A beautiful expressive flugelhorn solo on a Norwegian religious folk song of Ole Olsen I himmelen.

The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes and include Ms. Wincenc's owncadenzas that have been brilliantly honed by years of professional concertizing. The concerti by Wolfgang Amadeus Mozart K 313 in G Major and K 314 in D Major represent two of the most important pieces for the flute. These Carol Wincenc publcations help students in their learning and preparation of these great works by utilizing a second flute part an effective practice introduced by her teacher Marcel Moyse. The second part serves as a useful tool in lessons at which no pianist is present to accompany the soloist and reveals to the student musical subtleties and concepts which would otherwise not have been possible to impart. The arrangements have been carefully written to be playable on historical as well as modern flutes and include Ms. Wincenc'sowncadenzas that have been brilliantly honed by years of professional concertizing.

An adaptable pair of pieces with contrasting tempi for use in school or church.

GILPIN G/PARKER J NOTHIN' GONNA STUMBLE MY FEET SSA A CAPPELLA CHORAL Gilpin G/Parker J Nothin' Gonna Stumble My Feet Ssa A Cappella Choral

Symphony Pops-For vocal solo and full orchestra.

Uses: Christmas Epiphany Communion Scripture: Luke 2:6-7 This tender song is a beautiful thought for any Christmas concert. In the final verse the anthem takes us beyond the manger to the cross where we see Christ as the Lamb of God.

Uses: General. Ascension Easter Lent Scripture: John 12:32-34; John 3:14-15; Numbers 21:5-9; John 6:63; Acts 1:9 Christian recording artist Steve Green recorded this powerful song of exaltation nowset beautifully for choir. Ideal for Ascension this acclamation rises from the choir to proclaim the glory of the King of Kings and Lord of Lords with soaring melodic lines and classical harmonic progressions. The piano writingtakes on an almost symphonic quality as the anthem crescendos to an impressive climax.

Uses: General Lent Scripture: Psalm 22:4-5 Ephesians 1: 12-13 There is a timeless quality to the message of this well-known hymn text and when lifted from the pages of the hymnal and placed in thisnew musical framework it becomes an expressive testimony of faith to the grace of the Savior. Rich melodic lines and luxurious harmonies move the anthem into the listener's heart with a sacred word of assurance.

Instrumentation: 2 alto sax 1 tenor sax 1 baritone sax

Latin and English texts. Available: SSATB.

Instrumentation: 2 Violin 2 Violoncello 2 Violas 1 Double Bass Written over a single week in May 1932 this Sextet is for two Violins two Violas and two Cellos - plus optional Double Bass. The rebellious Martinu absorbed many influences throughout an interesting life spent living in hisnative Czechoslovakia then France Spain Italy the U.S. and Switzerland.

This iconic song from Bernstein's classic stage work remains one of the most popular melodies in American contemporary theater. Stephen Bulla's edition for strings is adapted from the original score yet features accessibility for younger players. Let your students experience the mastery of this beloved American composer with this first-ever arrangement for string ensemble.

This ballad will take you to the countryside of France where a genuine peace prevails. Picturesque villages and magnificent vistas in a musical way to show you this magnificent musical tribute to La France. An attractive sonorous melody is the basis for this composition using a effective instrumentation.

These choruses are from the composer's three-act opera Tess which is based on Thomas Hardy's novel Tess of the d'Urbervilles. All three are from Act II: Winter is White Arise and Come Let Us Chime (Wedding Song). These choruses are from the composer's three-act opera Tess which is based on Thomas Hardy's novel Tess of the d'Urbervilles. All three are from Act II which begins on a dairy farm on a May morning in late 19thcentury England. I. Winter is White Angel Clare a budding gentleman farmer sings this song with his Harp for a gathering at the dairy. (the text is adapted from the Hardy poem 'The Seasons of HerYear.') II. Arise Act II iopens with dairymaids and men singing this chorus as they prepare for the day's work. (The text for the outer sections is based on a folksong quoted in the novel; the mkiddlesectiopn employs the Hardy poem 'Gallant's Song.') III. Come Let Us Chime (Wedding Song) Tess a country girl who came to the dairy to escape her dark past accapts Clare's proposal of marriage. Theyembrace the curtain falls and the wedding chorus is heard offstage. During the last few bars the curtain rises on the next scene - Tess and Clare in theur honeymoon cottage. (The text is by the composer.)

Easy to medium level woodwind trios in score form. Suitable for contest concert or church performance these pieces appear on several state contest lists. Includes works by Bach Beethoven Corelli Couperin Handel Haydn Mozart Schubert and others.

The piece was commissioned by the Wets Cork Chamber Music Festival and was first performed in July 1999 in Cork Ireland by the Vanbrugh String Orchestra and Patricia Rozario (soprano). Quoting Tavener: The World for string quartet and soprano solo should be performed at maximum intensity throughout. White hot white cold intensely loud intensely soft almost unbearable that which is nowhere and everywhere not human but divine - theanthropic. Set of parts.The piece was commissioned by the Wets Cork Chamber Music Festival and was first performed in July 1999 in Cork Ireland by the Vanbrugh String Orchestra and Patricia Rozario (soprano). Quoting Tavener: The World for string quartet and soprano solo should be performed at maximum intensity throughout. White hot white cold intensely loud intensely soft almost unbearable that which is nowhere and everywhere not human but divine - theanthropic. Set of parts.

Powerful harmonies and strong rhythms dominate this new easy work from Michael Sweeney. Written in a simple rondo form statements of the main theme are interspersed with a legato section featuring woodwinds and later questionand answer phrases between percussion and the low voices. A sparkling new addition for the easy level.

Your singers will enjoy learning this song from India that celebrates the Diwali Festival of Lights. Learn the pronunciation on the VoiceTrax CD or sing with the alternate English text. The authentic sitar and tabla sounds on therecorded accompaniment give this selection special appeal.

Bluegrass Combo-Uses: Lent Holy Week General Spiritual Scripture: Genesis 28:15: John 8:12: Luke 24:32 This traditional spiritual is given an authentic bluegrass treatment. Adroitly crafted with stellar part writing and interesting vocal textures this arrangement is a pleasant change of pace for Lenten worship gatherings general usage or even concerts. Truly unique! Available separately: SATB Bluegrass Combo (fiddle mandolin guitar bass) StudioTrax CD. Duration: ca. 3:02.

As the highest rated television movie in the history of Disney this feel-good story has struck a chord with young people across the country. Bring the magic into your school with this fun to sing 10-minute medley that includes: Bop to the Top Breaking Free Get'cha Head in the Game Start of Something New We're All in This Together What I've Been Looking For .Available separately: SATB 3-Part Mixed 2-Partand ShowTrax CD. Performance Time: Approx. 9:30 As the highest rated television movie in the history of Disney this feel-good story has struck a chord with young people across the country. Bring the magic into your school with this fun to sing 10-minute medley. Includes Bop To The Top Breaking Free Get'cha Head In The Game Start Of Something New We're All In This Together and What I've Been Looking For all expertly arranged by Audrey Snyder for 2 Part choir.