
14.99 £
Wise Publications
Compiled to accompany the 2005 album release this collection of classical tear-jerkers celebrates the most poignant and bittersweet melodies of all time arranged as superb Piano solos. Within this anthology you will findclassical pieces that tug at the heartstrings those special musical moments that have you drifting away in an ocean of memories and sweet melancholia. A superb resource for the Piano soloist that is brimming with works fromacross the ages all of which possess the power to bring a lump to the throat of even the most staunch audience member including themes from The Deerhunter Life Is Beautiful and The English Patient .

19.95 £
Chester Music
Just Brass No. 45-Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. (Dodgson) 5 Part Contains: 1 Trumpet in Bb 2 Trumpet in Bb 3 Horn in F 4 Trombone 5 TubaEdited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. (Dodgson) 5 Part Contains: 1 Trumpet in Bb 2 Trumpet in Bb 3 Horn in F 4 Trombone 5 Tuba

14.99 £
Chester Music
Kevin Volans' L'Africaine for Piano solo. Duration: 22 minutes. Composers Note: Most of the piano music I have written has focussed on a number of 20th century musical concerns: withcomplex rhythmic patterning a- and poly-tonality multiple layering of parts on occasion introducing different tone colours (like playing inside the instrument or electronic modulation) - but above all resonance. The development of the piano in 19th century with its increased size pitch and dynamic range led above all to an instrument capable of rich and full resonance that could rival even an orchestra. All centred around thepedal - in Anton Rubinstein's words: The soul of the piano. This time I thought it would be interesting to write a piece which pays no attention to this tradition; to write a piece from the point of view ofsome African compositional methods and ways of patterning - mainly interlocking parts which result in shifting downbeats. For a large part of the piece I treat the left and right hands as two complementaryperformers. So hardly any pedal no concerns with contemporary harmony style structure or technology. I did slip in a slightly concealed reference to Debussy's L'Isle Joyeuse however. The pieceis roughly 22 minutes long in three sections and the title is a slightly tongue-in-cheek reference to Couperin.

17.95 £
Chester Music
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Universe of Sound project. First perfromed at the Royal Festival Hall on 8th July 2012 by the Philharmonia Orchestra and PhilharmoniaVoices conducted by Esa-Pekka Salonen. Instrumentation. 4 Flutes (3rd doubling Alto Flute Piccolo; 4th doubling Piccolo) 3 Oboes (3rd doubling Bass Oboe) Cor Anglais 2 Clarinets in Bflat Clarinet in A Bass Clarinet in B flat 3 Bassoons Contrabassoon 6 Horns in F 4 Trumpets in C 2 Tenor Trombones Bass Trombone Tenor Tuba in B flat (Euphonium) Bass Tuba 2 Timpani (2nddoubling Suspended Cymbals China Cymbal) 4 Percussion (Meditation Bowls Bass Drum Crotales Marimba Vibraphone Small & Large Tam-tam Glockenspiel Xylophone Side Drum Mark Tree SizzleCymbal) Celesta Organ 2 Harps Chorus (SSSAAAA) Strings

2.50 £
Shawnee Press
For SAB Choir and Twin Trio with Piano accompaniment. Arranged by Hawley Ades.

14.99 £
Kevin Mayhew
A children's musical based on the story of Noah-A children's musical based on the story of NoahA fresh look at the story of Noah specially written for 7-11 year olds. With just two small solo parts songs for the chorus which are fun to sing and a narration which can easily be shared by several children this is a musicalwell within the range of school classes. The accompanying CD has a performance track of every song and includes a backing track for each in case you don't have a pianist for your performance!

8.95 £
Chester Music
March Waltz And Polka were first composed in 1915 as a collection of three Piano duets Three Easy Pieces by the Russian composer Igor Stravinsky . They were written for the composer to playwith his children as they were learning the Piano so had a considerably easier second part. They have been arranged for Clarinet and Piano by the American musician Ray Jackendoff a Professor of Linguistics who has also had awide-ranging performance career s a classical clarinettist. Igor Stravinsky (1882-1971) was born and brought up in Saint Petersburg before settling first in Paris and finally in America. Despite his classical musicaleducation he is best remembered as one of the main proponents of serialism.

