The Nocturne op. 37 no. 2 composed in 1839 is a perfect example of the rich pearling cascades of thirds and sixths that keep Chopin’s piano works at the top of the popularity list and as beloved today as in his time. Although no autograph of op. 37 has survived an engraver’s exemplar for the 1840 edition from Breitkopf & Härtel is extant and was corrected by Chopin himself. We have of course consulted this source for our Urtext edition.

B-Flat or E-Flat Saxophone Solo-B-Flat or E-Flat Saxophone Solo. Kenny G's romantic ballad arranged for soprano tenor or alto saxophone with paino accompaniment. B-Flat or E-Flat Saxophone Solo. Kenny G's romantic ballad arranged for soprano tenor or alto saxophone with paino accompaniment.

This year the entertainment world pays tribute to one of its very best honoring the 80th birthday of composer Charles Strouse. Some of the most memorable songs from stage and film are included in this musical montage skillfullyarranged for orchestra by Ted Ricketts. Includes: Put on a Happy Face ( Bye Bye Birdie ) Once Upon a Time ( All American ) Tomorrow ( Annie ) Applause and Theme from Golden Boy. Dur: 5:00

Johannes Brahms’s Piano Sonatas opp. 1 2 and 5 were among the first works that the 20-year-old composer published. They were composed in 1852/53 although the Sonata in f-sharp minor was apparently the first of the three to be composed as it was finished by November 1852. This work has a special place in his oeuvre. Besides its passionate atmosphere his contemporaries discerned it to be “serious and dignified in character”. Brahms dedicated this sonata to Clara Schumann whose husband Robert wrote to the composer that “Your second sonata my friend has brought me much closer to you”. The ingenious fingerings have been provided by the pianist Andreas Boyde a recognisedBrahms expert. A superb collection of some of his first works Brahms’ Sonatas Scherzo And Ballades provide a superb enrichment to any accomplished pianist's repertoire. This highly authoritative Urtext edition of the works have been edited with critical commentaries and fingered by Walter Georgii.

In another Oscar®-nominated score John Williams again shows his versatile writing skills with this evocative soundtrack that blends the rich musical cultures of Japan with those of Western orchestral music. Ted Ricketts'adaptation highlights three distinctive themes from the film's score which featured Yo-Yo Ma and Itzhak Perlman. Included are Sayuri's Theme The Chairman's Waltz and Going to School. Dur: 5:25

English Only. Translated by Harrison. Libretto for Bedrich Smetana's comic Opera The Bartered Bride . This edition contains English only and was translated by Tony Harrison.

One of the greatest songs of all time Hoagy Carmichael's classic romantic ballad shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in this superb arrangement. Available separately SATB SSAA and TTBB. Duration: ca. 2:40.

Piano Sonatas Volume I-When Günter Henle founded his Urtext publishing house in 1948 the first work in the catalogue was the two volume edition of all of Mozart’s piano sonatas. Even today they still bear our numbers HN 1 and HN 2. Over the years both of the volumes have been revised several times so that the musical text always reflects the latest in scholarly research. The manuscripts have survived for many of Mozart’s sonatas and for some of his works he made slight changes to the text before printing. For this reason we provide both versions in such cases. The editor’s preface and critical commentary provide detailed information concerning all of the sources and questions regarding the text. A highly authoritative Urtext edition of Mozart's Piano Sonatas with thoroughly detailed editorial markings and suggestions as edited by Ernst Herttrich and fingered by Hans-Martin Theopold. This is the first volume ofMozart's Piano Sonatas and includes sonatas from Nos.1-9 all giving the most accurate realisation of the composer's original intentions.

Romans 4:24-25 I Corinthians 15 Galatians 2:20-This joyous anthem sings the good news of the risen Lord making it fitting throughout Eastertide. With piano accompaniment and trumpet the catchy refrain filled with alleluias is interspersed with the verses that proclaim the new life that was given through the risen Christ. This joyous anthem sings the good news of the risen Lord making it fitting throughout Eastertide. With piano accompaniment and trumpet the catchy refrain filled with alleluias is interspersed with the verses that proclaim the new life that was given through the risen Christ.

To commemorate the 200th anniversary of Robert Schumann’s birth an ambitious project has been realized in 2010: For the first time since Clara Schumann’s Complete Edition of 1879–93 all of the works for piano solo are appearing as one editorialproject. All of the Schumann titles published by G. Henle Publishers have undergone a careful revision by Schumann expert Ernst Herttrich who also added works previously missing from our catalogue. The complete piano works comprising six volumes are now available in paperbound or clothbound editions as well as a study edition set in a slipcase. Clearly ordered by opus numbers the complete edition includes not only all of Schumann’spiano works revised to reflect the latest scholarlyfindings but also informative commentary texts alternative versions and many things more. Contents: Fantasiestücke op. 12 (mit Anhang: WoO 28) Paganini-Etüden op. 10- Sonate fis-moll op. 11- Allegro h-moll op. 8- Carnaval op. 9 On the 200th anniversary of Robert Schumann 's birth an ambitious project is coming to a close: For the first time since Clara Schumann's Complete Edition of 1879-93 all of the works for Piano solo are appearing as oneeditorial project. Spanning almost ten years of painstaking work all of the Schumann titles published by G. Henle Publishers have undergone a careful revision. The Schumann expert Ernst Herttrich has closely examined eachedition and also dedicated himself to those works that were previously missing from the catalogue. The result is being published in this new collection comprising six volumes as well as study editions in a slipcase. Theyreplace the former four volumes (HN108-HN115). Arranged clearly according to opus numbers it includes not only all of Schumann's Piano works revised to reflect the latest scholarly findings but also informative accompanyingtexts alternative versions and much more besides. Being a complete works collection a general difficulty level cannot be applied to these volumes. As a result we have assigned a difficulty of 'advanced' as a guide to thegeneral proficiency required to play all the pieces. Contents: Fantasy Pieces op. 12 (with Appendix: posthumous piece) Paganini-Studies op. 10 Sonata f sharp minor op. 11 Allegro b minor op. 8 Carnaval op. 9

