This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music set for 6-part treble choir on the text Hear my prayer Oh Lord is polyphonic at a subdued dynamic level.The second phrase of the verse and let my crying come unto thee is homophonic and builds to a full climax before diminishing to a very soft and passionate ending. This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music set for 6-part treble choir on the text “Hear my prayer Oh Lord ”is polyphonic at a subdued dynamic level. The second phrase of the verse “and let my crying come unto thee ” is homophonic and builds to a full climax before diminishing to a very soft and passionate ending.

Boellman's most famous work for Organ.

Flute (Alto Flute) Horn Viola and Harp. Published 2008. For Arpége. First performance: Arpége 26 February Firth Hall Sheffield Score. Flute (Alto Flute) Horn Viola and Harp. Published 2008. For Arpége. First performance: Arpége 26 February Firth Hall Sheffield Score.

The title track from James Galway's new latin jazz disc arranged for easy piano. Orignally written for Flute and made famous by James Galway Mike Mower's Tango del Fuego is arranged here for Piano (Keybioard) solo.

From Sacred Harp (1844)-Based on the familiar hymn tune Beach Spring try this lyrical anthem on Trinity Sunday Pentecost for Communion or general use.

Jon Washburn Choral Series-The works of Swiss composer Ivo Antognini have been described as sublime. This setting of the beloved hymn by Franz Gruber certainly qualifies as sublime with the rich jazz chord voicings and unique choral textures. It may be performed by a vocal jazz group chamber choir or larger concert ensemble for a beautiful and warm concert moment. The works of Swiss composer Ivo Antognini have been described as sublime. This setting of the beloved hymn by Franz Gruber certainly qualifies as sublime with the rich jazz chord voicings and unique choral textures. It may beperformed by a vocal jazz group chamber choir or larger concert ensemble for a beautiful and warm concert moment.

Composed for a band festival in Duluth Minnesota and suggesting perhaps an exciting downhill ski run or possibly a snowmobile chase through the woods Due North is a fast-paced overture written entirely in a single tempo. Along the way various moods are suggested as themes and musical ideas are passed from section to section. The percussion section provides a driving rhythmic pulse throughout.

This work was commissioned by the Icelandic choir Kammerkor Suourlands (Collegium Canticorum). It was first performed in July 2004 at Skalholt music festival.

Four pieces in popular style for violin and cello using open strings with parts for optional viola and classroom instruments with piano accompaniment for group music making! The first two pieces ‘Nice ‘N’ Easy’ and ‘October Rain’ have open strings pizzicato. ‘Waltz in Jazz-Min Time’ uses open strings pizzicato and arco whilst ‘Caribbean Dance’ uses open strings and first finger pizzicato and arco. Complete parts comprising: Violin Viola cello and Glockenspiel.Four pieces in popular style for violin and cello using open strings with parts for optional viola and classroom instruments with piano accompaniment for group music making! The first two pieces ‘Nice ‘N’ Easy’ and ‘October Rain’ have open strings pizzicato. ‘Waltz in Jazz-Min Time’ uses open strings pizzicato and arco whilst ‘Caribbean Dance’ uses open strings and first finger pizzicato and arco. Complete parts comprising: Violin Viola cello and Glockenspiel.

This book the third in the series of three is the result of the need expressed by percussion educators for repertory for the student who is making the big step from the snare drum to the drum set. All of the etudes are based onone of the standard paradiddle and Ratamacue rudients.This book the third in the series of three is the result of the need expressed by percussion educators for repertory for the student who is making the big step from the snare drum to the drum set. All of the etudes are based onone of the standard paradiddle and Ratamacue rudients.

A sumptuous selection of the very best Keyboard music of the Baroque era by composers ranging from Henry Purcell to J.S. Bach and beyond all presented in one superb volume for the solo Piano. The music of the Baroque ischaracterised by innovation and invention both in the compositions of the great courts and of the church. With a melting pot of styles reaching back to the complex polyphony of the Renaissance while simultaneously pushingforwards towards the diatonic elegance of the later Classical era it is no surprise that such masterpieces as Pachelbel's Canon In D and Handel's Zadok The Priest are as popular today as ever. Every piece inthis anthology is rich in heritage and familiar to the ears of music lovers the world over. Take this opportunity to transform your repertoire - the music has been expertly adapted to appeal to the intermediate soloist whilstretaining all the beauty and character of the original works. There's simply no better way to discover the music of the masters.

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )

B: Moderato scherzando-Piano. Prokofiev S

Michael Gray wrote the original energetic 3-part mixed voicing for middle school changing voices in 1980. Since then this has been a popular selection. Now available for SATB and SA voices and with vocal ranges already tried andtrue this is destined to become aclassic in these new settings. Duration: ca. 2:45.

A bluegrass gospel-Originially titled Life's Railway to Heaven this classic gospel song has been recorded by many including Johnny Cash and Marlon Brando. Solos SATB Piano. Tillmann

Jon Washburn Choral Series-Jon Washburn musically draws special deep emotions to color this evocative text by Walter de la Mare. The mood is created through the use of a glistening piano part and a brooding choral part. Vocal parts are kept in a moderaterange mood and motion with small rhythmic devices to delight and challenge the singers. Duration: ca. 3:30. Jon Washburn musically draws special deep emotions to color this evocative text by Walter de la Mare. The mood is created through the use of a glistening Piano part and a brooding Choral part. Vocal partsare kept in a moderate range mood and motion with small rhythmic devices to delight and challenge the singers.

The song from the movie as recorded by Frank Sinatra arranged for piano and voice complete with lyrics and guitar chord boxes.

Easy piano arrangement by Dan Coates of the hit Evanescence single. Includes full lyrics and chord symbols.

Looking for an accessible 2-part mixed advent anthem? Carl Nygard provides this flowing work that could be used anytime throughout Epiphany.

From an 18 000 verse Hindu text the Bhagavata Purana composed about AD900 this extract is about the coming of the yearly monsoon rain. Commissioned by the Minnesota Orchsetra on the occasion of the Orchestra'sCemtennial.