A moving tribute to all those who serve and protect this piece honors the men and women who dedicate their lives to preserving our freedom and keeping us safe. This powerful choral incorporating ÚMy Country 'Tis ofThee Ú is a heart-stirring expression of patriotism and pride for concerts festivals or memorials. Available: SATB; SAB; TTBB; 2-part; Orchestration; StudioTrax CD.

Suite of English Folk Songs (Boyle)-Easy music for string groups. Playstrings provides an enjoyable and varied repertoire for young string orchestras carefully structured in two levels. The ‘Easy’ level does not normally exceed Grade 2 in difficulty with most partsplayable in first position while the ‘Moderately Easy’ level includes some parts of around Grade 3 standard. At easy level alternative parts are provided so that the absence of viola or a double bass does not prevent the piecefrom being performed. Available in score or sets of instrumental parts. There are over 30 titles covering a wide range of styles including classical pieces folk tunes and Christmas collections. Playstrings is an idealintroduction to orchestral playing for young string players. Set of 19 parts contains: 4 x Violin 1 4 x Violin 2 4 x Violin 3 2 x Viola 3 x Cello 2 x Double Bass/Cello 2.

This book is designed for use with Common Worship on Sundays This fine book of Psalms and Gospel Acclamations is designed for use with the Common Worship. The tones and responses written for Cantor and Congregation with optional instrumental descants are tuneful straightforward anddiatonically based. They provide practical and attractive settings for Sundays and Principal Feasts.

For SATB Choir and Piano. For SATB Choir and Piano.

Piano duets with primo part in five-finger positions. Includes music by Cui Enke Diabelli and Löw. Edited by Weekly and Arganbright. Piano duets with primo part in five-finger positions. Includes music by Cui Enke Diabelli and Löw. Edited by Weekly and Arganbright.

An anthology from four centuries in ten volumes. Edited by Robin Langley.

The Italian And Spanish Schools For 5 Voices-The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts and contain a mixture of well known and unfamiliar pieces some of which are published for the first time. Allappear in completely new editions by Anthony G. Petti.

Williams’s arrangement sets a gently rocking accompaniment alongside the soothing Vocal lines. This sheet music includes Welsh and English lyrics and tonic sol-fa notation.Suo-Gân – meaning approximately Lullaby in Welsh – isa perennially popular tune that has been arranged for every possible combination of instruments and has been performed and recorded over the years by many artists including Bryn Terfel and Kathleen Battle. It was featuredprominently in the movie Empire of the Sun.W S Gwynn Williams was a 20th century Welsh composer teacher conductor and was among many other things the first music director of the International Eisteddfodd at Llangollen.

Twenty-three Bob Dylan classics arranged for Ukulele! Complete with full lyrics and easy-to-read chord boxes this great songbook allows you strum and sing all-time great songs such as All Along the Watchtower Blowin' in theWind Like a Rolling Stone and The Times They Are A-Changin' . Complete with handy chord chart.

Noel Estrada's classic considered a second national anthem by many Puerto Ricans is here arranged for voice with Piano accompaniment. Noel Estrada's classic considered a second national anthem by many Puerto Ricans is here arranged for voice with Piano accompaniment.

The vocal score to J.S. Bach's St. John Passion BWV 245 as edited in a new English version by Neil Jenkins. With English and German text and an introduction in English German and French.

The world's most popular classical melodies arranged for easy instrumental solo with piano accompaniment. Includes the music of Bach Brahms and Saint-Saens.

John Luther Adams' Among Red Mountains for solo Piano. John Luther Adams' Among Red Mountains for solo Piano. ' I've always been intimidated by the Piano. As a performer I never played it very well. And as a composer I've never felt as if Icould make the instrument my won. On a recent trip to New York I heard the premiere performance of a lovely chamber work by Kyle Gann that embraces multiple tempos without sustaining them all at the same time.On the way home to Alaska I passed through Seattle. In the Seattle airport there's a large painting by Frank Stella It's one of his protractor works in which arcs of bright colours weave in and out of one another in a dizzyingcounterpoint of imaginary planes. Studying this painting (after hearing Gann's music) it occurred to me that I might be able to do something similar with the Piano. Virtually all my recent music has been composedof four five or six simultaneous tempo layers. If those ensemble and orchestral pieces are multi-dimensional sculptures then Among Red Mountains is more like a drawing. In this piece the challenge I set for myself was tosuggest five independent tempo planes within the limitations of two hands and what Vicki Ray calls 'the Big Black Box'. For three decades I've admired the Piano music of Peter Garland. At last I have a piece thatI hope is worthy of this dedication. The title Among Red Mountains is the translation of the Gwitch'in Athabascan name for a place in the Brooks Range north of Arctic Village .' - John LutherAdams

Anthem for SATB Choir and Organ.