This collection is designed for those students of any age beyond early teens in the early stages of voice study although the arrangements are so satisfying that more advanced singers will also enjoy them. The ranges are modest and songs have been chosen for both genders. The new arrangements are lovely fresh and interesting but keep the simple vocal line in the forefront. The piano accompaniments are deliberately designed for an intermediate level player. The CD includes beautiful performances of each song by professional singers to be used as a learning tool and a piano accompaniment track for practice. Joan Boytim the leading American expert on teaching the young voice has added a preface about how to use these songs in the studio. This collection is designed for those students of any age beyond early teens in the early stages of voice study although the arrangements are so satisfying that more advanced singers will also enjoy them. The ranges are modest and songs have been chosen for both genders. The new arrangements are lovely fresh and interesting but keep the simple vocal line in the forefront. The piano accompaniments are deliberately designed for an intermediate level player. The online audio includes beautiful performances of each song by professional singers to be used as a learning tool and a piano accompaniment track for practice. Joan Boytim the leading Americanexpert on teaching the young voice has added a preface about how to use these songs in the studio.

(from Barnum)-From Cy Coleman and Michael Stewart's Barnum this infectious crowd-pleaser is the colorful and splashy Act 2 opener and makes a great choral feature for choirs of all ages! Duration: Approx. 2:40.Available separately: SATB SAB SSA ShowTrax CD and Instrumental Pak (available as digital download only) Instrumentation: Flute Clarinet Trumpet 1 & 2 Trombone Tuba Guitar Bass Drums. From Cy Coleman and Michael Stewart's Barnum this infectious crowd-pleaser is the colorful and splashy Act 2 opener and makes a great choral feature for choirs of all ages! Duration: Approx. 2:40. Available separately: SATB SAB SSA ShowTrax CD and Instrumental Pak (available as digital download only) Instrumentation: Flute Clarinet Trumpet 1 & 2 Trombone Tuba Guitar Bass Drums.

This arrangement of the Martin Nystrom chorus classic is appropriately gentle and reverent. Inspired by Psalm 42:1 As the Deer is easy to learn and very effective. Optional congregation and flute involvement ishighly recommended! Available separately: SATB ChoirTrax CD. Score and parts (fl perc vn 1-2 va vc db) available as a CD-ROM and as a digital download.This arrangement of the Martin Nystrom chorus classic is appropriately gentle and reverent. Inspired by Psalm 42:1 As the Deer is easy to learn and very effective. Optional congregation and flute involvement is highly recommended! Available: SATB.

Symphonic Suite-Combining the well-known themes composed by John Williams for the 1993 Jurassic Park with evocative new material by Michael Giacchino this symphonic setting from the 2015 blockbuster Jurassic World is both haunting and dramatic.

For Cello and Chamber Orchestra. Cello part available on rental.

A gentle flute obbligato floats over the lyrical strains of this traditional Sicilian carol which is combined with an original partner melody for a delightful young choir showcase. Appropriate for school or church.

The old popular novelty song from Tin Pan Alley days is recast as a contemporary arrangement with a New Orleans street beat making it fun to sing and play! The middle section moves into swing-four style and may be repeated ad libfor either vocal or instrumental solos. Such a simple bit of melody will be a super vocal jazz showcase! Availible Separately: SATB SSA ShowTrax CD. Rhythm parts available digitally (pno gtr b dm). Duration: ca.2:50.

Great Performer's Edition. The practice of letting the soloist improvise their own Cadenza during a Concerto had almost died out by the nineteenth century since composers disliked the way performers frequently used the oppurtunity to showcase their own virtuosic talent rather than working out a cadenza which would suit the music. These four Cadenzas for Mozart Beethoven Brahms and Paganini concerti however have been carefully worked out and performed by the modern violinist Nathan Milstein. They are extremely challenging but avoid 'empty virtuosity' - they have real musical value as one would expect from one of the finest Violinsts of the Twentieth Century. They can be used for performance or as astudy aid to the art of Cadenza improvisation. All four Concertos have been recorded by Milstein.

A four-part round for equal voices unaccompanied or with ensemble A four-part round for equal voices unaccompanied or with ensemble.

Urtextausgabe-Nicolò Paganini’s milestone in violin literature is now not only available in a practical Urtext edition (HN 450) but also as a study score. Published in 1820 as his Opus 1 Paganini gave the violin world a timeless masterpiece which no up-and-coming violin virtuoso can ignore. As well as the musical text our edition also contains a must for all interested performers: a detailed commentary by the Paganini expert Renato de Barbieri. With numerous examples and illustrations for each of the 24 Capricci from the autograph he knowledgeably explains the characteristics of Paganini’s notation and its significance for its interpretation today.Nicolò Paganini’s milestone in violin literature is now not only available in a practical Urtext edition (HN450) but also as a study score. Published in 1820 as his Opus 1 Paganini gave the violin world a timeless masterpiece which no up-and-coming violin virtuoso can ignore. As well as the musical text our edition also contains a must for all interested performers: a detailed commentary by the Paganini expert Renato de Barbieri. With numerousexamples and illustrations for each of the 24 Capricci from the autograph he knowledgeably explains the characteristics of Paganini’s notation and its significance for its interpretation today.