Listen to the soloist on the CD then play with selections yourself. These packs include printed music and a CD. Includes G.P. Telemann's Sonata No. 7 in C minor 1st mvt: Allegro Emile Pessard's Andalouse Op. 20 G.F. Handel's Sonata No. 5 in F major. Julius Baker Flute Martha Rearick Piano Listen to the soloist on the CD then play with selections yourself. These packs include printed music and a CD. Includes G.P. Telemann's Sonata No. 7 in C minor 1st mvt: Allegro Emile Pessard's Andalouse Op. 20 G.F. Handel's Sonata No. 5 in F major. Julius Baker Flute Martha Rearick Piano

Music Minus One Piano-Mendelssohn's second piano trio is like its predecessor extremely pianistic and well-balanced among the three instruments. This C-minor masterpiece is a model in compositional form and a joy to perform. Includes a complete high-quality printed music score and a compact disc containing a complete performance with soloist then performed again with accompaniments only minus you the soloist. Performed by Neill Eisenstein piano Accompaniment: The Classic Piano TrioMendelssohn's second piano trio is like its predecessor extremely pianistic and well-balanced among the three instruments. This C-minor masterpiece is a model in compositional form and a joy to perform. Includes a complete high-quality printed music score and a compact disc containing a complete performance with soloist then performed again with accompaniments only minus you the soloist. Performed by Neill Eisenstein piano Accompaniment: The Classic Piano Trio

Performed by Andrew LaFreniere guitar Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn Here is a beautiful collection of shorter pieces for guitar and orchestra. Gorgeously orchestrated to take full advantage of the guitar's unique qualities when set against an orchestral background these pieces are a joy to play. This album makes a perfect choice for the early intermediate player who wants to advance technique in an orchestral setting. Never has the guitar been this much fun! Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist; then a second version with the orchestral accompaniment minus the soloist.Performed by Andrew LaFreniere guitar Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn Here is a beautiful collection of shorter pieces for guitar and orchestra. Gorgeously orchestrated to take full advantage of the guitar's unique qualities when set against an orchestral background these pieces are a joy to play. This album makes a perfect choice for the early intermediate player who wants to advance technique in an orchestral setting. Never has the guitar been this much fun! Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist; then a second version with the orchestral accompaniment minus the soloist.

For this medley Naohiro Iwai has gathered six of the finest Americanhits from the 1940's and 1950's that despite their age are still in thehearts and minds of many people today - true American Beauties!

2-CD Piano Play-Along Pack-Performed by David Syme piano Accompaniment: Stuttgart Symphony Orchestra Conductor: Emil Kahn Now in a digitally remastered deluxe 2CD set this staggeringly famous romantic concerto is world-loved and has been a staple since its introduction. This new edition includes a second CD containing a -20% slow-tempo version for your practicing ease. Should be in every pianist's repertoire. The quintessential virtuoso concerto! Includes a high-quality 112-page music score on high-quality ivory paper and two digital stereo compact discs voluminously indexed for your convenience containing a complete version with soloist; then a second performance of the orchestralaccompaniment minus you the soloist; and a -20% slow-tempo version for practice purposes. Now in a digitally remastered deluxe 2CD set this staggeringly famous romantic concerto is world-loved and has been a staple since its introduction. This new edition includes a second CD containing a -20% slow-tempo version for your practicing ease. Should be in every pianist’s repertoire. The quintessential virtuoso concerto! Includes a high-quality 112-page music score on high-quality ivory paper and two digital stereo compact discs voluminously indexed for your convenience containing a complete version with soloist; then a second performance of the orchestral accompaniment minus you the soloist; and a -20% slow-tempo version for practice purposes.

Toccatissimo- Toccata (from the Italian toccare 'to touch to hit') is one of the oldest names for instrumental pieces and describes a musical form that is usually comprised of several parts. Each part is constructed from a musical idea such as for example chords runs or imitations of a short motive. Toccatissimo is a composition that consists of several parts executed in different tempos. The main key is G-major. The work begins with fast runs that move in upward and downward sequences. After this a quiet motive follows with fast interjections following from the first part this time however in A-major. The next theme in A minor alternates between 4/4and 3/4 measures. After a short cadence a merry waltz sounds which is then followed once again by the first part in G-major. After a short cadence a blues is performed that is interrupted by a rhythmic block. The quiet section that now follows segues to the first motive as a fiery finale.

This composition describes a landscape in the Upper Austrian region of Mühlviertel. This area was once besieged by the Celts who spread fear and terror among the inhabitants however the people opposed the enemy with patience and courage. Their uncompromising love of life demonstrated how unyielding they were and finally the Celts had to withdraw from Mühlviertel. The region is still one of the most beautiful landscapes in Austria and the people who live there are proof that tradition and progress are not necessarily contradictory. Green Hills Fantasy gives you a chance to hear this fantastic landscape immortalised in a wonderful piece for Concert Band.

From Beethoven's Symphony No. 7 this movement is one of the master's most recognizable and performed themes. Featured in the Oscar-winning film The King's Speech here is a skilled and effective version with flexible instrumentation perfect for small or inexperienced groups. Dur: 2:45

English Traditional-Bill Snedden sets the traditional English tune for mixed voices and piano. There are many arrangements of this tune on the market but none as exciting and engaging. Try it with high school college church or community ensembles.

Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250 The composer writes: 'Even when I was writing Adieu I knew that I wished to write Angel’s Music. The title existed in an incomplete form in my mind and gradually more and more ideas and a few outlines became clear. The actual work on Angel’s Music was started in Rome where I spent the autumn of 1987 staying at The Danish Academy. Whether this stay has influenced the quartet or not is impossible to say. however it is true to say that in the Roman churches I visited I saw countless angels playing in the top of frescoes and altars. Without these angels together with the many crackled-gold paintings in this city and my general fascination with the Italian renaissance painter Fra Angelico (in fact there are only a few paintings by him in Rome but even his name..!) I am not sure my quartet would have been what it is. Anyway I do feel that there is a bit of Italy in the piece. The angels apart there are in the short rhythmic agitating part of the quartet reminiscences of the Italian medieval Trotto dance and in the most expressive part of the piece there are flashes of Puccini-like music. From the very beginning of my work on the quartet the distant extremely muted sound in the high register which opens the piece was on my mind. A sound satiated with a dense heterophonic and polyphonic texture of elegiac melody and vibrating trills. I imagined that little songs (maybe angel songs) could be created in this density these songs constantly echoing themselves. Gradually as this sound got a more and more concrete musical and instrumental form I felt that not only should the little songs be created played and die out in an echo but also that the general pattern of the quartet should give the feeling of music which from the distance is getting closer and closer culminates and at last disappears like an echo. Related to this the general pattern of Angel’s Music is divided into three: a pre-echo culmination and echo.. The relationship between the three part is 5: 6: 4. The reason why I can say this precisely and prosaically is that it was necessary to me to mark the overall guidelines before I started to compose. I had to do this in order to enable the relationships to crawl from the general pattern almost fractionally into the smallest cells of the music or more correctly: crawl from the small cells into the general pattern.'Parts for String Quartet No.3 'Angel's Music' by Bent Sørensen (1988) Premiered by the Arditti String Quartet at the Danish Radio Concert Hall 16 November 1988. Score available: KP00250 The composer writes: 'Even when I was writing 'Adieu' I knew that I wished to write 'Angel’s Music'. The title existed in an incomplete form in my mind and gradually more and more idea

The first piece is an antiphonal chant very flexible could even be done in unison.Verse 1-menVerse 2-womenVerse 3-allVerse 4-soloThe second piece is a simple carol with voice support by the organ.

Evil people know no songs! Inspiration for this work was taken from the legend of the Valley of the Mills in which a traveller taught songs to the people of a village who had been put under a spell by a monk for their violation of moral standards. He brought song and prosperity back to the valley. It is this enchanting story which shows the positive power of music that Thomas Doss used as the basis for this splendid concert work which will be loved by all who perform it and listen to it.

Music Minus One Violin Deluxe 2-CD Set-Schubert's B-flat piano trio is a beautiful and magnificently cheerful work lyrical in character and truly a gem in the chamber repertoire. Delicacy and thoughtful integration of the three instruments make it a joy to perform. Includes a complete high-quality printed music score and two compact discs containing a complete performance with soloist then performed again minus the soloist. Performed by Vardi Emanuel violin Accompaniment : The Vardi Trio: Alan Shulman violoncello Edwin Hymovitz pianoSchubert's B-flat piano trio is a beautiful and magnificently cheerful work lyrical in character and truly a gem in the chamber repertoire. Delicacy and thoughtful integration of the three instruments make it a joy to perform. Includes a complete high-quality printed music score and two compact discs containing a complete performance with soloist then performed again minus the soloist. Performed by Vardi Emanuel violin Accompaniment : The Vardi Trio: Alan Shulman violoncello Edwin Hymovitz piano

for unaccompanied clarinet These five short pieces for solo Clarinet make ideal repertoire pieces for the intermediate Clarinettist. All of the pieces are short and manageable but offer challenging sections and interesting rhythms.

12 Flötenduette-Twelve pop duets including: Sailing Go West Lemon Tree Everything I Do and more. 12 pieces for Flute Duet edited by Otto M. Schwarz.

Ralph Vaughan Williams's Romance for Viola and Piano. The Viola part edited by Bernard Shore and the Piano part edited by Eric Gritton.

The Vocal Score to Edward Elgar's From The Bavarian Highlands .

A great new march from our own ?maestro? Wim Laseroms. The powerful introduction introduces a cheerful melody which leads into a brilliant bass solo. Following a beautiful lyrical passage with the melodic line mainly in the descant the trio section introduces a new cantabile theme featuring a dynamic variation. The work is brought to a brilliant conclusion with a rousing melody. This march would be a great opener to any concert or contest situation.

He'll Have To Go' words and music by Joe Allison and Audrey Allison. Arranged for piano and vocal with guitar chord symbols and boxes. 'He'll Have To Go' words and music by Joe Allison and Audrey Allison. Arranged for piano and vocal with guitar chord symbols and boxes.

Sharing its scoring with Ravel's Introduction and Allegro Eternity's Sunrise makes full use of the wealth of instrumental combinations available within this septet. The haunting yet quirky theme around which the entire piece is based is likely to linger in the memory long after the music has finished.