A collection of all the music from two landmark albums High Voltage and Let There Be Rock. Transcribed in standard notation and guitar tablature with full lyrics. Includes 'The Jack' 'Live Wire' 'Can I Sit Next To You Girl' 'Overdose' and 'Let There Be Rock'.

Gloucester Hereford Worcester- Three of the finest of all settings of the English language canticles. Over the past quarter of a century Howells has emerged as among the greatest and certainly most widely performed composers of choral liturgical works of the last hundred years. At last his most important Services appear in a series of four handsome collections that link geographically the cathedral choirs for which they were written newly edited with interpretative notes by David Hill.

Elegi by the Finnish composer Selim Palmgren for solo Piano. Elegi by the Finnish composer Selim Palmgren for solo Piano.

POD Vocal Score-St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score . St. Mark Passion is a work by John Joubert for two Tenor and three Baritone soloists SATB Chorus Solo Cello and Organ. First performed in Wells Cathedral on Palm Sunday 20th March 2016 by Wells Cathedral Choir it was commissioned by 'Cathedral Commissions' of Wells Cathedral. A full performance lasts around 45 minutes and this is the Vocal Score . 'The work lasts about 45 minutes and rather like the St. Mark Passion by Charles Wood uses various pre-existant hymns to fulfill a similar function to the chorales in Bach's Passions. The scoring of solo Cello and Organ is skillfully handled so that the quasi-recitativenarrations feature both instruments to varying degrees the Cello often taking lead balancing the inevitably greater presence of the Organ in the hymns. Joubert's choice of hymns is impeccable (plainsong Bach Gibbons...) ending with 'When I survey the wondrous cross' and the idiom of the freely composed sections is given consistency through use of a gently undulating motif to accompany Christ's words (reminiscent of the opening of Vaughan William's Symphony no.5) and a chromatic motif in agitated sections (which happens to be the same as Shostakovich's DSCH theme). Although considerable demands are made on the instrumentalists and lead soloists the choral writing is rarely difficult and could be tackled by many choirs; I have no doubt that the work would be extremely effective in performance.' - Geoffrey Webber Choir & Organ Magazine

Written for SATB choir.

Violin part and Piano part-Foxtrot; Valse Triste; March; Beguine. Foxtrot; Valse Triste; March; Beguine.

Raise the Bar is a collection of the most popular pieces from past Trinity exam syllabuses accompanied by informative teaching notes. Each book contains an attractive selection of pieces to help pianists expand their repertoire and discover music from different styles and periods. A collection of the most popular pieces from past Trinity Piano syllabuses accompanied by teaching notes for Grades 6-8. Designed for use alongside exam preparation or simply for pleasure the books provide an essential resource for musicians looking to broaden their repertoire. Expertly graded by leading music educators covering a wide range of styles and genres. Beautifully designed and presented making for easy reading — aesthetic and functional.

Anthem for SATB Choir and Organ. Text from Psalm 42.

This book covers the rich musical period that followed Baroque and preceded Romantic. The Library Of Classical Music is a wonderfully vast collection of the greatest pieces of music from the Classical period. Featuring a diverse range of compositions from the innovators and masters each work isarranged for solo Piano in a conveniently spiral-bound volume. Among the many composers whose work is included are C.P.E. Bach J.C. Bach Beethoven Clementi Czerny Gluck Haydn Hummel Mozart and Weber. Thesheer amount of incredible music featured within The Library Of Classical Music makes this an essential book to have on your bookshelf or music stand. The joy of playing this music will be in learning yourfavourite pieces or discovering new ones by unfamiliar names. The Classical period saw a broad reaction against the layered complexities of Baroque music and led to a simplerrelationship between melody and harmony. It reflected the mid-18th century’s wider enthusiasm for reviving the clean well-ordered structures of Greek classicism across the arts. The orchestra expanded in size woodwind became aself-contained section and the Harpsichord was increasingly displaced by the recently invented fortepiano. Instrumental music dominated notably symphony and string quartet with examples of both strands represented here inbeautiful and accurate Piano arrangements that are perfect for seasoned players of Classical music or those new to the period. The Library Of Classical Music sheet musicsongbook covers the rich musical period that followed Baroque and preceded Romantic. The Classical era saw some of Europe’s greatest composers exploring new musical possibilities spanning some 70 years startingin the mid-18th century. The spirit of Classicism would last until the new preoccupations of Romanticism defined the next major period of Western music. All of this makes The Library Of

Learn to play the original piano parts to 6 great Abba hits with this 48-page book and CD. Backing tracks include full instrumental backing as well as tracks without the piano so you can play along. Includes Dancing Queen The Winner Takes It All and Waterloo .

The vocal score for Stuart Thompson 's carol The Holly And The Ivy scored for SATB choir with Organ accompaniment. The words come from a traditional song from the 17th or 18th century and Thompson 's setting of them won him the joint first prize for The Times Carol Competition 2011. The vocal score for Stuart Thompson 's carol The Holly And The Ivy scored for SATB choir with Organ accompaniment. The words come from a traditional song from the 17th or 18th century and Thompson 's setting of them won him the joint first prize for The Times Carol Competition 2011.

From 3 Carols Op.25 for SATB choir. Text by Robert Herrick. From 3 Carols Op.25 for SATB choir. Text by Robert Herrick.

The title of this work alludes to the flight of the eagle. In the course of a short flight the composer was able to get a birds-eye view of the landscape in which the sun’s rays glistening on the snow and ice transformed the scenery into crystal. This unforgettable image of the breathtaking beauty of the mountains is captured in musical form in From Crystals and Eagles .

Written for TTBB with Piano for rehearsal only. Written for TTBB with Piano for rehearsal only.

Manuel de Falla's Danse Espagnole (Spanish Dance) is for Violin and Piano and is published here in the edition by Fritz Kreisler.

The Great Silence (setting Edward Thomas' poem Snow ) was commissioned by Timothy Brown and the Choir of Clare College Cambridge. It was premiered under the direction of Timothy Brown in St John's Smith Square London on 16th December 2009. For SATB chorus and Harp.

The well known melody from The Magic Flute .

Where The Gentle Avon Flows' arranged for two part SA with piano accompaniment.

Eleven short reflections on Bist du bei mir by G.H. Stölzel arr J.S. Bach for piano (easy to intermediate) Judith Serota was Executive Director of the Spitalfields Festivals in east London until late 2007. As asurprise leaving present to her the then Artistic Director of the Festival Diana Burrell conceived the idea of assembling a set of Piano pieces of easy to intermediate difficulty for her to play. These were to be variations ona theme: Bist du bei mir a song for voice and continuo in J.S. Bach's second Klavierbüchlein or 'Little Keyboard Book'. The variations were written by the Artistic Directors of the Spitalfields Festival all composers with whom Judith had worked over the preceding 20 years. Since then several more composers linked to the Festival during those years have contributed pieces. The result is Variations for Judith 'eleven short reflections' on the theme.

The Beatles' hit single Let It Be arranged for piano and voice complete with lyrics and chord boxes.