Alto Saxophone Tenor Saxophone. Friedrichs G

Premiered by Albert Ferber at Broadcasting House in July 1947. Included on the ABRSM Piano Syllabus Grade 8 2017-2018

For SATB Choir and accompaniment. For SATB Choir and accompaniment.

3 Flutes (Full Score). Wahren Kh 3 Flutes (Full Score). Wahren Kh

Orchestra (Study Score). Kelterborn R

These wonderful tunes for Violin and Keyboard have been collected and arranged from a wide range of sources by T.C Kelly. All eight lively and tuneful songs are typical of Irish traditional music and will delight young players and recitalists alike. Eight easy/intermediate pieces including: Eileen Aroon The Maid Of Wicklow and Baidin Fheilimidh .

für Violine Klarinette und Klavier-The Suite for a chamber trio of Violin Clarinet and Piano by the Russian composer Arutiunian. Score and pull-out performance parts.

Violin Double Bass. Rosenfeld G

(For Christmas). German folk song arranged by Kenneth Hesketh. Scored for Unison Voices and piano. German text. (For Christmas). German folk song arranged by Kenneth Hesketh. Scored for Unison Voices and piano. German text.

A setting of a Irene Gass' poem based on traditional Irish theme by Eric H. Thiman for Mens voices a cappella.

Walzer- Gute Freunde is one of the most recent compositions from well-known concert band leader and composer Michael Klostermann. Klostermann and his musicians remain synonymous with top-notch traditional concert band music across Europe and this beautiful waltz is no exception!

Full Score- Nyman's 2011 The Prologue to Dido and Aeneas' is a prologue to Henry Purcell's opera on a libretto by Nahum Tate. The libretto is based on Book IV of Virgil's Aeneid. It recountsthe love of Dido Queen of Carthage for the Trojan hero Aeneas and her despair when he abandons her. This edition of the work is scored for SATB String section and Harpsichord.

A set of the Evening Canticles for SATB Choir and Organ.

Plus 15 More Great Songs-Adele’s mega hit and other well-known songs are all arranged for piano voice and guitar and explained in easy-to-follow mini-tutorials with a difficulty rating between 1 and 5. You get full lyrics music playing tips and performance hints for every song. Best of all you get personal access to downloadable piano demos so you can hear how your playing should sound. This is the brand new way to learn to sing and play the songs you love. Learn to play Adele's Someone Like You plus 15 other popular songs with this book and download card. Adele’s mega hit and other well-known songs are all arranged for Piano Voice and Guitar and explained ineasy-to-follow mini-tutorials with a difficulty rating between 1 and 5. You get full lyrics music playing tips and performance hints for every song. Best of all you get personal access to downloadable piano demos so youcan hear how your playing should sound.This is the brand new way to learn to sing and play the songs you love.

Commissioned by the BBC for the BBC Proms. First performance given by the BBC Symphony Chorus conducted by Stephen Jackson at the Albert Hall on August 5th 2007.

Quintet-Flute Oboe String Trio (Study Score). Hartig Hf

Carol for SATB Choir A Cappella.

There being no just cause or impediment to the contrary Christopher Maxim makes a daring liaison between the music-hall ballad 'Daisy Daisy' (on pedals) and the grand organ style of Vierne (on manuals) in his Toccata Nuptiale written for the wedding of a friend whose passions include cycling. The result which moves along way from the organ loft of Notre Dame is a splendid addition to the repertoire of wedding music and of light-hearted concert works - and is much simpler to play than a real Vierne toccata!

Vocal score for George Frideric Handel's Joshua for Tonic Sol-Fa and SATB Chorus.

Jack Hawes (1916-2004) was a British composer cellist and pianist. He wrote widely for choir orchestra strings and solo instruments and cited his influences as Walton Ireland Bliss Delius and Debussy. His first setting of the evening canticles the Magnificat And Nunc Dimittis in D was completed in 1955 and dedicated to the church of St Mary-Le-Tower Ipswich where he sang as a boy chorister and first began to study the organ. It is scored for SATB with Organ accompaniment and is firmly in the 20th century Anglican style with plenty of soaring melodic lines and big climatic moments.