Artist Level (correlates with Book 1 p. 42)

A third collection of beautiful and vivid folk songs for High Voice and Piano Accompaniment arranged by Benjamin Britten. This volume contains the best of British pastoral and rustic folk songs and features a wide variety of moods and styles reflecting the varied cultures and diversity of the United Kingdom.

26 easy pieces for soprano recorder-A collection of twenty-six easy pieces many of which will be instantlyrecognisable. All have a great contemporary accompaniment provided on CD so there is no chance of giving a dull performance.

Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet Trumpet Soprano Sax.) / 2) C Instr. (Flute) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet Trumpet) / 4) C Instr. (Violin) / 4) Bb Instr. (Clarinet T) / 5) C Instr. (Violin) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin) / 7) Bb Instr. (Clarinet Trumpet Soprano Sax.) / 7) Eb Instr. (Alto Sax.) / 8) C Instr. (Violin Viola) / 8) Bb Instr. (Cla/ 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Basco Snare drum / Tom tom Bass drum / FourHands Piano ad libitum. Performance possibile also without Piano.

This beautiful and popular piece by Russian composer Pyotr Ilyich Tschaikovsky was completed in 1886. Typical of his powerful and yet accessible style The Nightingale has been effectively arranged here for SSA choir with optional Piano accompaniment by Clifford Morris.

for recorder (2 talen)-This songbook is aimed at both children and adults learning descant and tenor recorder. The tunes included are suitable for playing from the very early stages with easy fingerings that are the same for both instruments. The tunes are light modern and playful and the inspiring accompaniments on CD make this book attractive to every recorder player. Also includes a fingering chart for reference

for trombones and band-Le 31 octobre des milliers d'enfants nord-américains f¼tent Halloween. Au fil du temps la citrouille est devenue le symbole d'Halloween. Ainsi l'entrée de chaque maison est décorée d'une citrouille creusée de deux yeux d'un nez et d'une bouche fortement dentée et illuminée par une bougie. Certaines citrouilles ont un visage effrayant d'autres drôle et fantasque. Dans The Funny Pumpkins (Drôles de citrouilles) les trombones de votre formation fournissent un assortiment de lanternes-citrouilles amusantes.

Elgar wrote relatively little for the piano but his Salut D'amour (Love's Greeting) a beautiful ode to his wife has proved over the years to be very popular. This arrangement is for Violin and Piano. This Peters Edition Urtext edited by Donald Burrows.

Junior guitar is a course in all-round guitar playing and musicianship for pupils aged between 6 and 14 years. It is best used in groups of 2 - 6 children learning with a teacher. Teacher's Book (90305) Pupil's Book 2 (90304)

Fishermen Of England from The Rebel Maid by Montague Phillips . For TTBB choir.

The Piano runs through Jean Sibelius's oeuvre like a red thread. After some first student pieces he composed the Sonata op. 12 (EB 8142) in 1893 and his first cycle of Piano pieces the Six Impromptus op. 5. Here the Finnish composer self-assuredly takes up a great romantic genre significantly shaped by Schubert and Chopin. Sibelius draws inspiration from some of his own early works in this composition yet he also uses the last two pieces from opus 5 as the groundwork for an autonomous 'Impromptu' for string orchestra which he put together shortly after completing the Piano pieces. 'You must judge me on the basis of my orchestral works. The Piano does not interest me. Itcannot sing ' said Sibelius. Yet how seriously can we take this famous quote when considering how masterfully he crossed the boundaries with his Impromptus? Pianists such as Ralf Gothoni Glenn Gould and Olli Mustonen have not let themselves be deterred by the composer's harsh self-criticism and with their interpretations have provided compelling proof of the opposite.

Instrumental Play-Along-Play along with 10 pieces from the beloved holiday ballet including: Arabian Dance (Coffee) * Chinese Dance (Tea) * Dance of the Reed-Flutes * Dance of the Sugar Plum Fairy * Final Waltz and Apotheosis * March from the Nutcracker* Overture * Russian Dance (Trepak) * Spanish Dance * Waltz of the Flowers.Play along with 10 pieces from the beloved holiday ballet including: Arabian Dance ('Coffee') Chinese Dance (Tea) Dance of the Reed-Flutes Dance of the Sugar Plum Fairy Final Waltz and Apotheosis March from the Nutcracker Overture Russian Dance (Trepak) Spanish Dance and Waltz of the Flowers.

Claude Debussy 's Golliwog's Cake-Walk (from children's corner) for solo Piano. Edited by Hans Swarsenski.

I Live Again by John Brunning. Arranged for voice and piano. I Live Again by John Brunning. Arranged for voice and piano.

This stately opening work begins in the low register with a broad main theme from the low brass immediately setting the tone. Gradually other sections and registers enter and despite retaining a majestic character the rhythmic element becomes more active. This work makes truly creative use of sound without great virtuosity or complexity but maintains a good balance between static and dynamic elements.

Fulnaho-Artemis is the Greek goddess of hunting and forests. In western art she is often pictured with deer lions or bears with a bow in her hand. The tempo of this march is stately and the themes are “concertante” in character making Artemis best suited as a concert march rather than a street march. Technically this march is not too difficult although at times some dexterous fingering is necessary. The trio melody is especially lyrical and offers various sections within the band the possibility to show off their skill in playing the expressive melody. This excellent new concert march is sure to become a classic and be performed time and time again.

Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140) Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the New Bach Edition Study scoreformat 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale

Overture 'Der Zigeunerbaron'-The operetta The Gipsy Baron is together with Die Fledermaus (The Bat) the most famous theatre work by Johann Strauss Jr. A libretto full of romance original musical ideas compelling Viennese dances fiery rhythmic Hungarian music and beautiful arias were just some of the ingredients that lead to its huge success. The Gipsy Baron can also be thought of as a comic opera. The main motif of this overture won first prize in a contest that was to provide a new Hungarian anthem however because Strauss did not have Hungarian nationality another melody was chosen. A great transcription to bring a Hungarian twist to any programme.

30 easy pieces-In Fun Factory for Recorder you will find both old and new tunes for the beginner recorder player. The rumba the waltz the tango and the bossa nova are all represented! On the enclosed CD - which is full of imaginative ideas and sounds - there is a complete performance of each piece followed by a play-along version with the accompaniment only.Clock on and experience the Fun Factory for Recorder ! 30 pieces for the beginner recorder player with CD of full performances and backing tracks.

This work was originally written as the introduction tune for the wind orchestra programme Plaza Mayor on the Spanish National Radio. Numerous short themes have been brought together in a kind of musical collage and provide interestingcontrasts with the ever-changing rhythmic pounding of the drums. RadiObertura is a refreshing starter with a touch of Spanish passion ideal for every concert programme.