Vocal duet edited by Alfred Moffatt Ranges D - F and C sharp - D.

A setting of the Benedicite for SATB Choir (or Unison Voices) and Organ.

Arranged by J. Michael Diack for SA voices. Words by Shakespeare.

Platinum Edition-A double-CD bumper compilation of chart hits ballads and film themes for Clarinet in melody line arrangements with specially recorded backing tracks. Hear full performance versions of the songs on Disc 1 Tracks 1-17. The Clarinet part is then omitted from tracks 1-17 of disc 2 to enable you to play along with the recorded accompaniment as the solo. The Guest Spot series provides excellent teaching material in conjunction withexamination work and as concert or performance works.

Howells' elegiac setting of words by John Buxton muses on Christ's nativity and his prophesied mission in the world. Ideal for mixed choirs in schools and parish churches. Howells' elegiac setting of words by John Buxton muses on Christ's nativity and his prophesied mission in the world. Ideal for mixed choirs in schools and parish churches.

Ten Promenades for Piano by Francis Poulenc.

Album Of Seven Songs arranged for high voice and piano.

For SATB Mixed Chorus. For SATB Mixed Chorus.

This Jazz Standards edition of the Piano Playbook series is a delectable collection of 45 timeless jazz tunes that have become some of the most well-known and well-loved songs of all time arranged for Piano and Vocals. Each of the Jazz Standards in this Piano Playbook shows the kind of incredibly accomplished songwriting that lifts a song out of itscreators' mind and into the realms of the timeless masterpiece. This excellent jazz sheet music song book has been collated to reflect a variety of moods but also to show a beautifully natural progression through time so you cansee how the jazz standard developed and changed while retaining the thread of magic that has kept them being played for decades. Featuring some amazing tunes like the bop classic Anthropology Coltrane's improvisational masterpiece My Favorite Things and Miles Davis' post-bop impressionistic So What . Some other well-known tunes include Mood Indigo Honeysuckle Rose All The Things You Are LaVie En Rose and jazz arrangements of songs like Singin' In The Rain and Strawberry Fields Forever . These are just a minute selection of the wealth of brilliant songs in this PianoPlaybook and whether you play your favourites or discover new ones there will undoubtedly be a huge number that you fall in love with playing. With some songs arranged for solo Piano andsome for Piano and Vocals this Playbook really is a wonderful collection. Reading the list of songs is like looking at a rundown of the greatest musicians of the 20th century. Bill Evans Charlie Parker Miles Davis Herbie Hancock and so on. You are guaranteed to love playing these songs and your audience is sure to love hearing them as much. Like the rest of the Piano Playbook series this book of

Sing We Merrily Unto God Our Strength is a work described as 'a choral fanfare for festival use.' It's a piece for unaccompanied double choir (SSAATTBB) composed by Martin Shaw .

Verses from Psalms XCVIII XCVI for Satb / Satb chorus a cappella.

For Violin And Piano- From the opera Carmen. Grade: 3

Cruisen-4 Recorders CD (playing score) . Oehring H 4 Recorders CD (playing score) . Oehring H

Arranged by Walter Emery for two pianos.

Donald Hunt's Mass is scored for upper voices (SSA) and organ. Latin Text.

Tekla Badarzewska's The Virgin's Prayer Eb Major for Piano.

Oboe Harp. Yun I

Orchestral Version-John McCabe 's Psalm-Cantata (Orchestral Version) . Vocal score for Soprano Baritone and SATB choir. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London. ' I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bach cantatas with two soloists (soprano and baritone).The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe John McCabe 's Psalm-Cantata (Orchestral Version) . Vocal score for Soprano Baritone and SATB choir. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London. ' I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bachcantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe

These are the instrumental parts for John Tavener 's To A Child Dancing In The Wind for Soprano Flute/Alto Flute Viola and Harp. The entire work lasts around 30 minutes and sets a number of poems by W.B. Yeats considered by Tavener as one of the greatest poets of the 20th century. To A Child Dancing In The Wind was commissioned by the Little Missenden Festival and first performed on 16th October 1983 at Little Missenden Parish Church. John Tavener is well-known for his extensive catalogue of religious music but occasionally he was drawn to less overtly sacred sources. The “frailty tenderness and spiritual transparency of Yeats’ poetry” inspired this song-cyclefrom 1983 for Soprano Flute Harp and Viola. Tavener held Yeats in high regard and was to return to his poems in later works such as Mini Song-Cycle for Gina (1984) A Nativity (1985) and Supernatural Songs (2003). To A Child Dancing In The Wind is dedicated to Tavener’s first wife Victoria Maragopoulou. These are the instrumental parts for John Tavener 's To A Child Dancing In The Wind for Soprano Flute/Alto Flute Viola and Harp. The entire work lasts around 30 minutes and sets a number of poems byW.B. Yeats considered by Tavener as one of the greatest poets of the 20th century. To A Child Dancing In The Wind was commissioned by the Little Missenden Festival and firstperformed on 16th October 1983 at Little Missenden Parish Church. John Tavener is well-known for his extensive catalogue of religious music but occasionally he was drawn to less overtlysacred sources. The “frailty tenderness and spiritual transparency of Yeats’ poetry” inspired this song-cycle from 1983 for Soprano Flute Harp and Viola. Tavener held Yeats in high regard and was to return to hispoems in later works such as Mini Song-Cycle for Gina (1984) A Nativity (1985) and Supernatural Songs (2003). To A Child Dancing In The Wind is dedicated to Tavener’s first wife VictoriaMaragopoulou.

An anthology of Carols and Anthems by Kenneth Leighton one of the most distinguished of the British post-war composers chiefly regarded today for his choral output. This anthology includes many pieces that are less well known and find themselves in no other collection. Arranged for mixed voice choir SATB and organ.