft for me Let me hide myself in thee...'

Duo in three movements-Violin Cello (2 playing scores). Vogt H

Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) Tamtam Crotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed. Crotales sound two octaves higher than written Duration: c. 6 minutes Orchestral parts areavailable on hire from the publisher

Scored for SATB and Organ. Written for and dedicated to Alec Wyton at the Cathedral of St. John the Divine New York.

Carl Rüttis O Nata Lux De Lumine for SATB choir unaccompanied. Carl Rutti 's O Nata Lux De Lumine for SATB choir unaccompanied.

British-Lebanese singer and songwriter Mika took the pop-scene by surprise in 2006 with not only one but two successful albums in consecutive years proving beyond doubt that he is more than just another one hit wonder. His intoxicating sometimes even crazy songs contain melodies and rhythms that have not only brought fl ocks of people to the dance floor but have also entertained people of all generations. Gilbert Tinner’s medley brings together three of Mika’s hits: Lollipop We Are Golden and Grace Kelly.

Jacobson's choral arrangements of six spirituals for men's voices presented in Tonic Sol-Fa notation.

From the Anthology of Organ Music From the Anthology of Organ Music

Arranged for unaccompanied SATB chorus with Piano part for rehearsal purposes only.

Written for SATB choir and organ. A chorus from Judas Maccabeaus.

World Cup Theme-Known to many as the 'World Cup Theme'. Grade: 2-3. Known to many as the 'World Cup Theme'. Grade: 2-3.

Capricious Waltz by Eduard Puetz for Flute and Piano.

A celebratory song from 1936 by C.S.Lang for mixed chorus a cappella. A celebratory song from 1936 by C.S.Lang for mixed chorus a cappella.

John Joubert 's Hymne To God The Father for unaccompanied SATB choir from words by John Donne. Duration: c. 7mins.

Classic Film Gold (CD Edition)-This spectacular collection features blockbusting themes from all your favourite silver-screen classics! From the show-stopping pieces of the compelling Shine through the seedy Jazz of LA Confidential tothe suave Ocean's Eleven and the dramatic Apocalypse Now who can forget these marvellous music moments that have provided depth and character to such celluloid masterpieces - and this is but a handful of themelodies and themes on offer in this unique anthology. All twenty-five fabulous pieces have been carefully arranged as breathtaking Piano solos for you to enjoy again and again complete with full performances on theincluded CD.

G. F. Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera in Britain both importing Italian works and composing his own. Where’er You Walk is an aria from his 1743 opera Semele based around the classical myth of the mother of Dionysus. Where’er You Walk has been arranged by Kenneth Finlay for upper voices (SSA) and Piano. In addition to standard notation it includes the names of the notes in the ever-popular solfege system making this accessible to any group.

Variationen uber ein Thema von Padre Martini-Oboe Clarinet Horn Bassoon Piano (Score & parts). Schwarz-schilli

Classroom Pops! Classroom Pops! is a highly effective flexible new collection of classroom songs for children each complete with a lesson plan and backing track CD. Designed toinvolve the whole classroom and suitable for both class teachers and music specialists alike this new series is an exciting user-friendly approach to getting children singing! Lesson Plan Each Classroom Pops! song has been specially arranged for children's voices by Jane Sebba and Joanna Mangona and includes a lesson plan that can be followed over several sessions. Also included are rhythm games vocalwarm-ups and step-by-step guidance on how to teach the song. Ideas for continuation work are also included allowing the teacher to craft a rounded lesson plan. Accompaniment andSupport Classroom Pops! allows the teacher to formulate interesting and engaging classroom singing lessons without the necessity to read music. The accompanying CD includes backing and performancetracks as well as ideas for class percussion. However a complete PVG score is printed for Piano players and music readers. Downloadable instrumental parts in C B flat and E flat are also available should teachers wish to includeinstrumental work in their sessions.

For unaccompanied SSAA chorus with divisions; includes a Piano accompaniment for rehearsal purposes.