9.99 £
Wise Publications
Nineteen all-time Christmas favourites specially arranged for easy piano by Stephen Duro complete with lyrics and chord symbols.

2.50 £
Shawnee Press
Version for TTBB Choir and Piano arranged by Hawley Ades.

31.50 £
Hinshaw Music
Brass and Percussion Parts-Includes: 4tpt 3tbn Bass Tbn And Timpani.

13.95 £
Music Sales
A collection of the finest flute solos selected for their diversity in style and suitability for concert and contest use. Works by Mozart Chaminade Handel and Gluck. Piano accompaniment.

9.95 £
Chester Music
These studies by Boehm for solo flute were written in July 1852 and have become one of the foundation stones of good technique which are used throughout the world by flute players who wish to reach a high degree of fluency.This edition of the twenty-four Capriccios is edited by Trevor Wye.

19.95 £
Chester Music
Commissioned by the Amsterdam Municipality for the Concertgebouw Orchestra. World Premier in October 0976 conducted by the composer. Duration c.15 mins. Full score and orchestral parts available on hire from the publisher.

14.95 £
Novello and Co
Vocal Score. Edited by Anthony Lewis. The drama adapted from Shakespeare's A Midsummer Night's Dream . The work may be perfomed with a minimum of five soloists: Soprano I Soprano II Alto or countertenor or Tenor Tenor Bass. The orchestral scoring consists of two recorders two oboes two trumpets timpani strings and continuo.

4.99 £
Kevin Mayhew
Bagatelle No. 25 in A minor for solo Piano commonly known as Fur Elise is one of Ludwig van Beethoven 's most popular compositions. The score was not published until 1867 40 years after thecomposer's death in 1827. The identity of the dedicatee of the famous Piano bagatelle is uncertain and remains subject to heated discussion between musicologists. The familiar melody of Fur Elise is arranged herefor intermediate level solo Piano.

18.95 £
Chester Music
A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as a court of enquiry into the unexplaineddisappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move from straight testimony into fantasticalimaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together for months long enough to be fullyaware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginning with a rough ballad of streetviolence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is a tub-thumping hymn. But the songsserve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzling eyes which become the lights ofthe relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to play over again. Vocal score withpiano reduction of the instrumental score. Duration c. 1h 25mins.

1.75 £
J. Curwen and Sons
Arranged from a Barque Carol for unaccompanied SSATB choir by Elizabeth Poston. Words adapted from the English version of Rev. J.O'Connor by Elizabeth Poston.

16.95 £
Wise Publications
A fantastic collection of 30 of Bob Dylan's greatest songs arranged for piano and voice with guitar chord boxes. Songs include Blowin' In The Wind The Times They Are A-Changin' and Knockin' On Heaven's Door .

19.95 £
Chester Music
Peter Maxwell Davies ' Symphony No. 9 for Orchestra. Study score. This work is dedicated to Her Majesty The Queen in celebration of her Diamond Jubilee. It received its premiere in June 2012 bythe RLPO in Liverpool conducted by Vasily Petrenko. In addition to the Orchestra the symphony calls for a virtuoso Brass Quintet.

6.95 £
Chester Music
Fly is a song by Ludovico Einaudi from his bestselling album 'Divenire'. Scored for Piano and Electronics Fly was featured on the soundtrack for the French film 'The Intouchables'. The first bar should be sampled and looped continuously throughout the piece. Alternatively this could be played live on Piano Harp Marimba or similar instrument by another performer. A series of electronic sound effects feature towards the end of the piece. These are contained on the pre-recorded track which should be played from bar 81 onwards. The effects continue for a short time after the pianist has finished playing and fade out with the Piano sample. An accompanying CD is included withthis score. Fly is a song by Ludovico Einaudi from his bestselling album 'Divenire'. Scored for Piano and Electronics Fly was featured on the soundtrack for the French film 'TheIntouchables'. The first bar should be sampled and looped continuously throughout the piece. Alternatively this could be played live on Piano Harp Marimba or similar instrument byanother performer. A series of electronic sound effects feature towards the end of the piece. These are contained on the pre-recorded track which should be played from bar 81 onwards. The effects continue for a short time afterthe pianist has finished playing and fade out with the Piano sample. An accompanying CD is included with this score.