This edition from the hugely popular Easiest 5-Finger Piano Collection series features 15 popular chart hits arranged for 5-finger piano. Includes songs by One Direction Little Mix Rihanna and OllyMurs .

27 Works by 8 Composers-27 works by prominent 20th Century American G. Schirmer composers including: Barber Brubeck Dello Joio Muczynski Schuman and Thomson. Barber: Fresh from West Chester (Some Jazzings): Poison Ivy · Let's Sit It Out; I'd Rather Watch Three Essays: Essay I · Essay II · Essay III Brubeck: Dad Plays the Harmonica Dello Joio: Suite for Piano: I. Moderate · II. Bright · III. Calm ·IV. Moderate Griffes: The White Peacock Muczynski: A Summer Journal Op. 19: Morning Promenade · Park Scene · Midday · Birds · Solitude · Night Rain · Jubilee Tcherepnin: Bagatelles Op. 5 (selections): 1. Allegro marciale · 2. Con vivacita · 4. Lento con tristezza · 5. Dolce Schuman: Three-Score SetThomson: Seventeen Portraits for Piano (selections): Doña Flora: Receiving · Brendan Lemon: A Study for Piano 27 works by prominent 20th Century American G. Schirmer composers including: Barber Brubeck Dello Joio Muczynski Schuman and Thomson.

Bjork Guðmundsdottir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie Bjork has tackled neo-classical showtunes house pop indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Bjork has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words I wanted to question how I felt about musical documentation when CDs were slowlybecoming obsolete I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century? Can one meet at bonfires and sing techno songs? (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to. Bjork Guðmundsdottir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie Bjork has tackled neo-classical showtunes house pop indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Bjork has usedcollaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words I wanted to question how I felt about musical documentation when CDs were slowlybecoming obsolete I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is thedifference of karaoke and the lyrical recitals of the 19th century? Can one meet at bonfires and sing techno songs? (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or doharpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to.

opus 48-Gabriel Faure’s unconventional composition Requiem has become a firm favourite in the repertoire and available here is the vocal score for Soloists and SATB Choir with Piano Accompaniment as edited by Desmond Ratcliffe. Gabriel Faure 's unconventional composition Requiem has become a firm favourite in the repertoire and available here is the vocal score for Soloists and SATB Choir with Piano Accompaniment as edited by Desmond Ratcliffe. Requiem is probably the most famous of Gabriel Faure 's long works taking him around 20 years to compose. The entire piece consists of seven movements with a total playing time of around 35 minutes. Although Faure 's mother and father both passed away in the early stages of composition these tragic events were not the motivation for him to create the piece.Equally interestingly this Requiem is not set to the standard liturgical text with the wrathful 'Dies Irae' and 'Tuba Mirum' being omitted and a lyrical 'Pie Jesu' and transcendent 'Paradisum' being added. The omissions were ordinarily opportunities for composers to showcase the dramatic possibilities of a chorus and orchestra to symbolise damnation and so their deliberate exclusion by Faure creates a relatively calm and peaceful atmosphere with sublime vocal harmonies and heavenly melodies. The work begins softly before dynamic volume and tempo changes are made throughout the piece enhancing the solemn beauty of the voices. Stunning interplay between the Sopranos and Baritones gives way to some excellent opportunities for soloists that are perfectly married with the uplifting unison climaxes. Faure himself spoke eloquently about the Requiem stating that his work was accurately called a 'lullaby of death' and that this speaks to his view that death is a positive transition rather than a painful experience. It is this sentiment that informs the music being melancholy but not depressing heart-wrenching but not heart-breaking. For singers and listeners alike Gabriel Faure 's Requiem is one of the most famous

Arranged by Mac Huff this medley includes Guys and Dolls Luck Be A Lady Fugue For Tinhorns A Bushel And A Peck If I Were A Bell I’ve Never Been In Love Before Adelaide’s Lament and Sit Down You’re Rockin’ TheBoat .

Once Did I Breathe Another's Breath was commissioned for the 2013 Ludlow Weekend of English Song with funds provided by Finzi Friends and specifically Ernie Kay Brian & Mary Midgley and Adrian & Norma Williams. The first performance of Once Did I Breathe Another's Breath was given by Ashley Riches and Iain Burnside on 31st May 2013 at the Ludlow Weekend of English Song in Ludlow Assembly Rooms. Once Did I Breathe Another's Breath was commissioned for the 2013 Ludlow Weekend of English Song with funds provided by Finzi Friends and specifically Ernie Kay Brian & Mary Midgley and Adrian & NormaWilliams. The first performance of Once Did I Breathe Another's Breath was given by Ashley Riches and Iain Burnside on 31st May 2013 at the Ludlow Weekend of English Song in Ludlow Assembly Rooms.