One of the all-time favorite TV themes is arranged for string orchestra in this new version that is perfect for developing string players. Your students will love playing the bold Western theme with its memorable repeated-note hook.

String Quartet F major op. 135-Beethoven’s op. 135 one of the last works he composed is equally famous for its compositional clarity and for the inadequacy of previous editions. Theproblem lies in the surviving sources for Beethoven’s autograph score contains a great many contradictions compared to his autograph set of parts. In 1827 after Beethoven’s death the German publisher of the first edition posthumously ironed out these discrepancies as he saw fit and later editions simply adopted his interventions. Rainer Cadenbach’s volume is the first attempt to produce an authoritative text for op. 135. Beethoven’s contradictory formulations are laid bare allowing musicians to make their own decisions. Beethoven ’s Op. 135 one of the last works he composed is equally famous for its compositional clarity and for the inadequacy of previous editions. The problem lies in the surviving sources for Beethoven ’s autograph score contains a great many contradictions compared to his autograph set of parts. In 1827 after Beethoven ’s death the German publisher of the first edition posthumously ironed out thesediscrepancies as he saw fit and later editions simply adopted his interventions. Rainer Cadenbach’s volume is the first attempt to produce an authoritative text for Op. 135 . Beethoven ’s contradictoryformulations are laid bare allowing musicians to make their own decisions.

Piano Sonata G major WO 14-Muzio Clementi was only just 16 years old when he wrote this sonata – and already a talented pianist. He had studied many of the great works written by his famous predecessors. This charming early work by Mozart’s contemporary shows the influence of many of these role models in particular of Domenico Scarlatti. And yet it is not very demanding. Our affordable single edition of this delightful sonata is very suited for teaching purposes.? An authoritative urtext edition of Clementi's Sonata In G WO 14 for solo Piano edited by Sonja Gerlach and Alan Tyson.

Study Score No. 127- Charles Fussel 's Three Processionals for Orchestra. Three Processionals is drawn from ideas contained in an earlier work by the composer Voyages based on the poetry of HartCrane. ' In this work I was interested in connecting Hart Crane's use of sea images as a basic vocabulary for his cycle of love poems with Debussy's orchestral sea poem La Mer. The third processional concludes with adirect quote from Debussy. Hart Crane's poems in their profound concentrated language first warn the child that his beautiful and joyous seashore games touch a vast ocean whose depths are cruel And in the following poem loveitself is the great force which sweeps over and moves every aspect of life. To survive this 'tidal wedge' is a fearful and exhilarating struggle and we are frequently 'over-taken' by its power plus the knowledge of ourlimits '. - Charles Fussel

Here's that famous song with the na na na na na hook and lyrics that name 16 different dances. It's been recorded by countless artists from Wilson Pickett to Joan Baez and is great fun in this new instrumentalversion for strings. Robert Longfield's solid version is easy to learn and will sound terrific with younger players.

For four French horns three trumpets three trombones tuba and timpani. This work is a short sequence of transformations of the plain-song Christe Du Lamm Gotts . It is scored for Brass Ensemble (Four Horns 3 Trumpets 3 Trombones Tuba) and Timpani).

Latin. Gian Carlo Menotti is frequently considered to be the greatest composer of American opera in the twentieth century. The Missa O Pulchritudo uses the Roman Catholic text for the Mass except for the Credo which is replaced by a Motet based on the words of St. Augustine. There is some occasional part-splitting in the chorus. This is the Schirmer Edition of the vocal score and includes a Piano reduction of the orchestral accompaniment. (These orchestral parts are available on rental from G. Schirmer).

This medley is a wonderful way to teach American classic rock 'n' roll songs add some edge and theme to your concert and entertain your audiences - who just might sing along! Easy to learn and perform the medley includes I Love Rock 'n' Roll Rock Around the Clock and Old Time Rock and Roll. This medley is a wonderful way to teach American classic rock 'n' roll songs add some edge and theme to your concert and entertain your audiences - who just might sing along! Easy to learn and perform the medley includes I Love Rock 'n' Roll Rock Around the Clock and Old Time Rock and Roll.

