Think of Me and Remember

Cha Cha Lite

Recorded by Charlotte Church and Billy Gilman this rich tapestry of sound translates perfectly into a choral setting that expresses the wish for the ultimate perfection. Dream a dream and see through angel's eyes a place wherewe can fly away. Available separately: SATB SAB SSA and ShowTrax CD. Performance Time: Approx. 3:30.

Billie Jean

Songs For Solo Voice And Piano

Giovanni Pierluigi da Palestrina's 'Missa Sine Nomine' set of parts. In the course of his life Johann Sebastian Bach assembled an extensive musical library that today can only be reconstructed in fragments. It reflects Bach's curiosity starting in his youth and continuing into old age to get to know compositions from different epochs and styles. The two complete Masses and six individual Palestrina metrics testify to Bach's interest in 16th-century compositions. In his Weimar years Bach first used the works for a theoretical examination of the stile antico his idiosyncrasies of vocal conduct and modal harmony. In his last years in Leipzig Bach plannedperformances of at least two of the fairs. In this context he supplemented the works with instrumental parts and a Basso Continuo. The Masses by Giovanni Pierluigi da Palestrina created by Bach form an important document on the performance practice of works of the austere style in the eighteenth century.

Caprichos Was Commissioned By Bromsgrove Concerts For Chroma Who Gave The First Performance At The Guesten Hall Bromsgrove 9 April 2003. Caprichos Takes It'S Name From Goya'S Los Caprichos A Set Of Eighty Aquatints Which Depict The Bizarre Mischievous And Often Grotesque World Of 18Th Century Spain. The Music Isn'T A Literal Depiction Of Goya'S Work But Takes It As A Starting Point For A Set Of Musical Portraits That Explore The Possibilities Of Clarinet Piano Violin And Cello.

Eclipse for Eight Horns

Pieces of Advice for Horn and Piano

Robert T. Gibson's setting of We Shall Overcome is dynamic and well crafted. Attention has been paid to the construction of the vocals which throughout the work act as accompaniment to the soloist. Requires an accomplished soloist and a strong choir. A beautiful sentiment for our times. Robert T. Gibson's setting of We Shall Overcome is dynamic and well-crafted. Attention has been paid to the construction of the vocals which throughout the work act as accompaniment to the soloist. Requires an accomplished soloist and a strong choir. A beautiful sentiment for our times.

The text of this work invites the listener to imagine a world without weapons of war—where the human experience is defined through the lens of mercy and compassion. An accessible SATB work with little divisi and a supportive piano accompaniment. The text of this work invites the listener to imagine a world without weapons of war - where the human experience is defined through the lens of mercy and compassion. An accessible SATB work with little divisi and a supportive piano accompaniment.

A gorgeous and etherial poem by Sara Teasdale has been set here by composer Dominick DiOrio. Rhythmic passages allow for joyful abandon and vocal fervor while sustained sections offer contrast. Expertly composed for advanced choirs this dynamic work will be an incredible addition to your program. A gorgeous and etherial poem by Sara Teasdale has been set here by composer Dominick DiOrio. Rhythmic passages allow for joyful abandon and vocal fervor while sustained sections offer contrast. Expertly composed for advanced choirs this dynamic work will be an incredible addition to your program.

How Excellent Is Thy Name is a stellar gospel song originally written by John W. Higdon. Joseph Joubert's arrangement is lively rhythmic and authentic and is a great chance for your choir to experience gospel style. Will make a perfect concert opener or closer. How Excellent Is Thy Name is a stellar gospel song originally written by John W. Higdon. Joubert's arrangement is lively rhythmic and authentic and is a great chance for your choir to experience gospel style. Will make a perfect concert opener or closer.

A beautiful and uplifting love song that addresses the universal subject of loss. Accessibly written for mixed choirs with a supportive and flowing piano accompaniment. A good choice for high school and community choirs. A beautiful and uplifting love song that addresses the universal subject of loss. Accessibly written for mixed choirs with a supportive and flowing piano accompaniment. A good choice for high school and community choirs.

Hot Spots

Celebration!

A four-minute work for String Quartet written as a part of ‘Elegy for Pamela’ and recorded by the Wihan Quartet. Parts available: CH88060-01 A four-minute work for String Quartet written as a part of ‘Elegy for Pamela’ and recorded by the Wihan Quartet. Parts available: CH88060-01

Based on two carols one Polish one French and conceived for use with children. There is a lesson plan included which suggests things to isolate comment on and practice. But the piece would be appropriate and enjoyable for any level 2 three octave group. (A few outside bells out of a five octave set are used as well.)

Despite looking more difficult this is a great piece for a level 2 group. The eighth notes are in repeated patterns against the melody in the bass clef at first. There is some mild synocopation and plenty of big chords all rung together. A middle reflective section may be played on handchimes. Then the bass clef melody returns against the upper eighth notes. LV martellato shakes and RT give the ringers plenty of variety.

Based on an Israeli folk tune this piece would be fun for any level 3 three octave group. (An optional Bb3 is included.) Includes mallet and LV techniques. Teaching/learning opportunites are provided at the back.