Partitur

Einführung in Techniken des 20. Jahrhunderts Heft 4: Fantasie dt.

Volume 1 - 27 études

Sextet

Sextet

Big Band

vocal score (S.A.T.B.) and organ

Big Band

Solo Feature for Flute Violin Clarinet Alto Sax or Xylo./Marimba and Opt. Narrator

Sextet

for Saxophone Quartet

for Saxophone Quartet

for Descant (Soprano) Recorder and Basso Continuo

Op. 1 No. 2 in G minor-This sonata provides an initial acquaintance with Handels wonderful music and therefore belongs in the standard repertoire of every recorder player. LarghettoAndanteAdagioPresto

Vier gebundene NotenVariable StrichgeschwindigkeitenDoppelgriffeDer zurückgeholte BogenStaccato und LegatoEtüdchenFingertabelleTonleiternAkkorde

Die enge 3. LageDie weite 3. LageDie 1. 2. und 3. Lage in allen GriffartenEtüdchen

6 Easy Pieces for Treble (Alto) Recorder and Basso continuo-1 Johann Sebastian Bach: Menuet I2 Johann Sebastian Bach: Menuet II3 Francesco Barsanti: Gavotta from Sonata in G-minor4 Philibert de Lavigne: Ariette from La Beaumont5 Philibert de Lavigne: Gracieusement from La Simianne6 Manfredo Zimmermann: Passacaglia

Wolfgang Amadeus Mozarts violin concertos belong to the standard repertoire of every violinist. This volume presents his Violin Concerto No. 2 in D Major K. 211 which was composed in 1775. Our edition enables you to learn the concertosystematically at three different tempi each with a professional accompaniment.1-4 Allegro moderato5-8 Andante9-12 Rondo (Allegro)

Die enge 4. LageDie weite 4. LageDie 1.-4. Lage mit FlageolettEtüdchen

for Violin and Orchestra-With this volume we are pleased to offer you something entirely new in the field of violin teaching: the premiere publication of well-known violin studies by Charles Dancla Heinrich Ernst Kayser Hans Sitt and Franz Wohlfahrt with orchestralaccompaniment. The aim of this practical edition is to give all violinists the impetus and motivation they need to practice studies on a daily basis. These newly arranged orchestral accompaniments to well-known studies give rise to miniature violinconcertos thereby turning the practicing of studies into an entirely new experience and a source of enjoyment especially for beginners. 1-4 Charles Dancla (1817-1907): Etüde in G-Dur4-8 Charles Dancla (1817-1907): Etüde in A-Dur9-12 Heinrich Ernst Kayser (1815-1888): Etüde in C-Dur13-16 Heinrich Ernst Kayser (1815-1888): Etüde in A-Dur17-20 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 4 in G-Dur21-24 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 14 in D-Dur25-28 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 17 in D-Dur29-32 Hans Sitt (1850-1922): Etüde op. 32 Nr. 1 in C-Dur33-36 Hans Sitt (1850-1922): Etüde op. 32 Nr. 2 in G-Dur37-40 Franz Wohlfahrt (1833-1884): Etüde op. 45 Nr. 3 in G-Dur