Every a cappella choir will want this piece on their Christmas program. Jack Halloran of Witness fame has captured an all-American sound in this energetic piece. His a cappella arrangements have a distinctiveflavor that makes them choral favorites. An excellent choice for the Christmas season. Available: SATB divisi a cappella.

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

The Solos From Musicals For Kids song book is a great new collection featuring recorded child soloists on the CD as well as accompaniments for practice. Songs Include: The Bare Necessities • Be Kind to Your Parents • Beauty and the Beast • Count Your Blessings Instead of Sheep • Gary Indiana • and more! The Solos From Musicals For Kids song book is a great new collection featuring recorded child soloists on the CD as well as accompaniments for practice. Songs Include: The Bare Necessities • Be Kind to Your Parents • Beauty and the Beast • Count Your Blessings Instead of Sheep • Gary Indiana • and more!

revised edition-Bach’s Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection Bach himself called it an “Instruction” which teaches students and keyboard lovers to “treat correctly” both two and three voices to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. To this end Bach created timelessly beautiful music which has lost nothing of its relevance to us nearly 300 years after its creation. We are now presenting a new edition of this classic collection which draws upon all known sources and offers the best in “instruction” especially with respect to the transmitted embellishmentvariants. The new Bach – ideal for pianists of every age! Johann Sebastian Bach ’s Inventions and Sinfonias are rightly considered as indispensable to every pianist. In his famous preface to the collection Bach himself called it an “Instruction”which teaches students and Keyboard lovers to “treat correctly” both two and three voices to “achieve a singing style in playing” and to “acquire a strong foretaste of composition”. To this end Bach created timelesslybeautiful music which has lost nothing of its relevance to us nearly 300 years after its creation. This edition of the classic collection draws upon all known sources and offers the best in “instruction” especially withrespect to the transmitted embellishment variants. This volume is deal for pianists of every age.

Transcribed by Mayhew Lake these arrangements follow carefully the original Bach harmonizations and include valuable tips for ensemble balance when performing with SATB chorus (HL50299350). Available parts allow for performanceby by concert band woodwind ensemble brass ensemble string ensemble saxophone ensemble and groups with flexible/limited instrumentation. Contents: 1. Wie schon leuchtet der Morgenstern 2. Gieb dass ich tumit Fleiss 3. Ach wie fluchtig 4. Ach Gott wie manches Herzeleid 5. Jesu nimm dich deiner Glieder 6. All' solch dein Gut' wir preisen 7. Es ist genug; so nimm Herr meinenGeist 8. Es ist das Heil uns kommen her 9. Auf meinen lieben Gott 10. Mache dich mein Geist bereit 11. Jesu der du meine Seele 12. Du Lebensfurst Herr Jesu Christ 13. Alleluia dess soll'n wir Alle froh sein 14. Erhalt uns in der Wahrheit 15. Ei nun mein Gott so fall' ich dir 16. Wachet auf ruft uns die Stimme

From the 1960 Broadway musical Bye Bye Birdie by Charles Strouse and Lee Adams comes this classic rhapsody of teenage love. This fun choral adaptation is a great concert change of pace!Available separately: SATB SAB 2-Part Instrumental Pak (parts for Trumpet I & II Tenor Sax Trombone Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 3:00From the 1960 Broadway musical Bye Bye Birdie by Charles Strouse and Lee Adams comes this classic rhapsody of teenage love. This fun choral adaptation is a great concert change of pace! Available separately: SATB SAB 2-Part Instrumental Pak (parts for Trumpet I & II Tenor Sax Trombone Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 3:00.

This handy collection contains the celebrated Schubert 'Ave Maria' as well as the Bach/Gounod 'Ave Maria'. Each is presented in three keys with a choice of piano or organ accompaniment. Solo piano and solo organ versions are also included. A must for all church musicians. This handy collection contains the celebrated Schubert 'Ave Maria' as well as the Bach/Gounod 'Ave Maria'. Each is presented in three keys with a choice of piano or organ accompaniment. Solo piano and solo organ versions are also included. A must for all church musicians.

Uses: General Revival Scripture: Psalm 37:23-24; Luke 12:26-28; Philippians 4:19 Alive with gospel goodness this song of assurance and follow-ship has become a sanctuary standard since its first release. Trusting Jesusis a subject appropriate for any time of year and the cheerful styling found in this choral is immediately engaging. Now we offer several fresh voicing options to give flexibility in programming.

