Teacher's Book with Accompaniment-Part 2 of Sheila Nelson's Tetratunes Series.Stringsongs develops reading skills begun in Tetratunes by the use of singing and part-playing. Piano Accompaniment and Teacher's book for Sheila M. Nelson's Stringsongs .

Score and Parts-Three songs for violoncello and pipa (a Chinese lute) based on popular folk tunes the composer heard while growing up in China. 8 minutes. Three songs for violoncello and pipa (a Chinese lute) based on popular folk tunes the composer heard while growing up in China.

Dvorák's Waltzes and Mazurkas prove to be a successfully contrived balancing act between stylised composition and musical immediacy. The music critic Louis Ehlert once wrote of Dvorák's Slavonic Dances that they made a real musician's heart laugh within him; the comment might equally well be applied to these pieces.These 'Waltzes and Mazurkas' rank alongside the works of Chopin in terms of artistic merit yet they are not widely known and have not hitherto been heard as often in concert halls as they deserve. The Urtext version of these dances is published for the first time in this edition. Contains:8 Waltzes Op. 546 Mazurkas Op. 56

Hero is the inspirational classic hit originally sung by Mariah Carey and more recently made famous by the X-Factor finalists' cover version. This uplifting song is arranged here for SSA choir with Piano accompaniment. One of the biggest-selling singles ever the song was originally written for Gloria Estefan to sing in the film Hero . Mariah Carey felt a disconnect between her own life and the lyrical content until she was convinced to sing the song and she amended parts of it herself to make it more personal turning it into the inspiring ballad it is today. The song has been re-recordedtwice with innumerable cover versions and its message even providing comfort to Barack Obama during the 2009 elections. The tune was immediately critically acclaimed for letting everyone know that heroes are within us all. An SSA Choral version with Piano accompaniment as in this Hero sheet music will be a sure hit with your audiences with its fantastically innovative arrangement of a familiar ballad and it's absolutely great fun to sing.

For Baritone and Piano. First performed by John Muriello and David Gompper first broadcast by Stephen Varcoe and John Constable. Published in 1976. Score. For Baritone and Piano. First performed by John Muriello and David Gompper first broadcast by Stephen Varcoe and John Constable. Published in 1976. Score.

Classiques No.56- Les Classiques du Saxophone No.56.

The idea of the Gypsy fiddler conjures up a vivid musical picture - spontaneous virtuoso and above all fiery! European Gypsies have taken their music wherever they have travelled from Russia to the Balkans from Andalucia to the Black Sea. But for many people the heart of the repertoire - the essential Gypsy music - is found in Hungary and Romania.The arrangements in this collection can be performed as solos duets trios or by larger ensembles. The traditional Gypsy band consists of a lead violin or primas accompanied by one or two violins or violas (playing chords) a cimbalom and double bass; this line-up can be more or less reproduced using these arrangements with thepiano combining the roles of cimbalom and bass.The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chord); or the complete edition which also includes both keyboard and violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated. Music fom Hungary and Romania selected and arranged by Edward Huws Jones.

For Voice Percussion and Strings. Commissioned by the Vigani Project 2007 First performance: Lesley-Jane Rogers Farran Scott and members of the Cambridge Music Faculty The Long Gallery of Queen's College Cambridge 17 March 2007. For Voice Percussion and Strings. Commissioned by the Vigani Project 2007 First performance: Lesley-Jane Rogers Farran Scott and members of the Cambridge Music Faculty The Long Gallery of Queen's College Cambridge 17March 2007.

Classical melodies from Piano Opera and Orchestral literature are revisited in this unique series. The arrangements feature jazz styles including ragtime and blues. Students who are familiar with some of these gems will enjoy their new settings while those playing them for the first time will become familiar with these wonderful melodies. Titles: 'Blues for Dolores' 'Blues March' 'Italian Jazz' 'Jazz Etude' 'Jazzy German Dance' 'Jazzy Spanish Song' 'Lullaby Jazz' 'Minuet in Jazz' 'Ragtime Can-Can' 'Ragtime Prelude'.