Jazz Play-Along Volume 29-The Jazz Play Along series Lennon and McCartney edition offers 10 Beatles standards for Bb Eb and C instruments. The CD features a choice of backing tracks allowing the player to isolate or remove the melody the bass the piano or simply play along with a full stereo rhythm section. Each part is presented as an easy to read Lead Sheet with chord symbols for improvisation. An innovative way of using your favourite Beatles songs to your boost performance confidence and your improvisation skills. The Jazz Play Along series Lennon and McCartney edition offers 10 Beatles standards for Bb Eb and C instruments. The CD features a choice of backing tracks allowing the player to isolate or remove the melody the bass the piano or simply play along with a full stereo rhythm section. Each part is presented as an easy to read Lead Sheet with chord symbols for improvisation. An innovative way of using your favourite Beatles songs to your boost performance confidence and your improvisation skills.

Contents: Andantino (Gigout) At an Old Trysting Place Dresden Amen Faith Binds Two Hearts in One Jesu Joy of Man's Desiring Joyance (Warner) The Lord Is My Shepherd Lord Speak toMe (That I May Speak) March of Priests (Mozart) O Perfect Love Ode to Joy Praise My Soul the King of Heaven Prelude on Hyfrydol (Prichard) Processional onEllacombe Processional on Helmsley Romance Sans Paroles (Warner) Set Me As a Seal (Warner) Sevenfold Amen (Stainer) Sonata No. 8 in C Minor Op 13 (Pathetique) Song Without Words (Mendelssohn) Sound the Trumpets (Judas Maccabeus) Symphony No. 1 in C Minor First Movement Excerpt To a Wild Rose Op. 51 Trumpet Tune Trumpet Voluntary Variations onTheme by Haydn (Brahms).Contents: Andantino (Gigout) At an Old Trysting Place Dresden Amen Faith Binds Two Hearts in One Jesu Joy of Man's Desiring Joyance (Warner) The Lord Is My Shepherd Lord Speak toMe (That I May Speak) March of Priests (Mozart) O Perfect Love Ode to Joy Praise My Soul the King of Heaven Prelude on Hyfrydol (Prichard) Processional onEllacombe Processional on Helmsley Romance Sans Paroles (Warner) Set Me As a Seal (Warner) Sevenfold Amen (Stainer) Sonata No. 8 in C Minor Op 13 (Pathetique)Song Without Words (Mendelssohn) Sound the Trumpets (Judas Maccabeus) Symphony No. 1 in C Minor First Movement Excerpt To a Wild Rose Op. 51 Trumpet Tune Trumpet Voluntary Variations onTheme by Haydn (Brahms).

A splendid Easter opener this joyful hymn/anthem joins choir and congregation in a mighty acclamation of the resurrection of Christ. Using a prominent hymntune makes this an almost instantly learned piece in the classic Fanfare and Concertato format. Each verse receives its moment and the anthem is bookended by choral and brass flourishes all creating an exalted effect. A reproducible hymn sheet is provided. Glorious! Score and parts (tpt 1-2 tbn 1-2 timp) available as a digital download. Handbell Part (3 octaves) available as a digital download.

Piano Reduction-The Rondo in B flat major was only published two years after Beethoven’s death in an arrangement by Carl Czerny. It has since been proven that it was originally the final movement of the Piano Concerto no. 2 op. 19 which Beethoven replaced in 1794/95 with the movement we know today. The fact that it closely resembled Mozart’s style might have contributed to this decision. At any rate Beethoven kept the manuscript of the rondo all his life showing its importance for him. Johannes Umbreit has prepared a new piano reduction that is easier to play and is based on the musical text in the Beethoven Complete Edition.The Rondo in B flat major was only published two years after Beethoven’s death in an arrangement by Carl Czerny. It has since been proven that it was originally the final movement of the Piano Concerto no. 2 op. 19 whichBeethoven replaced in 1794/95 with the movement we know today. The fact that it closely resembled Mozart’s style might have contributed to this decision. At any rate Beethoven kept the manuscript of the rondo all his life showingits importance for him. Johannes Umbreit has prepared a new piano reduction that is easier to play and is based on the musical text in the Beethoven Complete Edition.