The mood and texture of this piece is simple limpid and serene: the peace that passes understanding. Every line in every voice no matter how understated is of melodic interest and emotional importance. SATB. Haffield S

Homunculus is a short (circa 12 minutes) work for string quartet which the composer wrote during the Autumn months of 2007 for the Johannes Quartet. He wanted to compose a piece that would be very compact in form andduration but still contain many different characters and textures. In other words a little piece that behaves like a big piece. He has long been fascinated (and amused) by the arcane spermists’ theory who held the beliefthat the sperm was in fact a 'little man' (homunculus) that was placed inside a woman for growth into a child. This seemed to them to neatly explain many of the mysteries of conception. It was later pointed out that if the spermwas a homunculus identical in all but size to an adult then the homunculus may have sperm of its own. This led to a reductio ad absurdum with an endless chain of homunculi. This was not necessarily considered by spermists afatal objection however as it neatly explained how it was that 'in Adam' all had sinned: the whole of humanity was already contained in his loins. He decided to call my piece Homunculus despite the obvious weaknesses of thespermists’ thinking as he found the idea of a perfect little man strangely moving.

Thirty-three stylistically diverse pieces for Cello Duet. Suitable for the early grades (1-3). Selected and edited by Emma Coulthard.

Published 2002. Commissioned by Mary Sharp Cronson for the Work and Process at the Guggenheim Museum New York in celebration of Les Murray. First performance: Elizabeth Farnum (sop) Curtis Macomber (vn) New York June 2002. Published 2002. Commissioned by Mary Sharp Cronson for the Work and Process at the Guggenheim Museum New York in celebration of Les Murray. First performance: Elizabeth Farnum (sop) Curtis Macomber (vn) New York June 2002.

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony and melodies The Ascension for Organ is no exception to the composer's popular distinctive style. The Ascension was originally composed for orchestra by Messiaen in 1932-1933. The composer described the work as Four Symphonic Meditations and the sections are; 1) Majesty of Christ praying that His Father should glorify Him 2) Serene Alleluias from a soul longing for Heaven 3) Alleluia on the Trumpet Alleluia on the Cymbal and 4) Prayer from Christ ascending towards His Father. Messiaen arranged The Ascension for solo Organ a year later. The first second and fourthmovements are arrangements of the orchestral version however the composer created a new third movement; Outburst of joy from a soul before the Glory of Christ which is its own glory. The Ascension is essential to all advanced organists seeking to expand and vary their repertoire. Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony and melodies L'Ascension for Organ is no exception to the composer's popular distinctive style. L'Ascension was originally composed for orchestra by Messiaen in 1932-1933. The composer described the work as Four Symphonic Meditations and the sections are; 1) Majesty of Christ praying that His Father should glorify Him 2) Serene Alleluias from a soul longing for Heaven 3) Alleluia on the Trumpet Alleluia on the Cymbal and 4) Prayer from Christ ascending towards HisFather. Messiaen arranged L'Ascension for solo Organ a year later. The first second and fourth movements are arrangements of the orchestral version however the composer created a new third movement; Outburst of joy from a soul before the Glory of Christ which is its own glory. L'Ascension is essential to all advanced organists seeking to expand and vary their repertoire.

Easy Popular Movie Instrumental Solos is an accessible selection of movie hits for the beginning student with simple notation and a play-along CD.

SSA accompanied.

Trombone-Six distinctive arrangements written for and recorded by The Canadian Brass on their album High Society. Luther Henderson captures the authentic spirit of the Dixieland style. Advanced Level.

Instruments: Organ Fifteen improvisations covering many moods from the calm and reflective to the festal and exuberant.Fifteen improvisations covering many moods from the calm and reflective to the festal and exuberant.

The innovative Spanish composer Ferrer Ferranhas taken Greek mythology as an inspiration forhis concerto for trumpet and concert band. Hydra the water monster decapitated by Hercules andIolaus terrorised the area of Lerna near Argos.The concerto is in three sections which contrastwith each other. The first section is rhythmical andtriumphant the second is calm and melodious andthe last part provides an aggressive ending. Awelcome addition to the repertoire for solo trumpetand concert band.

1.Rythme et Plénitude sonore; 2.Jeu Piano et Délicatesse de Touche; 3.Vélocité légère; 4.Polyphonie; 5.Pizzicato